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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 12 88 it is the complementary color RGB 118 243 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 12 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 12 88: RGB 142 12 83, RGB 159 30 102, RGB 176 48 121, RGB 193 66 140 and RGB 210 84 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 12 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 12 88: RGB 137 12 88, RGB 120 0 69, RGB 103 0 50, RGB 86 0 31 and RGB 69 0 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 36 / 46

HEX #890C58

RGB 137 12 88

HSL 323.52, 0.84%, 0.29%

LAB 30.12, 53.48, -10.12

 

Complementary color

CMYK 51 / 0 / 31 / 5

HEX #76F3A7

RGB 118 243 167

HSL 143.52, 0.84%, 0.71%

LAB 87.36, -51.54, 26.24

 

CMYK 0 / 92 / 42 / 44

HEX #8E0C53

RGB 142 12 83

HSL 327.23, 0.84%, 0.3%

LAB 30.97, 54.16, -5.45

 

CMYK 0 / 81 / 36 / 38

HEX #9F1E66

RGB 159 30 102

HSL 326.51, 0.68%, 0.37%

LAB 36.48, 56.4, -9.13

 

CMYK 0 / 73 / 31 / 31

HEX #B03079

RGB 176 48 121

HSL 325.78, 0.57%, 0.44%

LAB 42.35, 57.41, -11.88

 

CMYK 0 / 66 / 27 / 24

HEX #C1428C

RGB 193 66 140

HSL 325.04, 0.51%, 0.51%

LAB 48.42, 57.67, -13.97

 

CMYK 0 / 60 / 24 / 18

HEX #D2549F

RGB 210 84 159

HSL 324.29, 0.58%, 0.58%

LAB 54.6, 57.47, -15.61

 

CMYK 0 / 91 / 36 / 46

HEX #890C58

RGB 137 12 88

HSL 323.52, 0.84%, 0.29%

LAB 30.12, 53.48, -10.12

Pantone® 228 C

CMYK 0 / 100 / 43 / 53

HEX #780045

RGB 120 0 69

HSL 325.5, 1%, 0.24%

LAB 25.02, 49.55, -5.46

 

CMYK 0 / 100 / 51 / 60

HEX #670032

RGB 103 0 50

HSL 330.87, 1%, 0.2%

LAB 20.49, 43.64, 0.61

 

CMYK 0 / 100 / 64 / 66

HEX #56001F

RGB 86 0 31

HSL 338.37, 1%, 0.17%

LAB 15.89, 37.69, 7.23

 

CMYK 0 / 100 / 83 / 73

HEX #45000C

RGB 69 0 12

HSL 349.57, 1%, 0.14%

LAB 11.22, 31.79, 12.7

 

CMYK 0 / 91 / 36 / 46

HEX #890C58

RGB 137 12 88

HSL 323.52, 0.84%, 0.29%

LAB 30.12, 53.48, -10.12

Pantone® 228 C

CMYK 0 / 92 / 51 / 47

HEX #880B43

RGB 136 11 67

HSL 333.12, 0.85%, 0.29%

LAB 29.1, 51.34, 2.3

 

CMYK 0 / 92 / 65 / 47

HEX #880B2F

RGB 136 11 47

HSL 342.72, 0.85%, 0.29%

LAB 28.59, 49.89, 15.05

 

CMYK 0 / 92 / 81 / 47

HEX #880B1A

RGB 136 11 26

HSL 352.8, 0.85%, 0.29%

LAB 28.24, 48.9, 28.37

 

CMYK 0 / 87 / 92 / 47

HEX #88120B

RGB 136 18 11

HSL 3.36, 0.85%, 0.29%

LAB 28.62, 47.06, 36.97

 

CMYK 0 / 91 / 36 / 46

HEX #890C58

RGB 137 12 88

HSL 323.52, 0.84%, 0.29%

LAB 30.12, 53.48, -10.12

Pantone® 228 C

CMYK 0 / 91 / 36 / 26

HEX #BC1079

RGB 188 16 121

HSL 323.37, 0.84%, 0.4%

LAB 41.91, 68.05, -12.32

 

CMYK 0 / 91 / 36 / 6

HEX #EF159A

RGB 239 21 154

HSL 323.39, 0.87%, 0.51%

LAB 53.19, 81.69, -14.33

 

CMYK 0 / 91 / 37 / 86

HEX #230316

RGB 35 3 22

HSL 324.38, 0.84%, 0.07%

LAB 4.34, 16.94, -4.05

 

CMYK 0 / 91 / 36 / 66

HEX #560837

RGB 86 8 55

HSL 323.85, 0.83%, 0.18%

LAB 17.59, 37.62, -7.67

 

CMYK 0 / 91 / 36 / 46

HEX #890C58

RGB 137 12 88

HSL 323.52, 0.84%, 0.29%

LAB 30.12, 53.48, -10.12

Pantone® 228 C

CMYK 0 / 38 / 92 / 47

HEX #88540B

RGB 136 84 11

HSL 35.04, 0.85%, 0.29%

LAB 40.57, 16.28, 46.12

 

CMYK 92 / 0 / 2 / 47

HEX #0B8885

RGB 11 136 133

HSL 178.56, 0.85%, 0.29%

LAB 51.12, -30.54, -7.13

 

CMYK 0 / 91 / 36 / 46

HEX #890C58

RGB 137 12 88

HSL 323.52, 0.84%, 0.29%

LAB 30.12, 53.48, -10.12

Pantone® 228 C

CMYK 35 / 0 / 92 / 47

HEX #58880B

RGB 88 136 11

HSL 83.04, 0.85%, 0.29%

LAB 51.5, -34.09, 53.15

 

CMYK 92 / 35 / 0 / 47

HEX #0B5888

RGB 11 88 136

HSL 203.04, 0.85%, 0.29%

LAB 35.65, -2.86, -32.71

 

CMYK 0 / 91 / 36 / 46

HEX #890C58

RGB 137 12 88

HSL 323.52, 0.84%, 0.29%

LAB 30.12, 53.48, -10.12

Pantone® 228 C

CMYK 0 / 38 / 92 / 47

HEX #88540B

RGB 136 84 11

HSL 35.04, 0.85%, 0.29%

LAB 40.57, 16.28, 46.12

 

CMYK 92 / 0 / 57 / 47

HEX #0B883B

RGB 11 136 59

HSL 143.04, 0.85%, 0.29%

LAB 49.49, -48.37, 32.42

 

CMYK 92 / 54 / 0 / 47

HEX #0B3F88

RGB 11 63 136

HSL 215.04, 0.85%, 0.29%

LAB 27.86, 13.95, -45.2

 

CMYK 0 / 91 / 36 / 46

HEX #890C58

RGB 137 12 88

HSL 323.52, 0.84%, 0.29%

LAB 30.12, 53.48, -10.12

Pantone® 228 C

CMYK 0 / 11 / 92 / 47

HEX #88790B

RGB 136 121 11

HSL 52.8, 0.85%, 0.29%

LAB 50.61, -5.11, 53.95

 

CMYK 92 / 0 / 57 / 47

HEX #0B883B

RGB 11 136 59

HSL 143.04, 0.85%, 0.29%

LAB 49.49, -48.37, 32.42

 

CMYK 92 / 81 / 0 / 47

HEX #0B1A88

RGB 11 26 136

HSL 232.8, 0.85%, 0.29%

LAB 18.31, 38.85, -60.87

 

Description

Color code: RGB 137 12 88 | qconv.com Color code: RGB 137 12 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 12 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 12 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 36 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 36% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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