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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 73 / 31 / 31 it is the complementary color CMYK 62 / 0 / 35 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 73 / 31 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 73 / 31 / 31: CMYK 0 / 73 / 36 / 29, CMYK 0 / 67 / 32 / 22, CMYK 0 / 61 / 28 / 16, CMYK 0 / 56 / 25 / 9 and CMYK 0 / 52 / 23 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 73 / 31 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 73 / 31 / 31: CMYK 0 / 73 / 31 / 31, CMYK 0 / 81 / 36 / 38, CMYK 0 / 92 / 42 / 44, CMYK 0 / 100 / 49 / 51 and CMYK 0 / 100 / 58 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 31 / 31

HEX #B03079

RGB 176 48 121

HSL 325.78, 0.57%, 0.44%

LAB 42.35, 57.41, -11.88

 

Complementary color

CMYK 62 / 0 / 35 / 19

HEX #4FCF86

RGB 79 207 134

HSL 145.78, 0.57%, 0.56%

LAB 74.83, -51.68, 26.1

 

CMYK 0 / 73 / 36 / 29

HEX #B53074

RGB 181 48 116

HSL 329.32, 0.58%, 0.45%

LAB 43.06, 58.2, -7.62

 

CMYK 0 / 67 / 32 / 22

HEX #C64287

RGB 198 66 135

HSL 328.64, 0.54%, 0.52%

LAB 49.07, 58.47, -9.9

 

CMYK 0 / 61 / 28 / 16

HEX #D7549A

RGB 215 84 154

HSL 327.94, 0.62%, 0.59%

LAB 55.2, 58.29, -11.7

 

CMYK 0 / 56 / 25 / 9

HEX #E866AD

RGB 232 102 173

HSL 327.23, 0.74%, 0.65%

LAB 61.37, 57.84, -13.17

 

CMYK 0 / 52 / 23 / 2

HEX #F978C0

RGB 249 120 192

HSL 326.51, 0.91%, 0.72%

LAB 67.56, 57.23, -14.41

 

CMYK 0 / 73 / 31 / 31

HEX #B03079

RGB 176 48 121

HSL 325.78, 0.57%, 0.44%

LAB 42.35, 57.41, -11.88

 

CMYK 0 / 81 / 36 / 38

HEX #9F1E66

RGB 159 30 102

HSL 326.51, 0.68%, 0.37%

LAB 36.48, 56.4, -9.13

 

CMYK 0 / 92 / 42 / 44

HEX #8E0C53

RGB 142 12 83

HSL 327.23, 0.84%, 0.3%

LAB 30.97, 54.16, -5.45

 

CMYK 0 / 100 / 49 / 51

HEX #7D0040

RGB 125 0 64

HSL 329.28, 1%, 0.25%

LAB 25.95, 50.26, -0.55

 

CMYK 0 / 100 / 58 / 58

HEX #6C002D

RGB 108 0 45

HSL 335, 1%, 0.21%

LAB 21.5, 44.49, 5.73

 

CMYK 0 / 73 / 31 / 31

HEX #B03079

RGB 176 48 121

HSL 325.78, 0.57%, 0.44%

LAB 42.35, 57.41, -11.88

 

CMYK 0 / 73 / 43 / 31

HEX #B03065

RGB 176 48 101

HSL 335.16, 0.57%, 0.44%

LAB 41.66, 55.2, -0.46

 

CMYK 0 / 73 / 55 / 31

HEX #B03050

RGB 176 48 80

HSL 345, 0.57%, 0.44%

LAB 41.09, 53.32, 11.92

 

CMYK 0 / 73 / 67 / 31

HEX #B0303A

RGB 176 48 58

HSL 355.31, 0.57%, 0.44%

LAB 40.65, 51.83, 25.06

 

CMYK 0 / 67 / 73 / 31

HEX #B03A30

RGB 176 58 48

HSL 4.69, 0.57%, 0.44%

LAB 41.95, 47.36, 32.6

 

CMYK 0 / 73 / 31 / 31

HEX #B03079

RGB 176 48 121

HSL 325.78, 0.57%, 0.44%

LAB 42.35, 57.41, -11.88

 

CMYK 0 / 73 / 31 / 11

HEX #E33E9C

RGB 227 62 156

HSL 325.82, 0.75%, 0.57%

LAB 54.21, 70.17, -14.17

 

CMYK 0 / 74 / 30 / 91

HEX #170610

RGB 23 6 16

HSL 324.71, 0.59%, 0.06%

LAB 3.16, 7.35, -2.14

 

CMYK 0 / 73 / 31 / 71

HEX #4A1433

RGB 74 20 51

HSL 325.56, 0.57%, 0.18%

LAB 16.48, 29.02, -6.75

 

CMYK 0 / 73 / 31 / 51

HEX #7D2256

RGB 125 34 86

HSL 325.71, 0.57%, 0.31%

LAB 29.85, 43.86, -9.44

 

CMYK 0 / 73 / 31 / 31

HEX #B03079

RGB 176 48 121

HSL 325.78, 0.57%, 0.44%

LAB 42.35, 57.41, -11.88

 

CMYK 0 / 28 / 73 / 31

HEX #B07F30

RGB 176 127 48

HSL 37.03, 0.57%, 0.44%

LAB 56.71, 11.3, 48.51

 

CMYK 73 / 1 / 0 / 31

HEX #30AEB0

RGB 48 174 176

HSL 180.94, 0.57%, 0.44%

LAB 64.99, -32.23, -10.83

 

CMYK 0 / 73 / 31 / 31

HEX #B03079

RGB 176 48 121

HSL 325.78, 0.57%, 0.44%

LAB 42.35, 57.41, -11.88

 

CMYK 31 / 0 / 73 / 31

HEX #7AB030

RGB 122 176 48

HSL 85.31, 0.57%, 0.44%

LAB 66.06, -37.31, 56.48

 

CMYK 73 / 31 / 0 / 31

HEX #307AB0

RGB 48 122 176

HSL 205.31, 0.57%, 0.44%

LAB 49.11, -4.48, -35.21

 

CMYK 0 / 73 / 31 / 31

HEX #B03079

RGB 176 48 121

HSL 325.78, 0.57%, 0.44%

LAB 42.35, 57.41, -11.88

 

CMYK 0 / 28 / 73 / 31

HEX #B07F30

RGB 176 127 48

HSL 37.03, 0.57%, 0.44%

LAB 56.71, 11.3, 48.51

 

CMYK 73 / 0 / 43 / 31

HEX #30B065

RGB 48 176 101

HSL 144.84, 0.57%, 0.44%

LAB 63.85, -51.35, 28.72

 

CMYK 73 / 45 / 0 / 31

HEX #3061B0

RGB 48 97 176

HSL 217.03, 0.57%, 0.44%

LAB 41.71, 11.03, -46.95

 

CMYK 0 / 73 / 31 / 31

HEX #B03079

RGB 176 48 121

HSL 325.78, 0.57%, 0.44%

LAB 42.35, 57.41, -11.88

 

CMYK 0 / 6 / 73 / 31

HEX #B0A530

RGB 176 165 48

HSL 54.84, 0.57%, 0.44%

LAB 66.79, -9.4, 58.51

 

CMYK 73 / 0 / 43 / 31

HEX #30B065

RGB 48 176 101

HSL 144.84, 0.57%, 0.44%

LAB 63.85, -51.35, 28.72

 

CMYK 73 / 67 / 0 / 31

HEX #303AB0

RGB 48 58 176

HSL 235.31, 0.57%, 0.44%

LAB 31.32, 36.46, -63.8

 

Description

Color code: CMYK 0 / 73 / 31 / 31 | qconv.com Color code: CMYK 0 / 73 / 31 / 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 48 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 48 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 31 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 31% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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