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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 108 195 it is the complementary color RGB 119 147 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 108 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 136 108 195: RGB 141 108 190, RGB 158 126 209, RGB 175 144 228, RGB 192 162 247 and RGB 209 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 108 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 136 108 195: RGB 136 108 195, RGB 119 90 176, RGB 102 72 157, RGB 85 54 138 and RGB 68 36 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 45 / 0 / 24

HEX #886CC3

RGB 136 108 195

HSL 259.31, 0.42%, 0.59%

LAB 51.72, 30, -41.68

 

Complementary color

CMYK 19 / 0 / 59 / 42

HEX #77933C

RGB 119 147 60

HSL 79.31, 0.42%, 0.41%

LAB 57.19, -23.85, 41.97

 

CMYK 26 / 43 / 0 / 25

HEX #8D6CBE

RGB 141 108 190

HSL 264.15, 0.39%, 0.58%

LAB 51.96, 30.16, -38.4

 

CMYK 24 / 40 / 0 / 18

HEX #9E7ED1

RGB 158 126 209

HSL 263.13, 0.47%, 0.66%

LAB 58.78, 29.33, -38.38

 

CMYK 23 / 37 / 0 / 11

HEX #AF90E4

RGB 175 144 228

HSL 262.14, 0.61%, 0.73%

LAB 65.48, 28.57, -38.38

 

CMYK 22 / 34 / 0 / 3

HEX #C0A2F7

RGB 192 162 247

HSL 261.18, 0.84%, 0.8%

LAB 72.07, 27.87, -38.41

 

CMYK 18 / 29 / 0 / 0

HEX #D1B4FF

RGB 209 180 255

HSL 263.2, 1%, 0.85%

LAB 78.12, 24.8, -33.24

 

CMYK 30 / 45 / 0 / 24

HEX #886CC3

RGB 136 108 195

HSL 259.31, 0.42%, 0.59%

LAB 51.72, 30, -41.68

 

CMYK 32 / 49 / 0 / 31

HEX #775AB0

RGB 119 90 176

HSL 260.23, 0.35%, 0.52%

LAB 44.76, 30.98, -41.8

 

CMYK 35 / 54 / 0 / 38

HEX #66489D

RGB 102 72 157

HSL 261.18, 0.37%, 0.45%

LAB 37.65, 32.06, -41.94

 

CMYK 38 / 61 / 0 / 46

HEX #55368A

RGB 85 54 138

HSL 262.14, 0.44%, 0.38%

LAB 30.41, 33.23, -42.08

 

CMYK 43 / 70 / 0 / 53

HEX #442477

RGB 68 36 119

HSL 263.13, 0.54%, 0.3%

LAB 23.08, 34.39, -42.1

 

CMYK 30 / 45 / 0 / 24

HEX #886CC3

RGB 136 108 195

HSL 259.31, 0.42%, 0.59%

LAB 51.72, 30, -41.68

 

CMYK 24 / 45 / 0 / 24

HEX #946AC2

RGB 148 106 194

HSL 268.64, 0.42%, 0.59%

LAB 52.4, 34.29, -39.96

 

CMYK 16 / 45 / 0 / 24

HEX #A36AC2

RGB 163 106 194

HSL 278.86, 0.42%, 0.59%

LAB 54.02, 38.62, -37.3

 

CMYK 8 / 45 / 0 / 24

HEX #B26AC2

RGB 178 106 194

HSL 289.09, 0.42%, 0.59%

LAB 55.75, 43.03, -34.45

 

CMYK 1 / 45 / 0 / 24

HEX #C06AC2

RGB 192 106 194

HSL 298.64, 0.42%, 0.59%

LAB 57.47, 47.17, -31.65

 

CMYK 30 / 45 / 0 / 24

HEX #886CC3

RGB 136 108 195

HSL 259.31, 0.42%, 0.59%

LAB 51.72, 30, -41.68

 

CMYK 30 / 45 / 0 / 4

HEX #AC88F6

RGB 172 136 246

HSL 259.64, 0.86%, 0.75%

LAB 64.19, 36.56, -50.36

 

CMYK 31 / 45 / 0 / 84

HEX #1D172A

RGB 29 23 42

HSL 258.95, 0.29%, 0.13%

LAB 9.33, 8.24, -11.83

 

CMYK 30 / 44 / 0 / 64

HEX #41345D

RGB 65 52 93

HSL 259.02, 0.28%, 0.28%

LAB 24.86, 15.91, -22.46

 

CMYK 31 / 44 / 0 / 44

HEX #645090

RGB 100 80 144

HSL 258.75, 0.29%, 0.44%

LAB 38.66, 23.07, -32.51

 

CMYK 30 / 45 / 0 / 24

HEX #886CC3

RGB 136 108 195

HSL 259.31, 0.42%, 0.59%

LAB 51.72, 30, -41.68

 

CMYK 0 / 45 / 24 / 24

HEX #C26A94

RGB 194 106 148

HSL 331.36, 0.42%, 0.59%

LAB 56, 40.16, -7.3

 

CMYK 42 / 0 / 45 / 24

HEX #71C26A

RGB 113 194 106

HSL 115.23, 0.42%, 0.59%

LAB 71.65, -42.33, 36.58

 

CMYK 30 / 45 / 0 / 24

HEX #886CC3

RGB 136 108 195

HSL 259.31, 0.42%, 0.59%

LAB 51.72, 30, -41.68

 

CMYK 0 / 31 / 45 / 24

HEX #C2866A

RGB 194 134 106

HSL 19.09, 0.42%, 0.59%

LAB 61.27, 19.67, 24.32

 

CMYK 45 / 0 / 31 / 24

HEX #6AC286

RGB 106 194 134

HSL 139.09, 0.42%, 0.59%

LAB 71.8, -39.79, 22.17

 

CMYK 30 / 45 / 0 / 24

HEX #886CC3

RGB 136 108 195

HSL 259.31, 0.42%, 0.59%

LAB 51.72, 30, -41.68

 

CMYK 0 / 45 / 24 / 24

HEX #C26A94

RGB 194 106 148

HSL 331.36, 0.42%, 0.59%

LAB 56, 40.16, -7.3

 

CMYK 14 / 0 / 45 / 24

HEX #A6C26A

RGB 166 194 106

HSL 79.09, 0.42%, 0.59%

LAB 74.66, -23.65, 40.99

 

CMYK 45 / 0 / 22 / 24

HEX #6AC297

RGB 106 194 151

HSL 150.68, 0.42%, 0.59%

LAB 72.15, -36.44, 13.53

 

CMYK 30 / 45 / 0 / 24

HEX #886CC3

RGB 136 108 195

HSL 259.31, 0.42%, 0.59%

LAB 51.72, 30, -41.68

 

CMYK 0 / 45 / 37 / 24

HEX #C26A7A

RGB 194 106 122

HSL 349.09, 0.42%, 0.59%

LAB 55.26, 36.7, 6.84

 

CMYK 14 / 0 / 45 / 24

HEX #A6C26A

RGB 166 194 106

HSL 79.09, 0.42%, 0.59%

LAB 74.66, -23.65, 40.99

 

CMYK 45 / 0 / 8 / 24

HEX #6AC2B2

RGB 106 194 178

HSL 169.09, 0.42%, 0.59%

LAB 72.8, -30.38, -0.19

 

Description

Color code: RGB 136 108 195 | qconv.com Color code: RGB 136 108 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 108 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 108 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 45 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 45% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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