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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 147 60 it is the complementary color RGB 136 108 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 147 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 119 147 60: RGB 124 147 55, RGB 141 165 74, RGB 158 183 93, RGB 175 201 112 and RGB 192 219 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 147 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 119 147 60: RGB 119 147 60, RGB 102 129 41, RGB 85 111 22, RGB 68 93 3 and RGB 51 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 59 / 42

HEX #77933C

RGB 119 147 60

HSL 79.31, 0.42%, 0.41%

LAB 57.19, -23.85, 41.97

 

Complementary color

CMYK 30 / 45 / 0 / 24

HEX #886CC3

RGB 136 108 195

HSL 259.31, 0.42%, 0.59%

LAB 51.72, 30, -41.68

 

CMYK 16 / 0 / 63 / 42

HEX #7C9337

RGB 124 147 55

HSL 75, 0.46%, 0.4%

LAB 57.49, -22.2, 44.73

 

CMYK 15 / 0 / 55 / 35

HEX #8DA54A

RGB 141 165 74

HSL 75.82, 0.38%, 0.47%

LAB 64.22, -22.54, 43.74

 

CMYK 14 / 0 / 49 / 28

HEX #9EB75D

RGB 158 183 93

HSL 76.67, 0.38%, 0.54%

LAB 70.82, -22.77, 42.61

 

CMYK 13 / 0 / 44 / 21

HEX #AFC970

RGB 175 201 112

HSL 77.53, 0.45%, 0.61%

LAB 77.31, -22.93, 41.45

 

CMYK 12 / 0 / 40 / 14

HEX #C0DB83

RGB 192 219 131

HSL 78.41, 0.55%, 0.69%

LAB 83.71, -23.04, 40.29

 

CMYK 19 / 0 / 59 / 42

HEX #77933C

RGB 119 147 60

HSL 79.31, 0.42%, 0.41%

LAB 57.19, -23.85, 41.97

 

CMYK 21 / 0 / 68 / 49

HEX #668129

RGB 102 129 41

HSL 78.41, 0.52%, 0.33%

LAB 50.32, -23.5, 42.81

 

CMYK 23 / 0 / 80 / 56

HEX #556F16

RGB 85 111 22

HSL 77.53, 0.67%, 0.26%

LAB 43.3, -22.94, 42.98

 

CMYK 27 / 0 / 97 / 64

HEX #445D03

RGB 68 93 3

HSL 76.67, 0.94%, 0.19%

LAB 36.11, -22.09, 41.87

 

CMYK 32 / 0 / 100 / 71

HEX #334B00

RGB 51 75 0

HSL 79.2, 1%, 0.15%

LAB 28.74, -20.65, 36.64

 

CMYK 19 / 0 / 59 / 42

HEX #77933C

RGB 119 147 60

HSL 79.31, 0.42%, 0.41%

LAB 57.19, -23.85, 41.97

 

CMYK 28 / 0 / 59 / 42

HEX #6A943C

RGB 106 148 60

HSL 88.64, 0.42%, 0.41%

LAB 56.65, -29.54, 41.14

 

CMYK 39 / 0 / 59 / 42

HEX #5B943C

RGB 91 148 60

HSL 98.86, 0.42%, 0.41%

LAB 55.82, -35.1, 39.96

 

CMYK 49 / 0 / 59 / 42

HEX #4C943C

RGB 76 148 60

HSL 109.09, 0.42%, 0.41%

LAB 55.12, -40.07, 38.97

 

CMYK 58 / 0 / 59 / 42

HEX #3E943C

RGB 62 148 60

HSL 118.64, 0.42%, 0.41%

LAB 54.59, -44.07, 38.22

 

CMYK 19 / 0 / 59 / 42

HEX #77933C

RGB 119 147 60

HSL 79.31, 0.42%, 0.41%

LAB 57.19, -23.85, 41.97

 

CMYK 19 / 0 / 59 / 22

HEX #A0C651

RGB 160 198 81

HSL 79.49, 0.51%, 0.55%

LAB 75.11, -30.37, 53.27

 

CMYK 19 / 0 / 59 / 2

HEX #CAF966

RGB 202 249 102

HSL 79.18, 0.92%, 0.69%

LAB 92.25, -36.18, 64.07

 

CMYK 20 / 0 / 60 / 82

HEX #242D12

RGB 36 45 18

HSL 80, 0.43%, 0.12%

LAB 16.97, -9.44, 16.07

 

CMYK 19 / 0 / 59 / 62

HEX #4E6027

RGB 78 96 39

HSL 78.95, 0.42%, 0.26%

LAB 38.08, -16.83, 29.83

 

CMYK 19 / 0 / 59 / 42

HEX #77933C

RGB 119 147 60

HSL 79.31, 0.42%, 0.41%

LAB 57.19, -23.85, 41.97

 

CMYK 59 / 0 / 28 / 42

HEX #3C946A

RGB 60 148 106

HSL 151.36, 0.42%, 0.41%

LAB 55.26, -36.62, 14.5

 

CMYK 5 / 59 / 0 / 42

HEX #8D3C94

RGB 141 60 148

HSL 295.23, 0.42%, 0.41%

LAB 39.64, 47.04, -33.05

 

CMYK 19 / 0 / 59 / 42

HEX #77933C

RGB 119 147 60

HSL 79.31, 0.42%, 0.41%

LAB 57.19, -23.85, 41.97

 

CMYK 59 / 19 / 0 / 42

HEX #3C7894

RGB 60 120 148

HSL 199.09, 0.42%, 0.41%

LAB 47.66, -10.83, -21.06

 

CMYK 0 / 59 / 19 / 42

HEX #943C78

RGB 148 60 120

HSL 319.09, 0.42%, 0.41%

LAB 39.38, 44.19, -16.2

 

CMYK 19 / 0 / 59 / 42

HEX #77933C

RGB 119 147 60

HSL 79.31, 0.42%, 0.41%

LAB 57.19, -23.85, 41.97

 

CMYK 59 / 0 / 28 / 42

HEX #3C946A

RGB 60 148 106

HSL 151.36, 0.42%, 0.41%

LAB 55.26, -36.62, 14.5

 

CMYK 41 / 59 / 0 / 42

HEX #583C94

RGB 88 60 148

HSL 259.09, 0.42%, 0.41%

LAB 32.8, 33.22, -44.36

 

CMYK 0 / 59 / 30 / 42

HEX #943C67

RGB 148 60 103

HSL 330.68, 0.42%, 0.41%

LAB 38.74, 41.72, -6.58

 

CMYK 19 / 0 / 59 / 42

HEX #77933C

RGB 119 147 60

HSL 79.31, 0.42%, 0.41%

LAB 57.19, -23.85, 41.97

 

CMYK 59 / 0 / 11 / 42

HEX #3C9484

RGB 60 148 132

HSL 169.09, 0.42%, 0.41%

LAB 55.89, -30.3, 0.6

 

CMYK 41 / 59 / 0 / 42

HEX #583C94

RGB 88 60 148

HSL 259.09, 0.42%, 0.41%

LAB 32.8, 33.22, -44.36

 

CMYK 0 / 59 / 49 / 42

HEX #943C4C

RGB 148 60 76

HSL 349.09, 0.42%, 0.41%

LAB 37.93, 38.54, 9.29

 

Description

Color code: RGB 119 147 60 | qconv.com Color code: RGB 119 147 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 147 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 147 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 59 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 59% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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