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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 216 154 it is the complementary color RGB 120 39 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 216 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 216 154: RGB 140 216 149, RGB 157 234 168, RGB 174 252 187, RGB 191 255 206 and RGB 208 255 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 216 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 216 154: RGB 135 216 154, RGB 118 198 135, RGB 101 180 116, RGB 84 162 97 and RGB 67 144 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 29 / 15

HEX #87D89A

RGB 135 216 154

HSL 134.07, 0.51%, 0.69%

LAB 79.95, -37.71, 22.95

 

Complementary color

CMYK 0 / 68 / 16 / 53

HEX #782765

RGB 120 39 101

HSL 314.07, 0.51%, 0.31%

LAB 30.36, 42.5, -18.48

 

CMYK 35 / 0 / 31 / 15

HEX #8CD895

RGB 140 216 149

HSL 127.11, 0.49%, 0.7%

LAB 80.1, -37.06, 25.8

 

CMYK 33 / 0 / 28 / 8

HEX #9DEAA8

RGB 157 234 168

HSL 128.57, 0.65%, 0.77%

LAB 86.43, -36.8, 24.72

 

CMYK 31 / 0 / 26 / 1

HEX #AEFCBB

RGB 174 252 187

HSL 130, 0.93%, 0.84%

LAB 92.67, -36.55, 23.7

 

CMYK 25 / 0 / 19 / 0

HEX #BFFFCE

RGB 191 255 206

HSL 134.06, 1%, 0.87%

LAB 94.76, -29.38, 17.05

 

CMYK 18 / 0 / 12 / 0

HEX #D0FFE1

RGB 208 255 225

HSL 141.7, 1%, 0.91%

LAB 96.15, -20.62, 9.42

 

CMYK 38 / 0 / 29 / 15

HEX #87D89A

RGB 135 216 154

HSL 134.07, 0.51%, 0.69%

LAB 79.95, -37.71, 22.95

 

CMYK 40 / 0 / 32 / 22

HEX #76C687

RGB 118 198 135

HSL 132.75, 0.41%, 0.62%

LAB 73.54, -37.97, 24.08

 

CMYK 44 / 0 / 36 / 29

HEX #65B474

RGB 101 180 116

HSL 131.39, 0.34%, 0.55%

LAB 67.03, -38.21, 25.28

 

CMYK 48 / 0 / 40 / 36

HEX #54A261

RGB 84 162 97

HSL 130, 0.32%, 0.48%

LAB 60.42, -38.4, 26.57

 

CMYK 53 / 0 / 46 / 44

HEX #43904E

RGB 67 144 78

HSL 128.57, 0.36%, 0.41%

LAB 53.7, -38.49, 27.95

 

CMYK 38 / 0 / 29 / 15

HEX #87D89A

RGB 135 216 154

HSL 134.07, 0.51%, 0.69%

LAB 79.95, -37.71, 22.95

 

CMYK 38 / 0 / 23 / 15

HEX #87D8A7

RGB 135 216 167

HSL 143.7, 0.51%, 0.69%

LAB 80.21, -35.31, 16.48

 

CMYK 38 / 0 / 16 / 15

HEX #87D8B5

RGB 135 216 181

HSL 154.07, 0.51%, 0.69%

LAB 80.52, -32.51, 9.5

 

CMYK 38 / 0 / 10 / 15

HEX #87D8C2

RGB 135 216 194

HSL 163.7, 0.51%, 0.69%

LAB 80.83, -29.73, 3.04

 

CMYK 38 / 0 / 4 / 15

HEX #87D8D0

RGB 135 216 208

HSL 174.07, 0.51%, 0.69%

LAB 81.19, -26.55, -3.89

 

CMYK 38 / 0 / 29 / 15

HEX #87D89A

RGB 135 216 154

HSL 134.07, 0.51%, 0.69%

LAB 79.95, -37.71, 22.95

 

CMYK 33 / 0 / 25 / 95

HEX #080C09

RGB 8 12 9

HSL 135, 0.2%, 0.04%

LAB 3.02, -1.51, 0.8

 

CMYK 38 / 0 / 29 / 75

HEX #273F2D

RGB 39 63 45

HSL 135, 0.24%, 0.2%

LAB 24.24, -13.92, 8.15

 

CMYK 38 / 0 / 29 / 55

HEX #477251

RGB 71 114 81

HSL 133.95, 0.23%, 0.36%

LAB 44.19, -22.59, 13.69

 

CMYK 38 / 0 / 28 / 35

HEX #67A576

RGB 103 165 118

HSL 134.52, 0.26%, 0.53%

LAB 62.59, -30.29, 18.21

 

CMYK 38 / 0 / 29 / 15

HEX #87D89A

RGB 135 216 154

HSL 134.07, 0.51%, 0.69%

LAB 79.95, -37.71, 22.95

 

CMYK 38 / 16 / 0 / 15

HEX #87B5D8

RGB 135 181 216

HSL 205.93, 0.51%, 0.69%

LAB 71.66, -6.59, -22.49

 

CMYK 0 / 38 / 31 / 15

HEX #D88795

RGB 216 135 149

HSL 349.63, 0.51%, 0.69%

LAB 65.04, 32.76, 5.68

 

CMYK 38 / 0 / 29 / 15

HEX #87D89A

RGB 135 216 154

HSL 134.07, 0.51%, 0.69%

LAB 79.95, -37.71, 22.95

 

CMYK 29 / 38 / 0 / 15

HEX #9A87D8

RGB 154 135 216

HSL 254.07, 0.51%, 0.69%

LAB 60.92, 24.72, -38.99

 

CMYK 0 / 29 / 38 / 15

HEX #D89A87

RGB 216 154 135

HSL 14.07, 0.51%, 0.69%

LAB 69.08, 20.78, 19.2

 

CMYK 38 / 0 / 29 / 15

HEX #87D89A

RGB 135 216 154

HSL 134.07, 0.51%, 0.69%

LAB 79.95, -37.71, 22.95

 

CMYK 38 / 16 / 0 / 15

HEX #87B5D8

RGB 135 181 216

HSL 205.93, 0.51%, 0.69%

LAB 71.66, -6.59, -22.49

 

CMYK 0 / 38 / 9 / 15

HEX #D887C5

RGB 216 135 197

HSL 314.07, 0.51%, 0.69%

LAB 66.49, 40.01, -19.24

 

CMYK 0 / 21 / 38 / 15

HEX #D8AA87

RGB 216 170 135

HSL 25.93, 0.51%, 0.69%

LAB 72.96, 12.14, 24.48

 

CMYK 38 / 0 / 29 / 15

HEX #87D89A

RGB 135 216 154

HSL 134.07, 0.51%, 0.69%

LAB 79.95, -37.71, 22.95

 

CMYK 38 / 27 / 0 / 15

HEX #879DD8

RGB 135 157 216

HSL 223.7, 0.51%, 0.69%

LAB 65.14, 6.74, -32.52

 

CMYK 0 / 38 / 9 / 15

HEX #D887C5

RGB 216 135 197

HSL 314.07, 0.51%, 0.69%

LAB 66.49, 40.01, -19.24

 

CMYK 0 / 10 / 38 / 15

HEX #D8C287

RGB 216 194 135

HSL 43.7, 0.51%, 0.69%

LAB 79, -0.59, 32.53

 

Description

Color code: RGB 135 216 154 | qconv.com Color code: RGB 135 216 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 216 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 216 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 29 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 29% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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