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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #879DD8 it is the complementary color #786227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #879DD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #879DD8: #8C9DD3, #9DAFE6, #AEC1F9, #BFD3FF and #D0E5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #879DD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #879DD8: #879DD8, #768BC5, #6579B2, #54679F and #43558C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 27 / 0 / 15

HEX #879DD8

RGB 135 157 216

HSL 223.7, 0.51%, 0.69%

LAB 65.14, 6.74, -32.52

 

Complementary color

CMYK 0 / 18 / 68 / 53

HEX #786227

RGB 120 98 39

HSL 43.7, 0.51%, 0.31%

LAB 42.57, 1.66, 35.94

 

CMYK 34 / 26 / 0 / 17

HEX #8C9DD3

RGB 140 157 211

HSL 225.63, 0.45%, 0.69%

LAB 65.27, 6.8, -29.51

 

CMYK 32 / 24 / 0 / 10

HEX #9DAFE6

RGB 157 175 230

HSL 225.21, 0.59%, 0.76%

LAB 71.92, 6.4, -29.61

 

CMYK 30 / 22 / 0 / 2

HEX #AEC1F9

RGB 174 193 249

HSL 224.8, 0.86%, 0.83%

LAB 78.45, 6.05, -29.74

 

CMYK 25 / 17 / 0 / 0

HEX #BFD3FF

RGB 191 211 255

HSL 221.25, 1%, 0.87%

LAB 84.42, 2.69, -23.71

 

CMYK 18 / 10 / 0 / 0

HEX #D0E5FF

RGB 208 229 255

HSL 213.19, 1%, 0.91%

LAB 90.17, -1.66, -14.92

 

CMYK 38 / 27 / 0 / 15

HEX #879DD8

RGB 135 157 216

HSL 223.7, 0.51%, 0.69%

LAB 65.14, 6.74, -32.52

 

CMYK 40 / 29 / 0 / 23

HEX #768BC5

RGB 118 139 197

HSL 224.05, 0.41%, 0.62%

LAB 58.37, 7.25, -32.5

 

CMYK 43 / 32 / 0 / 30

HEX #6579B2

RGB 101 121 178

HSL 224.42, 0.33%, 0.55%

LAB 51.45, 7.87, -32.52

 

CMYK 47 / 35 / 0 / 38

HEX #54679F

RGB 84 103 159

HSL 224.8, 0.31%, 0.48%

LAB 44.36, 8.61, -32.6

 

CMYK 52 / 39 / 0 / 45

HEX #43558C

RGB 67 85 140

HSL 225.21, 0.35%, 0.41%

LAB 37.08, 9.54, -32.74

 

CMYK 38 / 27 / 0 / 15

HEX #879DD8

RGB 135 157 216

HSL 223.7, 0.51%, 0.69%

LAB 65.14, 6.74, -32.52

 

CMYK 38 / 33 / 0 / 15

HEX #8791D8

RGB 135 145 216

HSL 232.59, 0.51%, 0.69%

LAB 61.96, 13.63, -37.46

 

CMYK 36 / 38 / 0 / 15

HEX #8B87D8

RGB 139 135 216

HSL 242.96, 0.51%, 0.69%

LAB 59.68, 20.54, -41.01

 

CMYK 29 / 38 / 0 / 15

HEX #9987D8

RGB 153 135 216

HSL 253.33, 0.51%, 0.69%

LAB 60.83, 24.44, -39.13

 

CMYK 23 / 38 / 0 / 15

HEX #A687D8

RGB 166 135 216

HSL 262.96, 0.51%, 0.69%

LAB 61.99, 28.2, -37.23

 

CMYK 38 / 27 / 0 / 15

HEX #879DD8

RGB 135 157 216

HSL 223.7, 0.51%, 0.69%

LAB 65.14, 6.74, -32.52

 

CMYK 33 / 25 / 0 / 95

HEX #08090C

RGB 8 9 12

HSL 225, 0.2%, 0.04%

LAB 2.47, 0.17, -1.27

 

CMYK 38 / 27 / 0 / 75

HEX #272E3F

RGB 39 46 63

HSL 222.5, 0.24%, 0.2%

LAB 18.99, 1.95, -11.72

 

CMYK 38 / 27 / 0 / 55

HEX #475372

RGB 71 83 114

HSL 223.26, 0.23%, 0.36%

LAB 35.48, 3.69, -19.24

 

CMYK 38 / 27 / 0 / 35

HEX #6778A5

RGB 103 120 165

HSL 223.55, 0.26%, 0.53%

LAB 50.73, 5.26, -26.09

 

CMYK 38 / 27 / 0 / 15

HEX #879DD8

RGB 135 157 216

HSL 223.7, 0.51%, 0.69%

LAB 65.14, 6.74, -32.52

 

CMYK 3 / 38 / 0 / 15

HEX #D187D8

RGB 209 135 216

HSL 294.81, 0.51%, 0.69%

LAB 66.4, 41.21, -30.04

 

CMYK 12 / 0 / 38 / 15

HEX #BED887

RGB 190 216 135

HSL 79.26, 0.51%, 0.69%

LAB 82.81, -21.84, 37.11

 

CMYK 38 / 27 / 0 / 15

HEX #879DD8

RGB 135 157 216

HSL 223.7, 0.51%, 0.69%

LAB 65.14, 6.74, -32.52

 

CMYK 0 / 38 / 27 / 15

HEX #D8879E

RGB 216 135 158

HSL 342.96, 0.51%, 0.69%

LAB 65.28, 33.97, 0.93

 

CMYK 27 / 0 / 38 / 15

HEX #9ED887

RGB 158 216 135

HSL 102.96, 0.51%, 0.69%

LAB 80.81, -33.36, 34.12

 

CMYK 38 / 27 / 0 / 15

HEX #879DD8

RGB 135 157 216

HSL 223.7, 0.51%, 0.69%

LAB 65.14, 6.74, -32.52

 

CMYK 3 / 38 / 0 / 15

HEX #D187D8

RGB 209 135 216

HSL 294.81, 0.51%, 0.69%

LAB 66.4, 41.21, -30.04

 

CMYK 0 / 11 / 38 / 15

HEX #D8C187

RGB 216 193 135

HSL 42.96, 0.51%, 0.69%

LAB 78.75, -0.07, 32.19

 

CMYK 34 / 0 / 38 / 15

HEX #8ED887

RGB 142 216 135

HSL 114.81, 0.51%, 0.69%

LAB 79.96, -38.67, 32.84

 

CMYK 38 / 27 / 0 / 15

HEX #879DD8

RGB 135 157 216

HSL 223.7, 0.51%, 0.69%

LAB 65.14, 6.74, -32.52

 

CMYK 0 / 38 / 8 / 15

HEX #D887C6

RGB 216 135 198

HSL 313.33, 0.51%, 0.69%

LAB 66.52, 40.18, -19.74

 

CMYK 0 / 11 / 38 / 15

HEX #D8C187

RGB 216 193 135

HSL 42.96, 0.51%, 0.69%

LAB 78.75, -0.07, 32.19

 

CMYK 38 / 0 / 29 / 15

HEX #87D899

RGB 135 216 153

HSL 133.33, 0.51%, 0.69%

LAB 79.93, -37.88, 23.45

 

Description

Color code: HEX #879DD8 | qconv.com Color code: HEX #879DD8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 157 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 157 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 27 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 27% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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