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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 213 82 it is the complementary color RGB 123 42 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 213 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 132 213 82: RGB 137 213 77, RGB 154 231 96, RGB 171 249 115, RGB 188 255 134 and RGB 205 255 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 213 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 132 213 82: RGB 132 213 82, RGB 115 195 63, RGB 98 177 44, RGB 81 159 25 and RGB 64 141 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 62 / 16

HEX #84D552

RGB 132 213 82

HSL 97.1, 0.61%, 0.58%

LAB 77.94, -47.08, 55.55

 

Complementary color

CMYK 29 / 76 / 0 / 32

HEX #7B2AAD

RGB 123 42 173

HSL 277.1, 0.61%, 0.42%

LAB 35.76, 56.04, -54.45

 

CMYK 36 / 0 / 64 / 16

HEX #89D54D

RGB 137 213 77

HSL 93.53, 0.62%, 0.57%

LAB 78.14, -45.84, 57.95

 

CMYK 33 / 0 / 58 / 9

HEX #9AE760

RGB 154 231 96

HSL 94.22, 0.74%, 0.64%

LAB 84.41, -45.99, 57.09

 

CMYK 31 / 0 / 54 / 2

HEX #ABF973

RGB 171 249 115

HSL 94.93, 0.92%, 0.71%

LAB 90.62, -46.05, 56.08

 

CMYK 26 / 0 / 47 / 0

HEX #BCFF86

RGB 188 255 134

HSL 93.22, 1%, 0.76%

LAB 93.42, -40.82, 50.94

 

CMYK 20 / 0 / 40 / 0

HEX #CDFF99

RGB 205 255 153

HSL 89.41, 1%, 0.8%

LAB 94.65, -32.66, 43.62

 

CMYK 38 / 0 / 62 / 16

HEX #84D552

RGB 132 213 82

HSL 97.1, 0.61%, 0.58%

LAB 77.94, -47.08, 55.55

 

CMYK 41 / 0 / 68 / 24

HEX #73C33F

RGB 115 195 63

HSL 96.36, 0.52%, 0.51%

LAB 71.58, -46.86, 56.29

 

CMYK 45 / 0 / 75 / 31

HEX #62B12C

RGB 98 177 44

HSL 95.64, 0.6%, 0.43%

LAB 65.14, -46.44, 56.58

 

CMYK 49 / 0 / 84 / 38

HEX #519F19

RGB 81 159 25

HSL 94.93, 0.73%, 0.36%

LAB 58.62, -45.74, 56.02

 

CMYK 55 / 0 / 96 / 45

HEX #408D06

RGB 64 141 6

HSL 94.22, 0.92%, 0.29%

LAB 52.01, -44.62, 53.99

 

CMYK 38 / 0 / 62 / 16

HEX #84D552

RGB 132 213 82

HSL 97.1, 0.61%, 0.58%

LAB 77.94, -47.08, 55.55

 

CMYK 48 / 0 / 62 / 16

HEX #6ED552

RGB 110 213 82

HSL 107.18, 0.61%, 0.58%

LAB 76.99, -53.89, 54.23

 

CMYK 58 / 0 / 62 / 16

HEX #59D552

RGB 89 213 82

HSL 116.79, 0.61%, 0.58%

LAB 76.27, -59.41, 53.22

 

CMYK 62 / 0 / 54 / 16

HEX #52D561

RGB 82 213 97

HSL 126.87, 0.61%, 0.58%

LAB 76.22, -59.23, 46.35

 

CMYK 62 / 0 / 44 / 16

HEX #52D577

RGB 82 213 119

HSL 136.95, 0.61%, 0.58%

LAB 76.51, -56.03, 36.01

 

CMYK 38 / 0 / 62 / 16

HEX #84D552

RGB 132 213 82

HSL 97.1, 0.61%, 0.58%

LAB 77.94, -47.08, 55.55

 

CMYK 33 / 0 / 67 / 96

HEX #060903

RGB 6 9 3

HSL 90, 0.5%, 0.02%

LAB 2.17, -1.62, 1.99

 

CMYK 38 / 0 / 62 / 76

HEX #253C17

RGB 37 60 23

HSL 97.3, 0.45%, 0.16%

LAB 22.61, -17.06, 19.84

 

CMYK 38 / 0 / 61 / 56

HEX #456F2B

RGB 69 111 43

HSL 97.06, 0.44%, 0.3%

LAB 42.47, -27.79, 32.68

 

CMYK 38 / 0 / 62 / 36

HEX #64A23E

RGB 100 162 62

HSL 97.2, 0.45%, 0.44%

LAB 60.69, -37.98, 44.68

 

CMYK 38 / 0 / 62 / 16

HEX #84D552

RGB 132 213 82

HSL 97.1, 0.61%, 0.58%

LAB 77.94, -47.08, 55.55

 

CMYK 62 / 0 / 11 / 16

HEX #52D5BD

RGB 82 213 189

HSL 169.01, 0.61%, 0.58%

LAB 77.91, -41.48, 1.23

 

CMYK 0 / 62 / 14 / 16

HEX #D552B8

RGB 213 82 184

HSL 313.28, 0.61%, 0.58%

LAB 55.73, 62.73, -28.39

 

CMYK 38 / 0 / 62 / 16

HEX #84D552

RGB 132 213 82

HSL 97.1, 0.61%, 0.58%

LAB 77.94, -47.08, 55.55

 

CMYK 62 / 38 / 0 / 16

HEX #5284D5

RGB 82 132 213

HSL 217.1, 0.61%, 0.58%

LAB 55.18, 8.1, -46.68

 

CMYK 0 / 62 / 38 / 16

HEX #D55284

RGB 213 82 132

HSL 337.1, 0.61%, 0.58%

LAB 53.86, 55.95, -0.73

 

CMYK 38 / 0 / 62 / 16

HEX #84D552

RGB 132 213 82

HSL 97.1, 0.61%, 0.58%

LAB 77.94, -47.08, 55.55

 

CMYK 62 / 0 / 11 / 16

HEX #52D5BD

RGB 82 213 189

HSL 169.01, 0.61%, 0.58%

LAB 77.91, -41.48, 1.23

 

CMYK 23 / 62 / 0 / 16

HEX #A352D5

RGB 163 82 213

HSL 277.1, 0.61%, 0.58%

LAB 50.25, 55.39, -54.15

 

CMYK 0 / 62 / 50 / 16

HEX #D5526A

RGB 213 82 106

HSL 349.01, 0.61%, 0.58%

LAB 53.19, 53.4, 13.78

 

CMYK 38 / 0 / 62 / 16

HEX #84D552

RGB 132 213 82

HSL 97.1, 0.61%, 0.58%

LAB 77.94, -47.08, 55.55

 

CMYK 62 / 8 / 0 / 16

HEX #52C5D5

RGB 82 197 213

HSL 187.33, 0.61%, 0.58%

LAB 73.89, -27.52, -17.69

 

CMYK 23 / 62 / 0 / 16

HEX #A352D5

RGB 163 82 213

HSL 277.1, 0.61%, 0.58%

LAB 50.25, 55.39, -54.15

 

CMYK 0 / 54 / 62 / 16

HEX #D56152

RGB 213 97 82

HSL 6.87, 0.61%, 0.58%

LAB 55.38, 44.57, 30.7

 

Description

Color code: RGB 132 213 82 | qconv.com Color code: RGB 132 213 82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 213 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 213 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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