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Color name
HEX #7B2AAD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B2AAD it is the complementary color #84D552. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B2AAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B2AAD shade: #802AA8, #913CBB, #A24ECE, #B360E1 and #C472F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B2AAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B2AAD shade: #7B2AAD, #6A189A, #590687, #480074 and #370061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B2AAD shade: #7B2AAC, #9E2AAC, #AC2A98, #AC2A75 and #AC2A51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B2AAD shade: #7B2AAC, #572AAC, #342AAC and #2A2AAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B2AAD shade matches the following richer shades: #7B2AAC, #7F18BE and #8307CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B2AAD shade: #7B2AAC, #763B9B, #724C8A, #6E5E78 and #6A6F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B2AAD shade: #352AAC, #582AAC, #7A2AAC, #9D2AAC and #AC2A99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B2AAD shade: #4B1A6A, #63228B, #7B2AAC, #9232CD and #A453D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B2AAD shade: #7B2AAD, #AC2A42 and #2AAC46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B2AAD shade: #7B2AAD, #AC7A2A and #2AAC7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B2AAD shade: #7B2AAD, #AC2A42, #5CAC2A and #2AAC94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B2AAD shade: #7B2AAD, #AC392A, #5CAC2A and #2A9DAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 76 / 0 / 32

HEX #7B2AAD

RGB 123 42 173

HSL 277.1, 0.61%, 0.42%

LAB 35.76, 56.04, -54.45

 

Complementary color

CMYK 38 / 0 / 62 / 16

HEX #84D552

RGB 132 213 82

HSL 97.1, 0.61%, 0.58%

LAB 77.94, -47.08, 55.55

 

CMYK 24 / 75 / 0 / 34

HEX #802AA8

RGB 128 42 168

HSL 280.95, 0.6%, 0.41%

LAB 36.12, 55.92, -50.83

 

CMYK 22 / 68 / 0 / 27

HEX #913CBB

RGB 145 60 187

HSL 280.16, 0.51%, 0.48%

LAB 42.52, 55.97, -51.65

 

CMYK 21 / 62 / 0 / 19

HEX #A24ECE

RGB 162 78 206

HSL 279.38, 0.57%, 0.56%

LAB 48.99, 55.56, -52.16

 

CMYK 20 / 57 / 0 / 12

HEX #B360E1

RGB 179 96 225

HSL 278.6, 0.68%, 0.63%

LAB 55.47, 54.93, -52.49

 

CMYK 20 / 53 / 0 / 4

HEX #C472F4

RGB 196 114 244

HSL 277.85, 0.86%, 0.7%

LAB 61.91, 54.18, -52.71

 

CMYK 29 / 76 / 0 / 32

HEX #7B2AAD

RGB 123 42 173

HSL 277.1, 0.61%, 0.42%

LAB 35.76, 56.04, -54.45

 

CMYK 31 / 84 / 0 / 40

HEX #6A189A

RGB 106 24 154

HSL 277.85, 0.73%, 0.35%

LAB 29.54, 55.26, -53.2

 

CMYK 34 / 96 / 0 / 47

HEX #590687

RGB 89 6 135

HSL 278.6, 0.91%, 0.28%

LAB 23.68, 53.06, -51.11

 

CMYK 38 / 100 / 0 / 55

HEX #480074

RGB 72 0 116

HSL 277.24, 1%, 0.23%

LAB 18.53, 48.27, -47.57

 

CMYK 43 / 100 / 0 / 62

HEX #370061

RGB 55 0 97

HSL 274.02, 1%, 0.19%

LAB 13.68, 42.02, -43.19

 

CMYK 28 / 76 / 0 / 33

HEX #7B2AAC

RGB 123 42 172

HSL 277.38, 0.61%, 0.42%

LAB 35.68, 55.82, -53.97

 

CMYK 8 / 76 / 0 / 33

HEX #9E2AAC

RGB 158 42 172

HSL 293.54, 0.61%, 0.42%

LAB 41.06, 62.77, -45.03

 

CMYK 0 / 76 / 12 / 33

HEX #AC2A98

RGB 172 42 152

HSL 309.23, 0.61%, 0.42%

LAB 42.3, 62.57, -30.94

 

CMYK 0 / 76 / 32 / 33

HEX #AC2A75

RGB 172 42 117

HSL 325.38, 0.61%, 0.42%

LAB 40.75, 57.9, -11.88

 

CMYK 0 / 76 / 53 / 33

HEX #AC2A51

RGB 172 42 81

HSL 342, 0.61%, 0.42%

LAB 39.62, 54.3, 9.11

 

CMYK 28 / 76 / 0 / 33

HEX #7B2AAC

RGB 123 42 172

HSL 277.38, 0.61%, 0.42%

LAB 35.68, 55.82, -53.97

 

CMYK 49 / 76 / 0 / 33

HEX #572AAC

RGB 87 42 172

HSL 260.77, 0.61%, 0.42%

LAB 31.02, 49.57, -61.78

 

CMYK 70 / 76 / 0 / 33

HEX #342AAC

RGB 52 42 172

HSL 244.62, 0.61%, 0.42%

LAB 27.75, 45.01, -67.28

 

CMYK 76 / 76 / 0 / 33

HEX #2A2AAC

RGB 42 42 172

HSL 240, 0.61%, 0.42%

LAB 27.09, 44.07, -68.38

 

CMYK 28 / 76 / 0 / 33

HEX #7B2AAC

RGB 123 42 172

HSL 277.38, 0.61%, 0.42%

LAB 35.68, 55.82, -53.97

 

CMYK 33 / 87 / 0 / 25

HEX #7F18BE

RGB 127 24 190

HSL 277.23, 0.78%, 0.42%

LAB 35.76, 66.01, -64.51

 

CMYK 37 / 97 / 0 / 19

HEX #8307CF

RGB 131 7 207

HSL 277.2, 0.93%, 0.42%

LAB 36.9, 72.82, -72.56

 

CMYK 28 / 76 / 0 / 33

HEX #7B2AAC

RGB 123 42 172

HSL 277.38, 0.61%, 0.42%

LAB 35.68, 55.82, -53.97

 

CMYK 24 / 62 / 0 / 39

HEX #763B9B

RGB 118 59 155

HSL 276.88, 0.45%, 0.42%

LAB 36.64, 43, -42.25

 

CMYK 17 / 45 / 0 / 46

HEX #724C8A

RGB 114 76 138

HSL 276.77, 0.29%, 0.42%

LAB 38.87, 28.26, -28.43

 

CMYK 8 / 22 / 0 / 53

HEX #6E5E78

RGB 110 94 120

HSL 276.92, 0.12%, 0.42%

LAB 42.27, 11.77, -12.24

 

CMYK 5 / 0 / 7 / 56

HEX #6A6F67

RGB 106 111 103

HSL 97.5, 0.04%, 0.42%

LAB 46.19, -3.54, 3.79

 

CMYK 69 / 76 / 0 / 33

HEX #352AAC

RGB 53 42 172

HSL 245.08, 0.61%, 0.42%

LAB 27.82, 45.11, -67.15

 

CMYK 49 / 76 / 0 / 33

HEX #582AAC

RGB 88 42 172

HSL 261.23, 0.61%, 0.42%

LAB 31.14, 49.73, -61.58

 

CMYK 29 / 76 / 0 / 33

HEX #7A2AAC

RGB 122 42 172

HSL 276.92, 0.61%, 0.42%

LAB 35.54, 55.63, -54.21

 

CMYK 9 / 76 / 0 / 33

HEX #9D2AAC

RGB 157 42 172

HSL 293.08, 0.61%, 0.42%

LAB 40.9, 62.56, -45.3

 

CMYK 0 / 76 / 11 / 33

HEX #AC2A99

RGB 172 42 153

HSL 308.77, 0.61%, 0.42%

LAB 42.35, 62.72, -31.47

 

CMYK 29 / 75 / 0 / 58

HEX #4B1A6A

RGB 75 26 106

HSL 276.75, 0.61%, 0.26%

LAB 21.11, 37.69, -36.86

 

CMYK 29 / 76 / 0 / 45

HEX #63228B

RGB 99 34 139

HSL 277.14, 0.61%, 0.34%

LAB 28.54, 47, -45.63

 

CMYK 28 / 76 / 0 / 33

HEX #7B2AAC

RGB 123 42 172

HSL 277.38, 0.61%, 0.42%

LAB 35.68, 55.82, -53.97

 

CMYK 29 / 76 / 0 / 20

HEX #9232CD

RGB 146 50 205

HSL 277.16, 0.61%, 0.5%

LAB 42.46, 64.11, -62.22

 

CMYK 23 / 61 / 0 / 16

HEX #A453D5

RGB 164 83 213

HSL 277.38, 0.61%, 0.58%

LAB 50.55, 55.13, -53.65

 

CMYK 29 / 76 / 0 / 32

HEX #7B2AAD

RGB 123 42 173

HSL 277.1, 0.61%, 0.42%

LAB 35.76, 56.04, -54.45

 

CMYK 0 / 76 / 62 / 33

HEX #AC2A42

RGB 172 42 66

HSL 348.92, 0.61%, 0.42%

LAB 39.28, 53.19, 18.15

 

CMYK 76 / 0 / 59 / 33

HEX #2AAC46

RGB 42 172 70

HSL 132.92, 0.61%, 0.42%

LAB 62.03, -55.67, 42

 

CMYK 29 / 76 / 0 / 32

HEX #7B2AAD

RGB 123 42 173

HSL 277.1, 0.61%, 0.42%

LAB 35.76, 56.04, -54.45

 

CMYK 0 / 29 / 76 / 33

HEX #AC7A2A

RGB 172 122 42

HSL 36.92, 0.61%, 0.42%

LAB 54.92, 12.03, 49.18

 

CMYK 76 / 0 / 29 / 33

HEX #2AAC7A

RGB 42 172 122

HSL 156.92, 0.61%, 0.42%

LAB 62.85, -46.37, 16.04

 

CMYK 29 / 76 / 0 / 32

HEX #7B2AAD

RGB 123 42 173

HSL 277.1, 0.61%, 0.42%

LAB 35.76, 56.04, -54.45

 

CMYK 0 / 76 / 62 / 33

HEX #AC2A42

RGB 172 42 66

HSL 348.92, 0.61%, 0.42%

LAB 39.28, 53.19, 18.15

 

CMYK 47 / 0 / 76 / 33

HEX #5CAC2A

RGB 92 172 42

HSL 96.92, 0.61%, 0.42%

LAB 63.3, -46.49, 55.38

 

CMYK 76 / 0 / 14 / 33

HEX #2AAC94

RGB 42 172 148

HSL 168.92, 0.61%, 0.42%

LAB 63.45, -39.95, 2.5

 

CMYK 29 / 76 / 0 / 32

HEX #7B2AAD

RGB 123 42 173

HSL 277.1, 0.61%, 0.42%

LAB 35.76, 56.04, -54.45

 

CMYK 0 / 67 / 76 / 33

HEX #AC392A

RGB 172 57 42

HSL 6.92, 0.61%, 0.42%

LAB 41, 46.12, 34.78

 

CMYK 47 / 0 / 76 / 33

HEX #5CAC2A

RGB 92 172 42

HSL 96.92, 0.61%, 0.42%

LAB 63.3, -46.49, 55.38

 

CMYK 76 / 9 / 0 / 33

HEX #2A9DAC

RGB 42 157 172

HSL 186.92, 0.61%, 0.42%

LAB 59.51, -25.83, -16.86

 

Description

Color code: HEX #7B2AAD | qconv.com Color code: HEX #7B2AAD | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 42 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 42 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 76 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 76% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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