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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 175 130 it is the complementary color RGB 126 80 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 175 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 129 175 130: RGB 134 175 125, RGB 151 193 144, RGB 168 211 163, RGB 185 229 182 and RGB 202 247 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 175 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 129 175 130: RGB 129 175 130, RGB 112 157 111, RGB 95 139 92, RGB 78 121 73 and RGB 61 103 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 26 / 31

HEX #81AF82

RGB 129 175 130

HSL 121.3, 0.22%, 0.6%

LAB 67.23, -24.44, 18.24

 

Complementary color

CMYK 0 / 37 / 1 / 51

HEX #7E507D

RGB 126 80 125

HSL 301.3, 0.22%, 0.4%

LAB 40.66, 27.02, -17.59

 

CMYK 23 / 0 / 29 / 31

HEX #86AF7D

RGB 134 175 125

HSL 109.2, 0.24%, 0.59%

LAB 67.43, -23.55, 21.28

 

CMYK 22 / 0 / 25 / 24

HEX #97C190

RGB 151 193 144

HSL 111.43, 0.28%, 0.66%

LAB 74.02, -23.37, 20.24

 

CMYK 20 / 0 / 23 / 17

HEX #A8D3A3

RGB 168 211 163

HSL 113.75, 0.35%, 0.73%

LAB 80.49, -23.2, 19.25

 

CMYK 19 / 0 / 21 / 10

HEX #B9E5B6

RGB 185 229 182

HSL 116.17, 0.47%, 0.81%

LAB 86.86, -23.04, 18.32

 

CMYK 18 / 0 / 19 / 3

HEX #CAF7C9

RGB 202 247 201

HSL 118.7, 0.74%, 0.88%

LAB 93.14, -22.9, 17.44

 

CMYK 26 / 0 / 26 / 31

HEX #81AF82

RGB 129 175 130

HSL 121.3, 0.22%, 0.6%

LAB 67.23, -24.44, 18.24

 

CMYK 29 / 0 / 29 / 38

HEX #709D6F

RGB 112 157 111

HSL 118.7, 0.19%, 0.53%

LAB 60.52, -24.67, 19.31

 

CMYK 32 / 0 / 34 / 45

HEX #5F8B5C

RGB 95 139 92

HSL 116.17, 0.2%, 0.45%

LAB 53.68, -24.92, 20.47

 

CMYK 36 / 0 / 40 / 53

HEX #4E7949

RGB 78 121 73

HSL 113.75, 0.25%, 0.38%

LAB 46.68, -25.17, 21.73

 

CMYK 41 / 0 / 48 / 60

HEX #3D6736

RGB 61 103 54

HSL 111.43, 0.31%, 0.31%

LAB 39.51, -25.38, 23.09

 

CMYK 26 / 0 / 26 / 31

HEX #81AF82

RGB 129 175 130

HSL 121.3, 0.22%, 0.6%

LAB 67.23, -24.44, 18.24

 

CMYK 26 / 0 / 21 / 31

HEX #82AF8A

RGB 130 175 138

HSL 130.67, 0.22%, 0.6%

LAB 67.46, -22.65, 14.19

 

CMYK 26 / 0 / 17 / 31

HEX #82AF92

RGB 130 175 146

HSL 141.33, 0.22%, 0.6%

LAB 67.64, -21.12, 10.05

 

CMYK 26 / 0 / 13 / 31

HEX #82AF99

RGB 130 175 153

HSL 150.67, 0.22%, 0.6%

LAB 67.8, -19.71, 6.42

 

CMYK 26 / 0 / 8 / 31

HEX #82AFA1

RGB 130 175 161

HSL 161.33, 0.22%, 0.6%

LAB 68.01, -18.03, 2.3

 

CMYK 26 / 0 / 26 / 31

HEX #81AF82

RGB 129 175 130

HSL 121.3, 0.22%, 0.6%

LAB 67.23, -24.44, 18.24

 

CMYK 26 / 0 / 26 / 11

HEX #A7E2A8

RGB 167 226 168

HSL 121.02, 0.5%, 0.77%

LAB 84.71, -29.92, 22.45

 

CMYK 27 / 0 / 27 / 91

HEX #101610

RGB 16 22 16

HSL 120, 0.16%, 0.07%

LAB 6.52, -3.75, 2.68

 

CMYK 26 / 0 / 26 / 71

HEX #364936

RGB 54 73 54

HSL 120, 0.15%, 0.25%

LAB 28.94, -11.91, 9

 

CMYK 27 / 0 / 26 / 51

HEX #5B7C5C

RGB 91 124 92

HSL 121.82, 0.15%, 0.42%

LAB 48.78, -18.62, 13.77

 

CMYK 26 / 0 / 26 / 31

HEX #81AF82

RGB 129 175 130

HSL 121.3, 0.22%, 0.6%

LAB 67.23, -24.44, 18.24

 

CMYK 26 / 6 / 0 / 31

HEX #82A5AF

RGB 130 165 175

HSL 193.33, 0.22%, 0.6%

LAB 65.55, -9.59, -9.09

 

CMYK 0 / 26 / 16 / 31

HEX #AF8293

RGB 175 130 147

HSL 337.33, 0.22%, 0.6%

LAB 59.15, 20, -2.32

 

CMYK 26 / 0 / 26 / 31

HEX #81AF82

RGB 129 175 130

HSL 121.3, 0.22%, 0.6%

LAB 67.23, -24.44, 18.24

 

CMYK 25 / 26 / 0 / 31

HEX #8382AF

RGB 131 130 175

HSL 241.33, 0.22%, 0.6%

LAB 55.97, 10.47, -23.6

 

CMYK 0 / 25 / 26 / 31

HEX #AF8382

RGB 175 131 130

HSL 1.33, 0.22%, 0.6%

LAB 58.94, 16.77, 7.14

 

CMYK 26 / 0 / 26 / 31

HEX #81AF82

RGB 129 175 130

HSL 121.3, 0.22%, 0.6%

LAB 67.23, -24.44, 18.24

 

CMYK 26 / 6 / 0 / 31

HEX #82A5AF

RGB 130 165 175

HSL 193.33, 0.22%, 0.6%

LAB 65.55, -9.59, -9.09

 

CMYK 0 / 26 / 1 / 31

HEX #AF82AE

RGB 175 130 174

HSL 301.33, 0.22%, 0.6%

LAB 60.01, 24.86, -16.5

 

CMYK 0 / 20 / 26 / 31

HEX #AF8C82

RGB 175 140 130

HSL 13.33, 0.22%, 0.6%

LAB 61.2, 11.72, 10.36

 

CMYK 26 / 0 / 26 / 31

HEX #81AF82

RGB 129 175 130

HSL 121.3, 0.22%, 0.6%

LAB 67.23, -24.44, 18.24

 

CMYK 26 / 13 / 0 / 31

HEX #8298AF

RGB 130 152 175

HSL 210.67, 0.22%, 0.6%

LAB 61.91, -2.45, -14.56

 

CMYK 0 / 26 / 1 / 31

HEX #AF82AE

RGB 175 130 174

HSL 301.33, 0.22%, 0.6%

LAB 60.01, 24.86, -16.5

 

CMYK 0 / 13 / 26 / 31

HEX #AF9982

RGB 175 153 130

HSL 30.67, 0.22%, 0.6%

LAB 64.57, 4.49, 15.09

 

Description

Color code: RGB 129 175 130 | qconv.com Color code: RGB 129 175 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 175 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 175 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 26 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 26% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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