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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9982 it is the complementary color #50667D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9982. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9982 shade: #B4997D, #C5AB90, #D6BDA3, #E7CFB6 and #F8E1C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9982. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9982 shade: #AF9982, #9E876F, #8D755C, #7C6349 and #6B5136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9982 shade: #AF9A83, #AF8D83 and #AF8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9982 shade: #AF9A83, #AFA683, #ADAF83, #A1AF83 and #95AF83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9982 shade matches the following richer shades: #AF9A83, #C09A72, #D09A62, #E19B51 and #F19B41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9982 shade: #AF9A83, #9F9993, #8E99A4, #7E98B4 and #6D98C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9982 shade: #AF8384, #AF8D83, #AF9983, #AFA583 and #AEAF83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9982 shade: #887057, #9F8569, #AF9A83, #C0AE9C and #D0C3B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9982 shade: #AF9982, #90AF83 and #8783AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9982 shade: #AF9982, #83AF99 and #9983AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9982 shade: #AF9982, #90AF83, #8399AF and #A283AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9982 shade: #AF9982, #83AF83, #8399AF and #AF83AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 26 / 31

HEX #AF9982

RGB 175 153 130

HSL 30.67, 0.22%, 0.6%

LAB 64.57, 4.49, 15.09

 

Complementary color

CMYK 36 / 18 / 0 / 51

HEX #50667D

RGB 80 102 125

HSL 210.67, 0.22%, 0.4%

LAB 42.29, -2.09, -15.48

 

CMYK 0 / 15 / 31 / 29

HEX #B4997D

RGB 180 153 125

HSL 30.55, 0.27%, 0.6%

LAB 64.94, 5.78, 18.45

 

CMYK 0 / 13 / 27 / 23

HEX #C5AB90

RGB 197 171 144

HSL 30.57, 0.31%, 0.67%

LAB 71.56, 5.29, 17.39

 

CMYK 0 / 12 / 24 / 16

HEX #D6BDA3

RGB 214 189 163

HSL 30.59, 0.38%, 0.74%

LAB 78.07, 4.86, 16.4

 

CMYK 0 / 10 / 21 / 9

HEX #E7CFB6

RGB 231 207 182

HSL 30.61, 0.51%, 0.81%

LAB 84.48, 4.48, 15.48

 

CMYK 0 / 9 / 19 / 3

HEX #F8E1C9

RGB 248 225 201

HSL 30.64, 0.77%, 0.88%

LAB 90.79, 4.14, 14.6

 

CMYK 0 / 13 / 26 / 31

HEX #AF9982

RGB 175 153 130

HSL 30.67, 0.22%, 0.6%

LAB 64.57, 4.49, 15.09

 

CMYK 0 / 15 / 30 / 38

HEX #9E876F

RGB 158 135 111

HSL 30.64, 0.2%, 0.53%

LAB 57.79, 4.97, 16.15

 

CMYK 0 / 17 / 35 / 45

HEX #8D755C

RGB 141 117 92

HSL 30.61, 0.21%, 0.46%

LAB 50.87, 5.53, 17.3

 

CMYK 0 / 20 / 41 / 51

HEX #7C6349

RGB 124 99 73

HSL 30.59, 0.26%, 0.39%

LAB 43.78, 6.22, 18.59

 

CMYK 0 / 24 / 50 / 58

HEX #6B5136

RGB 107 81 54

HSL 30.57, 0.33%, 0.32%

LAB 36.51, 7.08, 20.03

 

CMYK 0 / 12 / 25 / 31

HEX #AF9A83

RGB 175 154 131

HSL 31.36, 0.22%, 0.6%

LAB 64.85, 4.08, 14.92

 

CMYK 0 / 19 / 25 / 31

HEX #AF8D83

RGB 175 141 131

HSL 13.64, 0.22%, 0.6%

LAB 61.48, 11.3, 10.19

 

CMYK 0 / 25 / 25 / 31

HEX #AF8383

RGB 175 131 131

HSL 0, 0.22%, 0.6%

LAB 58.96, 16.92, 6.6

 

CMYK 0 / 12 / 25 / 31

HEX #AF9A83

RGB 175 154 131

HSL 31.36, 0.22%, 0.6%

LAB 64.85, 4.08, 14.92

 

CMYK 0 / 5 / 25 / 31

HEX #AFA683

RGB 175 166 131

HSL 47.73, 0.22%, 0.6%

LAB 68.04, -2.45, 19.33

 

CMYK 1 / 0 / 25 / 31

HEX #ADAF83

RGB 173 175 131

HSL 62.73, 0.22%, 0.6%

LAB 70.3, -8.04, 22.39

 

CMYK 8 / 0 / 25 / 31

HEX #A1AF83

RGB 161 175 131

HSL 79.09, 0.22%, 0.6%

LAB 69.38, -12.65, 20.99

 

CMYK 15 / 0 / 25 / 31

HEX #95AF83

RGB 149 175 131

HSL 95.45, 0.22%, 0.6%

LAB 68.52, -17.14, 19.67

 

CMYK 0 / 12 / 25 / 31

HEX #AF9A83

RGB 175 154 131

HSL 31.36, 0.22%, 0.6%

LAB 64.85, 4.08, 14.92

 

CMYK 0 / 20 / 41 / 25

HEX #C09A72

RGB 192 154 114

HSL 30.77, 0.38%, 0.6%

LAB 66.16, 8.73, 26.36

 

CMYK 0 / 26 / 53 / 18

HEX #D09A62

RGB 208 154 98

HSL 30.55, 0.54%, 0.6%

LAB 67.58, 13.73, 37.09

 

CMYK 0 / 31 / 64 / 12

HEX #E19B51

RGB 225 155 81

HSL 30.83, 0.71%, 0.6%

LAB 69.5, 19, 48.48

 

CMYK 0 / 36 / 73 / 5

HEX #F19B41

RGB 241 155 65

HSL 30.68, 0.86%, 0.6%

LAB 71.23, 24.79, 58.31

 

CMYK 0 / 12 / 25 / 31

HEX #AF9A83

RGB 175 154 131

HSL 31.36, 0.22%, 0.6%

LAB 64.85, 4.08, 14.92

 

CMYK 0 / 4 / 8 / 38

HEX #9F9993

RGB 159 153 147

HSL 30, 0.06%, 0.6%

LAB 63.56, 1.09, 3.92

 

CMYK 13 / 7 / 0 / 36

HEX #8E99A4

RGB 142 153 164

HSL 210, 0.11%, 0.6%

LAB 62.69, -1.61, -7.1

 

CMYK 30 / 16 / 0 / 29

HEX #7E98B4

RGB 126 152 180

HSL 211.11, 0.26%, 0.6%

LAB 61.82, -2.44, -17.55

 

CMYK 45 / 23 / 0 / 23

HEX #6D98C5

RGB 109 152 197

HSL 210.68, 0.43%, 0.6%

LAB 61.43, -2.59, -27.79

 

CMYK 0 / 25 / 25 / 31

HEX #AF8384

RGB 175 131 132

HSL 358.64, 0.22%, 0.6%

LAB 58.99, 17.07, 6.06

 

CMYK 0 / 19 / 25 / 31

HEX #AF8D83

RGB 175 141 131

HSL 13.64, 0.22%, 0.6%

LAB 61.48, 11.3, 10.19

 

CMYK 0 / 13 / 25 / 31

HEX #AF9983

RGB 175 153 131

HSL 30, 0.22%, 0.6%

LAB 64.59, 4.64, 14.56

 

CMYK 0 / 6 / 25 / 31

HEX #AFA583

RGB 175 165 131

HSL 46.36, 0.22%, 0.6%

LAB 67.77, -1.91, 18.96

 

CMYK 1 / 0 / 25 / 31

HEX #AEAF83

RGB 174 175 131

HSL 61.36, 0.22%, 0.6%

LAB 70.38, -7.65, 22.52

 

CMYK 0 / 18 / 36 / 47

HEX #887057

RGB 136 112 87

HSL 30.61, 0.22%, 0.44%

LAB 48.9, 5.63, 17.45

 

CMYK 0 / 16 / 34 / 38

HEX #9F8569

RGB 159 133 105

HSL 31.11, 0.22%, 0.52%

LAB 57.24, 5.69, 18.8

 

CMYK 0 / 12 / 25 / 31

HEX #AF9A83

RGB 175 154 131

HSL 31.36, 0.22%, 0.6%

LAB 64.85, 4.08, 14.92

 

CMYK 0 / 9 / 19 / 25

HEX #C0AE9C

RGB 192 174 156

HSL 30, 0.22%, 0.68%

LAB 72.15, 3.52, 11.59

 

CMYK 0 / 6 / 13 / 18

HEX #D0C3B5

RGB 208 195 181

HSL 31.11, 0.22%, 0.76%

LAB 79.49, 2.2, 8.66

 

CMYK 0 / 13 / 26 / 31

HEX #AF9982

RGB 175 153 130

HSL 30.67, 0.22%, 0.6%

LAB 64.57, 4.49, 15.09

 

CMYK 18 / 0 / 25 / 31

HEX #90AF83

RGB 144 175 131

HSL 102.27, 0.22%, 0.6%

LAB 68.19, -18.97, 19.16

 

CMYK 23 / 25 / 0 / 31

HEX #8783AF

RGB 135 131 175

HSL 245.45, 0.22%, 0.6%

LAB 56.56, 11.16, -22.66

 

CMYK 0 / 13 / 26 / 31

HEX #AF9982

RGB 175 153 130

HSL 30.67, 0.22%, 0.6%

LAB 64.57, 4.49, 15.09

 

CMYK 25 / 0 / 13 / 31

HEX #83AF99

RGB 131 175 153

HSL 150, 0.22%, 0.6%

LAB 67.86, -19.39, 6.52

 

CMYK 13 / 25 / 0 / 31

HEX #9983AF

RGB 153 131 175

HSL 270, 0.22%, 0.6%

LAB 58.13, 17.04, -20.13

 

CMYK 0 / 13 / 26 / 31

HEX #AF9982

RGB 175 153 130

HSL 30.67, 0.22%, 0.6%

LAB 64.57, 4.49, 15.09

 

CMYK 18 / 0 / 25 / 31

HEX #90AF83

RGB 144 175 131

HSL 102.27, 0.22%, 0.6%

LAB 68.19, -18.97, 19.16

 

CMYK 25 / 13 / 0 / 31

HEX #8399AF

RGB 131 153 175

HSL 210, 0.22%, 0.6%

LAB 62.26, -2.69, -14.03

 

CMYK 7 / 25 / 0 / 31

HEX #A283AF

RGB 162 131 175

HSL 282.27, 0.22%, 0.6%

LAB 58.98, 20.06, -18.75

 

CMYK 0 / 13 / 26 / 31

HEX #AF9982

RGB 175 153 130

HSL 30.67, 0.22%, 0.6%

LAB 64.57, 4.49, 15.09

 

CMYK 25 / 0 / 25 / 31

HEX #83AF83

RGB 131 175 131

HSL 120, 0.22%, 0.6%

LAB 67.37, -23.57, 17.9

 

CMYK 25 / 13 / 0 / 31

HEX #8399AF

RGB 131 153 175

HSL 210, 0.22%, 0.6%

LAB 62.26, -2.69, -14.03

 

CMYK 0 / 25 / 0 / 31

HEX #AF83AF

RGB 175 131 175

HSL 300, 0.22%, 0.6%

LAB 60.29, 24.49, -16.65

 

Description

Color code: HEX #AF9982 | qconv.com Color code: HEX #AF9982 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 153 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 153 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 26 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 26% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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