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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 154 202 it is the complementary color RGB 126 101 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 154 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 129 154 202: RGB 134 154 197, RGB 151 172 216, RGB 168 190 235, RGB 185 208 254 and RGB 202 226 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 154 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 129 154 202: RGB 129 154 202, RGB 112 136 183, RGB 95 118 164, RGB 78 100 145 and RGB 61 82 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 24 / 0 / 21

HEX #819ACA

RGB 129 154 202

HSL 219.45, 0.41%, 0.65%

LAB 63.38, 3.02, -27.49

 

Complementary color

CMYK 0 / 20 / 58 / 51

HEX #7E6535

RGB 126 101 53

HSL 39.45, 0.41%, 0.35%

LAB 44.23, 3.81, 30.65

 

CMYK 32 / 22 / 0 / 23

HEX #869AC5

RGB 134 154 197

HSL 220.95, 0.35%, 0.65%

LAB 63.52, 3.14, -24.45

 

CMYK 30 / 20 / 0 / 15

HEX #97ACD8

RGB 151 172 216

HSL 220.62, 0.45%, 0.72%

LAB 70.21, 2.84, -24.63

 

CMYK 29 / 19 / 0 / 8

HEX #A8BEEB

RGB 168 190 235

HSL 220.3, 0.63%, 0.79%

LAB 76.77, 2.56, -24.82

 

CMYK 27 / 18 / 0 / 0

HEX #B9D0FE

RGB 185 208 254

HSL 220, 0.97%, 0.86%

LAB 83.22, 2.31, -25.04

 

CMYK 21 / 11 / 0 / 0

HEX #CAE2FF

RGB 202 226 255

HSL 212.83, 1%, 0.9%

LAB 89, -1.92, -16.72

 

CMYK 36 / 24 / 0 / 21

HEX #819ACA

RGB 129 154 202

HSL 219.45, 0.41%, 0.65%

LAB 63.38, 3.02, -27.49

 

CMYK 39 / 26 / 0 / 28

HEX #7088B7

RGB 112 136 183

HSL 219.72, 0.33%, 0.58%

LAB 56.56, 3.43, -27.39

 

CMYK 42 / 28 / 0 / 36

HEX #5F76A4

RGB 95 118 164

HSL 220, 0.27%, 0.51%

LAB 49.58, 3.91, -27.33

 

CMYK 46 / 31 / 0 / 43

HEX #4E6491

RGB 78 100 145

HSL 220.3, 0.3%, 0.44%

LAB 42.43, 4.51, -27.32

 

CMYK 52 / 35 / 0 / 51

HEX #3D527E

RGB 61 82 126

HSL 220.62, 0.35%, 0.37%

LAB 35.07, 5.28, -27.37

 

CMYK 36 / 24 / 0 / 21

HEX #819ACA

RGB 129 154 202

HSL 219.45, 0.41%, 0.65%

LAB 63.38, 3.02, -27.49

 

CMYK 36 / 30 / 0 / 21

HEX #818ECA

RGB 129 142 202

HSL 229.32, 0.41%, 0.65%

LAB 60.14, 9.91, -32.5

 

CMYK 36 / 36 / 0 / 21

HEX #8182CA

RGB 129 130 202

HSL 239.18, 0.41%, 0.65%

LAB 56.97, 16.94, -37.44

 

CMYK 31 / 36 / 0 / 21

HEX #8C81CA

RGB 140 129 202

HSL 249.04, 0.41%, 0.65%

LAB 57.6, 20.63, -36.4

 

CMYK 25 / 36 / 0 / 21

HEX #9881CA

RGB 152 129 202

HSL 258.9, 0.41%, 0.65%

LAB 58.64, 24.14, -34.7

 

CMYK 36 / 24 / 0 / 21

HEX #819ACA

RGB 129 154 202

HSL 219.45, 0.41%, 0.65%

LAB 63.38, 3.02, -27.49

 

CMYK 36 / 24 / 0 / 1

HEX #A2C1FD

RGB 162 193 253

HSL 219.56, 0.96%, 0.81%

LAB 77.82, 3.74, -32.91

 

CMYK 37 / 24 / 0 / 81

HEX #1F2531

RGB 31 37 49

HSL 220, 0.23%, 0.16%

LAB 14.6, 0.9, -8.74

 

CMYK 36 / 24 / 0 / 61

HEX #404C64

RGB 64 76 100

HSL 220, 0.22%, 0.32%

LAB 32.21, 1.77, -15.54

 

CMYK 36 / 24 / 0 / 41

HEX #607397

RGB 96 115 151

HSL 219.27, 0.22%, 0.48%

LAB 48.24, 2.26, -21.78

 

CMYK 36 / 24 / 0 / 21

HEX #819ACA

RGB 129 154 202

HSL 219.45, 0.41%, 0.65%

LAB 63.38, 3.02, -27.49

 

CMYK 5 / 36 / 0 / 21

HEX #BF81CA

RGB 191 129 202

HSL 290.96, 0.41%, 0.65%

LAB 62.54, 36.14, -28.33

 

CMYK 9 / 0 / 36 / 21

HEX #B8CA81

RGB 184 202 129

HSL 74.79, 0.41%, 0.65%

LAB 78.47, -17.94, 34.45

 

CMYK 36 / 24 / 0 / 21

HEX #819ACA

RGB 129 154 202

HSL 219.45, 0.41%, 0.65%

LAB 63.38, 3.02, -27.49

 

CMYK 0 / 36 / 24 / 21

HEX #CA819A

RGB 202 129 154

HSL 339.45, 0.41%, 0.65%

LAB 62.16, 31.57, -1.55

 

CMYK 24 / 0 / 36 / 21

HEX #9ACA81

RGB 154 202 129

HSL 99.45, 0.41%, 0.65%

LAB 76.49, -29.02, 31.49

 

CMYK 36 / 24 / 0 / 21

HEX #819ACA

RGB 129 154 202

HSL 219.45, 0.41%, 0.65%

LAB 63.38, 3.02, -27.49

 

CMYK 5 / 36 / 0 / 21

HEX #BF81CA

RGB 191 129 202

HSL 290.96, 0.41%, 0.65%

LAB 62.54, 36.14, -28.33

 

CMYK 0 / 13 / 36 / 21

HEX #CAB081

RGB 202 176 129

HSL 38.63, 0.41%, 0.65%

LAB 73.02, 2.64, 27.55

 

CMYK 31 / 0 / 36 / 21

HEX #8CCA81

RGB 140 202 129

HSL 110.96, 0.41%, 0.65%

LAB 75.7, -33.84, 30.3

 

CMYK 36 / 24 / 0 / 21

HEX #819ACA

RGB 129 154 202

HSL 219.45, 0.41%, 0.65%

LAB 63.38, 3.02, -27.49

 

CMYK 0 / 36 / 5 / 21

HEX #CA81BF

RGB 202 129 191

HSL 309.04, 0.41%, 0.65%

LAB 63.36, 37.6, -20.78

 

CMYK 0 / 13 / 36 / 21

HEX #CAB081

RGB 202 176 129

HSL 38.63, 0.41%, 0.65%

LAB 73.02, 2.64, 27.55

 

CMYK 36 / 0 / 31 / 21

HEX #81CA8C

RGB 129 202 140

HSL 129.04, 0.41%, 0.65%

LAB 75.33, -35.59, 23.95

 

Description

Color code: RGB 129 154 202 | qconv.com Color code: RGB 129 154 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 154 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 154 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 24 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 24% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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