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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 24 / 0 / 21 it is the complementary color CMYK 0 / 19 / 57 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 24 / 0 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 24 / 0 / 21: CMYK 32 / 22 / 0 / 23, CMYK 30 / 20 / 0 / 16, CMYK 28 / 19 / 0 / 8, CMYK 27 / 18 / 0 / 1 and CMYK 21 / 12 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 24 / 0 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 24 / 0 / 21: CMYK 36 / 24 / 0 / 21, CMYK 38 / 26 / 0 / 29, CMYK 42 / 28 / 0 / 36, CMYK 46 / 31 / 0 / 44 and CMYK 51 / 35 / 0 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 24 / 0 / 21

HEX #8199C9

RGB 129 153 201

HSL 220, 0.4%, 0.65%

LAB 63.07, 3.32, -27.41

 

Complementary color

CMYK 0 / 19 / 57 / 51

HEX #7E6636

RGB 126 102 54

HSL 40, 0.4%, 0.35%

LAB 44.53, 3.31, 30.45

 

CMYK 32 / 22 / 0 / 23

HEX #8699C4

RGB 134 153 196

HSL 221.61, 0.34%, 0.65%

LAB 63.21, 3.45, -24.37

 

CMYK 30 / 20 / 0 / 16

HEX #97ABD7

RGB 151 171 215

HSL 221.25, 0.44%, 0.72%

LAB 69.9, 3.14, -24.54

 

CMYK 28 / 19 / 0 / 8

HEX #A8BDEA

RGB 168 189 234

HSL 220.91, 0.61%, 0.79%

LAB 76.47, 2.87, -24.74

 

CMYK 27 / 18 / 0 / 1

HEX #B9CFFD

RGB 185 207 253

HSL 220.59, 0.94%, 0.86%

LAB 82.93, 2.61, -24.96

 

CMYK 21 / 12 / 0 / 0

HEX #CAE1FF

RGB 202 225 255

HSL 213.96, 1%, 0.9%

LAB 88.75, -1.4, -17.1

 

CMYK 36 / 24 / 0 / 21

HEX #8199C9

RGB 129 153 201

HSL 220, 0.4%, 0.65%

LAB 63.07, 3.32, -27.41

 

CMYK 38 / 26 / 0 / 29

HEX #7087B6

RGB 112 135 182

HSL 220.29, 0.32%, 0.58%

LAB 56.24, 3.73, -27.31

 

CMYK 42 / 28 / 0 / 36

HEX #5F75A3

RGB 95 117 163

HSL 220.59, 0.27%, 0.51%

LAB 49.25, 4.22, -27.25

 

CMYK 46 / 31 / 0 / 44

HEX #4E6390

RGB 78 99 144

HSL 220.91, 0.3%, 0.44%

LAB 42.09, 4.82, -27.25

 

CMYK 51 / 35 / 0 / 51

HEX #3D517D

RGB 61 81 125

HSL 221.25, 0.34%, 0.36%

LAB 34.72, 5.59, -27.3

 

CMYK 36 / 24 / 0 / 21

HEX #8199C9

RGB 129 153 201

HSL 220, 0.4%, 0.65%

LAB 63.07, 3.32, -27.41

 

CMYK 35 / 30 / 0 / 21

HEX #828DC9

RGB 130 141 201

HSL 230.7, 0.4%, 0.65%

LAB 59.9, 10.51, -32.3

 

CMYK 35 / 35 / 0 / 21

HEX #8282C9

RGB 130 130 201

HSL 240, 0.4%, 0.65%

LAB 57.01, 16.95, -36.82

 

CMYK 30 / 35 / 0 / 21

HEX #8D82C9

RGB 141 130 201

HSL 249.3, 0.4%, 0.65%

LAB 57.89, 20.08, -35.37

 

CMYK 24 / 35 / 0 / 21

HEX #9982C9

RGB 153 130 201

HSL 259.44, 0.4%, 0.65%

LAB 58.93, 23.62, -33.67

 

CMYK 36 / 24 / 0 / 21

HEX #8199C9

RGB 129 153 201

HSL 220, 0.4%, 0.65%

LAB 63.07, 3.32, -27.41

 

CMYK 36 / 24 / 0 / 1

HEX #A2C0FC

RGB 162 192 252

HSL 220, 0.94%, 0.81%

LAB 77.52, 4.03, -32.84

 

CMYK 35 / 23 / 0 / 81

HEX #1F2530

RGB 31 37 48

HSL 218.82, 0.22%, 0.15%

LAB 14.56, 0.57, -8.1

 

CMYK 35 / 24 / 0 / 61

HEX #404B63

RGB 64 75 99

HSL 221.14, 0.21%, 0.32%

LAB 31.86, 2.11, -15.45

 

CMYK 36 / 24 / 0 / 41

HEX #607296

RGB 96 114 150

HSL 220, 0.22%, 0.48%

LAB 47.91, 2.58, -21.69

 

CMYK 36 / 24 / 0 / 21

HEX #8199C9

RGB 129 153 201

HSL 220, 0.4%, 0.65%

LAB 63.07, 3.32, -27.41

 

CMYK 5 / 35 / 0 / 21

HEX #BF82C9

RGB 191 130 201

HSL 291.55, 0.4%, 0.65%

LAB 62.73, 35.4, -27.49

 

CMYK 9 / 0 / 35 / 21

HEX #B6C982

RGB 182 201 130

HSL 76.06, 0.4%, 0.65%

LAB 78.07, -18.08, 33.39

 

CMYK 36 / 24 / 0 / 21

HEX #8199C9

RGB 129 153 201

HSL 220, 0.4%, 0.65%

LAB 63.07, 3.32, -27.41

 

CMYK 0 / 35 / 24 / 21

HEX #C98299

RGB 201 130 153

HSL 340.56, 0.4%, 0.65%

LAB 62.24, 30.52, -0.88

 

CMYK 24 / 0 / 35 / 21

HEX #99C982

RGB 153 201 130

HSL 100.56, 0.4%, 0.65%

LAB 76.17, -28.75, 30.53

 

CMYK 36 / 24 / 0 / 21

HEX #8199C9

RGB 129 153 201

HSL 220, 0.4%, 0.65%

LAB 63.07, 3.32, -27.41

 

CMYK 5 / 35 / 0 / 21

HEX #BF82C9

RGB 191 130 201

HSL 291.55, 0.4%, 0.65%

LAB 62.73, 35.4, -27.49

 

CMYK 0 / 12 / 35 / 21

HEX #C9B182

RGB 201 177 130

HSL 39.72, 0.4%, 0.65%

LAB 73.2, 1.82, 27.24

 

CMYK 31 / 0 / 35 / 21

HEX #8BC982

RGB 139 201 130

HSL 112.39, 0.4%, 0.65%

LAB 75.37, -33.55, 29.34

 

CMYK 36 / 24 / 0 / 21

HEX #8199C9

RGB 129 153 201

HSL 220, 0.4%, 0.65%

LAB 63.07, 3.32, -27.41

 

CMYK 0 / 35 / 6 / 21

HEX #C982BD

RGB 201 130 189

HSL 310.14, 0.4%, 0.65%

LAB 63.39, 36.38, -19.61

 

CMYK 0 / 12 / 35 / 21

HEX #C9B182

RGB 201 177 130

HSL 39.72, 0.4%, 0.65%

LAB 73.2, 1.82, 27.24

 

CMYK 35 / 0 / 30 / 21

HEX #82C98D

RGB 130 201 141

HSL 129.3, 0.4%, 0.65%

LAB 75.1, -34.64, 23.13

 

Description

Color code: CMYK 36 / 24 / 0 / 21 | qconv.com Color code: CMYK 36 / 24 / 0 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 153 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 153 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 24 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 24% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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