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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 30 23 it is the complementary color RGB 133 225 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 30 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 122 30 23: RGB 127 30 18, RGB 144 48 37, RGB 161 66 56, RGB 178 84 75 and RGB 195 102 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 30 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 122 30 23: RGB 122 30 23, RGB 105 12 4, RGB 88 0 0, RGB 71 0 0 and RGB 54 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 81 / 52

HEX #7A1E17

RGB 122 30 23

HSL 4.24, 0.68%, 0.28%

LAB 27.1, 39.1, 28.07

 

Complementary color

CMYK 43 / 3 / 0 / 9

HEX #85E1E8

RGB 133 225 232

HSL 184.24, 0.68%, 0.72%

LAB 84.31, -25.64, -12.02

 

CMYK 0 / 76 / 86 / 50

HEX #7F1E12

RGB 127 30 18

HSL 6.61, 0.75%, 0.28%

LAB 28.07, 40.65, 32.24

 

CMYK 0 / 67 / 74 / 44

HEX #903025

RGB 144 48 37

HSL 6.17, 0.59%, 0.35%

LAB 34.35, 39.88, 28.85

 

CMYK 0 / 59 / 65 / 37

HEX #A14238

RGB 161 66 56

HSL 5.71, 0.48%, 0.43%

LAB 40.83, 38.73, 25.91

 

CMYK 0 / 53 / 58 / 30

HEX #B2544B

RGB 178 84 75

HSL 5.24, 0.41%, 0.5%

LAB 47.38, 37.47, 23.46

 

CMYK 0 / 48 / 52 / 24

HEX #C3665E

RGB 195 102 94

HSL 4.75, 0.46%, 0.57%

LAB 53.93, 36.23, 21.4

 

CMYK 0 / 75 / 81 / 52

HEX #7A1E17

RGB 122 30 23

HSL 4.24, 0.68%, 0.28%

LAB 27.1, 39.1, 28.07

 

CMYK 0 / 89 / 96 / 59

HEX #690C04

RGB 105 12 4

HSL 4.75, 0.93%, 0.21%

LAB 21.11, 38.88, 30.22

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 75 / 81 / 52

HEX #7A1E17

RGB 122 30 23

HSL 4.24, 0.68%, 0.28%

LAB 27.1, 39.1, 28.07

 

CMYK 0 / 62 / 82 / 53

HEX #772D16

RGB 119 45 22

HSL 14.23, 0.69%, 0.28%

LAB 29.05, 31.09, 30.47

 

CMYK 0 / 49 / 82 / 53

HEX #773D16

RGB 119 61 22

HSL 24.12, 0.69%, 0.28%

LAB 32.52, 22.27, 33.91

 

CMYK 0 / 35 / 82 / 53

HEX #774D16

RGB 119 77 22

HSL 34.02, 0.69%, 0.28%

LAB 36.53, 12.77, 37.77

 

CMYK 0 / 21 / 82 / 53

HEX #775E16

RGB 119 94 22

HSL 44.54, 0.69%, 0.28%

LAB 41.19, 2.6, 42.12

 

CMYK 0 / 75 / 81 / 52

HEX #7A1E17

RGB 122 30 23

HSL 4.24, 0.68%, 0.28%

LAB 27.1, 39.1, 28.07

 

CMYK 0 / 75 / 81 / 32

HEX #AD2B21

RGB 173 43 33

HSL 4.29, 0.68%, 0.4%

LAB 39.11, 51.56, 37.87

 

CMYK 0 / 75 / 81 / 12

HEX #E0372A

RGB 224 55 42

HSL 4.29, 0.75%, 0.52%

LAB 50.39, 63.56, 47.46

 

CMYK 0 / 75 / 80 / 92

HEX #140504

RGB 20 5 4

HSL 3.75, 0.67%, 0.05%

LAB 2.4, 4.58, 2.04

 

CMYK 0 / 76 / 82 / 72

HEX #47110D

RGB 71 17 13

HSL 4.14, 0.69%, 0.16%

LAB 14.23, 25.43, 16.36

 

CMYK 0 / 75 / 81 / 52

HEX #7A1E17

RGB 122 30 23

HSL 4.24, 0.68%, 0.28%

LAB 27.1, 39.1, 28.07

 

CMYK 21 / 0 / 82 / 53

HEX #5E7716

RGB 94 119 22

HSL 75.46, 0.69%, 0.28%

LAB 46.49, -23.06, 46.16

 

CMYK 82 / 54 / 0 / 53

HEX #163777

RGB 22 55 119

HSL 219.59, 0.69%, 0.28%

LAB 24.43, 13.4, -40.06

 

CMYK 0 / 75 / 81 / 52

HEX #7A1E17

RGB 122 30 23

HSL 4.24, 0.68%, 0.28%

LAB 27.1, 39.1, 28.07

 

CMYK 82 / 0 / 76 / 53

HEX #16771D

RGB 22 119 29

HSL 124.33, 0.69%, 0.28%

LAB 43.44, -45.13, 39.61

 

CMYK 76 / 82 / 0 / 53

HEX #1D1677

RGB 29 22 119

HSL 244.33, 0.69%, 0.28%

LAB 16.34, 36.29, -53.3

 

CMYK 0 / 75 / 81 / 52

HEX #7A1E17

RGB 122 30 23

HSL 4.24, 0.68%, 0.28%

LAB 27.1, 39.1, 28.07

 

CMYK 21 / 0 / 82 / 53

HEX #5E7716

RGB 94 119 22

HSL 75.46, 0.69%, 0.28%

LAB 46.49, -23.06, 46.16

 

CMYK 82 / 5 / 0 / 53

HEX #167177

RGB 22 113 119

HSL 183.71, 0.69%, 0.28%

LAB 43.23, -22.73, -10.65

 

CMYK 60 / 82 / 0 / 53

HEX #301677

RGB 48 22 119

HSL 256.08, 0.69%, 0.28%

LAB 18.07, 38.41, -50.38

 

CMYK 0 / 75 / 81 / 52

HEX #7A1E17

RGB 122 30 23

HSL 4.24, 0.68%, 0.28%

LAB 27.1, 39.1, 28.07

 

CMYK 46 / 0 / 82 / 53

HEX #407716

RGB 64 119 22

HSL 94.02, 0.69%, 0.28%

LAB 44.72, -35.04, 43.88

 

CMYK 82 / 5 / 0 / 53

HEX #167177

RGB 22 113 119

HSL 183.71, 0.69%, 0.28%

LAB 43.23, -22.73, -10.65

 

CMYK 35 / 82 / 0 / 53

HEX #4D1677

RGB 77 22 119

HSL 274.02, 0.69%, 0.28%

LAB 21.88, 43.02, -43.98

 

Description

Color code: RGB 122 30 23 | qconv.com Color code: RGB 122 30 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 30 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 30 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 81 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 81% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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