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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #470000 it is the complementary color #B8FFFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #470000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #470000: #4C0000, #5D120E, #6E2421, #7F3634 and #904847

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #470000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #470000: #470000, #360000, #250000, #140000 and #030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

Complementary color

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 0 / 100 / 100 / 70

HEX #4C0000

RGB 76 0 0

HSL 0, 1%, 0.15%

LAB 12.84, 33.37, 20.14

 

CMYK 0 / 81 / 85 / 64

HEX #5D120E

RGB 93 18 14

HSL 3.04, 0.74%, 0.21%

LAB 19.19, 33.27, 23.06

 

CMYK 0 / 67 / 70 / 57

HEX #6E2421

RGB 110 36 33

HSL 2.34, 0.54%, 0.28%

LAB 25.82, 32.61, 19.72

 

CMYK 0 / 57 / 59 / 50

HEX #7F3634

RGB 127 54 52

HSL 1.6, 0.42%, 0.35%

LAB 32.7, 31.46, 16.85

 

CMYK 0 / 50 / 51 / 44

HEX #904847

RGB 144 72 71

HSL 0.82, 0.34%, 0.42%

LAB 39.61, 30.23, 14.64

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 100 / 100 / 85

HEX #250000

RGB 37 0 0

HSL 0, 1%, 0.07%

LAB 3.55, 15.94, 5.61

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 85 / 100 / 72

HEX #470B00

RGB 71 11 0

HSL 9.3, 1%, 0.14%

LAB 13.1, 27.47, 20.28

 

CMYK 0 / 68 / 100 / 72

HEX #471700

RGB 71 23 0

HSL 19.44, 1%, 0.14%

LAB 15.24, 21.69, 23.07

 

CMYK 0 / 51 / 100 / 72

HEX #472300

RGB 71 35 0

HSL 29.58, 1%, 0.14%

LAB 18.11, 14.44, 26.61

 

CMYK 0 / 34 / 100 / 72

HEX #472F00

RGB 71 47 0

HSL 39.72, 1%, 0.14%

LAB 21.48, 6.6, 30.45

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 100 / 100 / 32

HEX #AD0000

RGB 173 0 0

HSL 0, 1%, 0.34%

LAB 35.76, 59.89, 50.12

 

CMYK 0 / 100 / 100 / 12

HEX #E00000

RGB 224 0 0

HSL 0, 1%, 0.44%

LAB 46.77, 72.64, 60.95

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 20 / 0 / 100 / 72

HEX #394700

RGB 57 71 0

HSL 71.83, 1%, 0.14%

LAB 27.78, -15.66, 36.03

 

CMYK 100 / 61 / 0 / 72

HEX #001C47

RGB 0 28 71

HSL 216.34, 1%, 0.14%

LAB 11.17, 9.74, -29.79

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 20 / 0 / 100 / 72

HEX #394700

RGB 57 71 0

HSL 71.83, 1%, 0.14%

LAB 27.78, -15.66, 36.03

 

CMYK 100 / 0 / 0 / 72

HEX #004747

RGB 0 71 71

HSL 180, 1%, 0.14%

LAB 26.62, -19.13, -5.63

 

CMYK 80 / 100 / 0 / 72

HEX #0E0047

RGB 14 0 71

HSL 251.83, 1%, 0.14%

LAB 4.95, 29.82, -39.97

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 51 / 0 / 100 / 72

HEX #234700

RGB 35 71 0

HSL 90.42, 1%, 0.14%

LAB 26.34, -25.45, 34.21

 

CMYK 100 / 0 / 0 / 72

HEX #004747

RGB 0 71 71

HSL 180, 1%, 0.14%

LAB 26.62, -19.13, -5.63

 

CMYK 51 / 100 / 0 / 72

HEX #230047

RGB 35 0 71

HSL 269.58, 1%, 0.14%

LAB 7.34, 33.43, -35.96

 

Description

Color code: HEX #470000 | qconv.com Color code: HEX #470000 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, none green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 0 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 100 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 100% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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