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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 150 233 it is the complementary color RGB 141 105 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 150 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 114 150 233: RGB 119 150 228, RGB 136 168 247, RGB 153 186 255, RGB 170 204 255 and RGB 187 222 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 150 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 114 150 233: RGB 114 150 233, RGB 97 132 214, RGB 80 114 195, RGB 63 96 176 and RGB 46 78 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 36 / 0 / 9

HEX #7296E9

RGB 114 150 233

HSL 221.85, 0.73%, 0.68%

LAB 62.74, 10.44, -45.77

 

Complementary color

CMYK 0 / 26 / 84 / 45

HEX #8D6916

RGB 141 105 22

HSL 41.85, 0.73%, 0.32%

LAB 46.74, 6.67, 48.04

 

CMYK 48 / 34 / 0 / 11

HEX #7796E4

RGB 119 150 228

HSL 222.94, 0.67%, 0.68%

LAB 62.79, 10.09, -42.9

 

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

CMYK 40 / 27 / 0 / 0

HEX #99BAFF

RGB 153 186 255

HSL 220.59, 1%, 0.8%

LAB 75.52, 5.74, -37.59

 

CMYK 33 / 20 / 0 / 0

HEX #AACCFF

RGB 170 204 255

HSL 216, 1%, 0.83%

LAB 81.27, 0.47, -28.65

 

CMYK 27 / 13 / 0 / 0

HEX #BBDEFF

RGB 187 222 255

HSL 209.12, 1%, 0.87%

LAB 87.01, -4.25, -19.81

 

CMYK 51 / 36 / 0 / 9

HEX #7296E9

RGB 114 150 233

HSL 221.85, 0.73%, 0.68%

LAB 62.74, 10.44, -45.77

 

CMYK 55 / 38 / 0 / 16

HEX #6184D6

RGB 97 132 214

HSL 222.05, 0.59%, 0.61%

LAB 55.99, 11.43, -45.91

 

CMYK 59 / 42 / 0 / 24

HEX #5072C3

RGB 80 114 195

HSL 222.26, 0.49%, 0.54%

LAB 49.11, 12.62, -46.09

 

CMYK 64 / 45 / 0 / 31

HEX #3F60B0

RGB 63 96 176

HSL 222.48, 0.47%, 0.47%

LAB 42.09, 14.11, -46.31

 

CMYK 71 / 50 / 0 / 38

HEX #2E4E9D

RGB 46 78 157

HSL 222.7, 0.55%, 0.4%

LAB 34.93, 16.02, -46.54

 

CMYK 51 / 36 / 0 / 9

HEX #7296E9

RGB 114 150 233

HSL 221.85, 0.73%, 0.68%

LAB 62.74, 10.44, -45.77

 

CMYK 51 / 44 / 0 / 9

HEX #7183E8

RGB 113 131 232

HSL 230.92, 0.72%, 0.68%

LAB 57.63, 21.15, -53.32

 

CMYK 50 / 51 / 0 / 9

HEX #7371E8

RGB 115 113 232

HSL 241.01, 0.72%, 0.68%

LAB 53.26, 32.35, -60.31

 

CMYK 42 / 51 / 0 / 9

HEX #8771E8

RGB 135 113 232

HSL 251.09, 0.72%, 0.68%

LAB 54.85, 36.77, -57.66

 

CMYK 33 / 51 / 0 / 9

HEX #9B71E8

RGB 155 113 232

HSL 261.18, 0.72%, 0.68%

LAB 56.69, 41.58, -54.62

 

CMYK 51 / 36 / 0 / 9

HEX #7296E9

RGB 114 150 233

HSL 221.85, 0.73%, 0.68%

LAB 62.74, 10.44, -45.77

 

CMYK 52 / 34 / 0 / 89

HEX #0E131D

RGB 14 19 29

HSL 220, 0.35%, 0.08%

LAB 5.85, 0.82, -7.49

 

CMYK 51 / 35 / 0 / 69

HEX #273450

RGB 39 52 80

HSL 220.98, 0.34%, 0.23%

LAB 21.82, 3.52, -18.81

 

CMYK 51 / 36 / 0 / 49

HEX #405483

RGB 64 84 131

HSL 222.09, 0.34%, 0.38%

LAB 36.12, 6.43, -28.78

 

CMYK 51 / 36 / 0 / 29

HEX #5975B6

RGB 89 117 182

HSL 221.94, 0.39%, 0.53%

LAB 49.77, 8.49, -37.52

 

CMYK 51 / 36 / 0 / 9

HEX #7296E9

RGB 114 150 233

HSL 221.85, 0.73%, 0.68%

LAB 62.74, 10.44, -45.77

 

CMYK 6 / 51 / 0 / 9

HEX #DB71E8

RGB 219 113 232

HSL 293.45, 0.72%, 0.68%

LAB 63.91, 58.32, -42.71

 

CMYK 14 / 0 / 51 / 9

HEX #C7E871

RGB 199 232 113

HSL 76.64, 0.72%, 0.68%

LAB 87.51, -28.52, 53.72

 

CMYK 51 / 36 / 0 / 9

HEX #7296E9

RGB 114 150 233

HSL 221.85, 0.73%, 0.68%

LAB 62.74, 10.44, -45.77

 

CMYK 0 / 51 / 35 / 9

HEX #E87197

RGB 232 113 151

HSL 340.84, 0.72%, 0.68%

LAB 62.68, 49.91, 1.39

 

CMYK 35 / 0 / 51 / 9

HEX #97E871

RGB 151 232 113

HSL 100.84, 0.72%, 0.68%

LAB 84.73, -45.65, 49.74

 

CMYK 51 / 36 / 0 / 9

HEX #7296E9

RGB 114 150 233

HSL 221.85, 0.73%, 0.68%

LAB 62.74, 10.44, -45.77

 

CMYK 6 / 51 / 0 / 9

HEX #DB71E8

RGB 219 113 232

HSL 293.45, 0.72%, 0.68%

LAB 63.91, 58.32, -42.71

 

CMYK 0 / 16 / 51 / 9

HEX #E8C371

RGB 232 195 113

HSL 41.34, 0.72%, 0.68%

LAB 80.39, 3.12, 45.79

 

CMYK 45 / 0 / 51 / 9

HEX #7FE871

RGB 127 232 113

HSL 112.94, 0.72%, 0.68%

LAB 83.66, -53.05, 48.19

 

CMYK 51 / 36 / 0 / 9

HEX #7296E9

RGB 114 150 233

HSL 221.85, 0.73%, 0.68%

LAB 62.74, 10.44, -45.77

 

CMYK 0 / 51 / 9 / 9

HEX #E871D3

RGB 232 113 211

HSL 310.59, 0.72%, 0.68%

LAB 64.7, 58.3, -29.65

 

CMYK 0 / 16 / 51 / 9

HEX #E8C371

RGB 232 195 113

HSL 41.34, 0.72%, 0.68%

LAB 80.39, 3.12, 45.79

 

CMYK 51 / 0 / 42 / 9

HEX #71E887

RGB 113 232 135

HSL 131.09, 0.72%, 0.68%

LAB 83.43, -53.75, 37.13

 

Description

Color code: RGB 114 150 233 | qconv.com Color code: RGB 114 150 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 150 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 150 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 36 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 36% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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