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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88A8F7 it is the complementary color #775708. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88A8F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88A8F7 shade: #8DA8F2, #9EBAFF, #AFCCFF, #C0DEFF and #D1F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88A8F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88A8F7 shade: #88A8F7, #7796E4, #6684D1, #5572BE and #4460AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88A8F7 shade: #88A8F7, #888AF7, #A488F7, #C288F7 and #DF88F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88A8F7 shade: #88A8F7, #888AF7 and #8888F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88A8F7 shade matches the following richer shades: #88A8F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88A8F7 shade: #88A8F7, #92ACEC, #9CB1E2, #A7B5D8 and #B1B9CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88A8F7 shade: #88E4F7, #88C7F7, #88A9F7, #888BF7 and #A288F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88A8F7 shade: #3B6FF1, #618CF4, #88A8F7, #AEC4F9 and #D5E0FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88A8F7 shade: #88A8F7, #EC88F7 and #D5F788

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88A8F7 shade: #88A8F7, #F788A9 and #A9F788

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88A8F7 shade: #88A8F7, #EC88F7, #F7D588 and #93F788

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88A8F7 shade: #88A8F7, #F788E1, #F7D588 and #88F79E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

Complementary color

CMYK 0 / 27 / 93 / 53

HEX #775708

RGB 119 87 8

HSL 42.7, 0.87%, 0.25%

LAB 39.17, 6.32, 44.9

 

CMYK 42 / 31 / 0 / 5

HEX #8DA8F2

RGB 141 168 242

HSL 223.96, 0.8%, 0.75%

LAB 69.53, 9.19, -39.95

 

CMYK 38 / 27 / 0 / 0

HEX #9EBAFF

RGB 158 186 255

HSL 222.68, 1%, 0.81%

LAB 75.83, 7.04, -37.09

 

CMYK 31 / 20 / 0 / 0

HEX #AFCCFF

RGB 175 204 255

HSL 218.25, 1%, 0.84%

LAB 81.58, 1.85, -28.14

 

CMYK 25 / 13 / 0 / 0

HEX #C0DEFF

RGB 192 222 255

HSL 211.43, 1%, 0.88%

LAB 87.32, -2.8, -19.31

 

CMYK 18 / 6 / 0 / 0

HEX #D1F0FF

RGB 209 240 255

HSL 199.57, 1%, 0.91%

LAB 93.06, -7, -10.61

 

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

CMYK 48 / 34 / 0 / 11

HEX #7796E4

RGB 119 150 228

HSL 222.94, 0.67%, 0.68%

LAB 62.79, 10.09, -42.9

 

CMYK 51 / 37 / 0 / 18

HEX #6684D1

RGB 102 132 209

HSL 223.18, 0.54%, 0.61%

LAB 56.02, 10.95, -43.02

 

CMYK 55 / 40 / 0 / 25

HEX #5572BE

RGB 85 114 190

HSL 223.43, 0.45%, 0.54%

LAB 49.11, 12, -43.19

 

CMYK 60 / 44 / 0 / 33

HEX #4460AB

RGB 68 96 171

HSL 223.69, 0.43%, 0.47%

LAB 42.05, 13.31, -43.4

 

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

CMYK 45 / 44 / 0 / 3

HEX #888AF7

RGB 136 138 247

HSL 238.92, 0.87%, 0.75%

LAB 61.76, 26.68, -54.94

 

CMYK 34 / 45 / 0 / 3

HEX #A488F7

RGB 164 136 247

HSL 255.14, 0.87%, 0.75%

LAB 63.52, 34.73, -52.01

 

CMYK 21 / 45 / 0 / 3

HEX #C288F7

RGB 194 136 247

HSL 271.35, 0.87%, 0.75%

LAB 66.36, 42.73, -47.34

 

CMYK 10 / 45 / 0 / 3

HEX #DF88F7

RGB 223 136 247

HSL 287.03, 0.87%, 0.75%

LAB 69.48, 50.79, -42.22

 

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

CMYK 45 / 44 / 0 / 3

HEX #888AF7

RGB 136 138 247

HSL 238.92, 0.87%, 0.75%

LAB 61.76, 26.68, -54.94

 

CMYK 45 / 45 / 0 / 3

HEX #8888F7

RGB 136 136 247

HSL 240, 0.87%, 0.75%

LAB 61.27, 27.85, -55.73

 

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

CMYK 38 / 27 / 0 / 7

HEX #92ACEC

RGB 146 172 236

HSL 222.67, 0.7%, 0.75%

LAB 70.64, 6.6, -34.91

 

CMYK 31 / 22 / 0 / 11

HEX #9CB1E2

RGB 156 177 226

HSL 222, 0.55%, 0.75%

LAB 72.23, 4.01, -26.96

 

CMYK 23 / 16 / 0 / 15

HEX #A7B5D8

RGB 167 181 216

HSL 222.86, 0.39%, 0.75%

LAB 73.69, 2.69, -19.22

 

CMYK 14 / 10 / 0 / 20

HEX #B1B9CD

RGB 177 185 205

HSL 222.86, 0.22%, 0.75%

LAB 75.11, 1.27, -11.02

 

CMYK 45 / 8 / 0 / 3

HEX #88E4F7

RGB 136 228 247

HSL 190.27, 0.87%, 0.75%

LAB 85.72, -22.6, -17.8

 

CMYK 45 / 19 / 0 / 3

HEX #88C7F7

RGB 136 199 247

HSL 205.95, 0.87%, 0.75%

LAB 77.75, -7.71, -29.93

 

CMYK 45 / 32 / 0 / 3

HEX #88A9F7

RGB 136 169 247

HSL 222.16, 0.87%, 0.75%

LAB 69.7, 8.79, -42.41

 

CMYK 45 / 44 / 0 / 3

HEX #888BF7

RGB 136 139 247

HSL 238.38, 0.87%, 0.75%

LAB 62.01, 26.09, -54.55

 

CMYK 34 / 45 / 0 / 3

HEX #A288F7

RGB 162 136 247

HSL 254.05, 0.87%, 0.75%

LAB 63.35, 34.21, -52.3

 

CMYK 76 / 54 / 0 / 5

HEX #3B6FF1

RGB 59 111 241

HSL 222.86, 0.87%, 0.59%

LAB 50.27, 27.55, -70.31

 

CMYK 60 / 43 / 0 / 4

HEX #618CF4

RGB 97 140 244

HSL 222.45, 0.87%, 0.67%

LAB 59.73, 16.38, -56.66

 

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

CMYK 30 / 21 / 0 / 2

HEX #AEC4F9

RGB 174 196 249

HSL 222.4, 0.86%, 0.83%

LAB 79.22, 4.42, -28.55

 

CMYK 15 / 11 / 0 / 1

HEX #D5E0FC

RGB 213 224 252

HSL 223.08, 0.87%, 0.91%

LAB 89.15, 1.85, -14.84

 

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

CMYK 4 / 45 / 0 / 3

HEX #EC88F7

RGB 236 136 247

HSL 294.05, 0.87%, 0.75%

LAB 70.98, 54.45, -39.77

 

CMYK 14 / 0 / 45 / 3

HEX #D5F788

RGB 213 247 136

HSL 78.38, 0.87%, 0.75%

LAB 92.77, -28, 49.53

 

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

CMYK 0 / 45 / 32 / 3

HEX #F788A9

RGB 247 136 169

HSL 342.16, 0.87%, 0.75%

LAB 69.65, 45.78, 1.57

 

CMYK 32 / 0 / 45 / 3

HEX #A9F788

RGB 169 247 136

HSL 102.16, 0.87%, 0.75%

LAB 90.2, -43.47, 45.77

 

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

CMYK 4 / 45 / 0 / 3

HEX #EC88F7

RGB 236 136 247

HSL 294.05, 0.87%, 0.75%

LAB 70.98, 54.45, -39.77

 

CMYK 0 / 14 / 45 / 3

HEX #F7D588

RGB 247 213 136

HSL 41.62, 0.87%, 0.75%

LAB 86.57, 1.97, 42.33

 

CMYK 40 / 0 / 45 / 3

HEX #93F788

RGB 147 247 136

HSL 114.05, 0.87%, 0.75%

LAB 89.16, -50.35, 44.24

 

CMYK 45 / 32 / 0 / 3

HEX #88A8F7

RGB 136 168 247

HSL 222.7, 0.87%, 0.75%

LAB 69.44, 9.36, -42.83

 

CMYK 0 / 45 / 9 / 3

HEX #F788E1

RGB 247 136 225

HSL 311.89, 0.87%, 0.75%

LAB 71.43, 53.84, -26.9

 

CMYK 0 / 14 / 45 / 3

HEX #F7D588

RGB 247 213 136

HSL 41.62, 0.87%, 0.75%

LAB 86.57, 1.97, 42.33

 

CMYK 45 / 0 / 36 / 3

HEX #88F79E

RGB 136 247 158

HSL 131.89, 0.87%, 0.75%

LAB 89.03, -50.2, 33.15

 

Description

Color code: HEX #88A8F7 | qconv.com Color code: HEX #88A8F7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 168 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 168 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 32 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 32% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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