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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112.5 147 176 it is the complementary color RGB 142.5 108 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112.5 147 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112.5 147 176 shade: RGB 117.5 147 171, RGB 134.5 165 190, RGB 151.5 183 209, RGB 168.5 201 228 and RGB 185.5 219 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112.5 147 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112.5 147 176 shade: RGB 112.5 147 176, RGB 95.5 129 157, RGB 78.5 111 138, RGB 61.5 93 119 and RGB 44.5 75 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112.5 147 176 shade: RGB 114 148 177, RGB 114 131 177, RGB 114 114 177, RGB 130 114 177 and RGB 148 114 177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112.5 147 176 shade: RGB 114 148 177, RGB 114 131 177 and RGB 114 114 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112.5 147 176 shade matches the following richer shades: RGB 114 148 177, RGB 96 150 195, RGB 78 151 213, RGB 60 153 230 and RGB 43 154 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112.5 147 176 shade: RGB 114 148 177, RGB 131 147 159, RGB 149 145 142, RGB 167 143 124 and RGB 185 142 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112.5 147 176 shade: RGB 114 177 172, RGB 114 165 177, RGB 114 149 177, RGB 114 132 177 and RGB 114 115 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112.5 147 176 shade: RGB 74 107 134, RGB 89 128 161, RGB 114 148 177, RGB 140 168 192 and RGB 167 188 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112.5 147 176 shade: RGB 112.5 147 176, RGB 155 114 177 and RGB 174 177 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112.5 147 176 shade: RGB 112.5 147 176, RGB 177 114 149 and RGB 149 177 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112.5 147 176 shade: RGB 112.5 147 176, RGB 155 114 177, RGB 177 142 114 and RGB 136 177 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112.5 147 176 shade: RGB 112.5 147 176, RGB 174 114 177, RGB 177 142 114 and RGB 117 177 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 16 / 0 / 31

HEX #7093B0

RGB 112.5 147 176

HSL 207.4, 0.29%, 0.57%

LAB 59.42, -4.64, -19.01

 

Complementary color

CMYK 0 / 24 / 45 / 44

HEX #8E6C4F

RGB 142.5 108 79

HSL 27.4, 0.29%, 0.43%

LAB 48.37, 9.77, 21.51

 

CMYK 31 / 14 / 0 / 33

HEX #7593AB

RGB 117.5 147 171

HSL 206.92, 0.24%, 0.57%

LAB 59.55, -4.48, -15.95

 

CMYK 29 / 13 / 0 / 25

HEX #86A5BE

RGB 134.5 165 190

HSL 207.03, 0.3%, 0.64%

LAB 66.32, -4.61, -16.27

 

CMYK 28 / 12 / 0 / 18

HEX #97B7D1

RGB 151.5 183 209

HSL 207.13, 0.38%, 0.71%

LAB 72.96, -4.73, -16.61

 

CMYK 26 / 12 / 0 / 11

HEX #A8C9E4

RGB 168.5 201 228

HSL 207.23, 0.52%, 0.78%

LAB 79.47, -4.84, -16.96

 

CMYK 25 / 11 / 0 / 3

HEX #B9DBF7

RGB 185.5 219 247

HSL 207.32, 0.79%, 0.85%

LAB 85.88, -4.94, -17.3

 

CMYK 36 / 16 / 0 / 31

HEX #7093B0

RGB 112.5 147 176

HSL 207.4, 0.29%, 0.57%

LAB 59.42, -4.64, -19.01

 

CMYK 39 / 18 / 0 / 38

HEX #5F819D

RGB 95.5 129 157

HSL 207.32, 0.24%, 0.5%

LAB 52.5, -4.43, -18.75

 

CMYK 43 / 20 / 0 / 46

HEX #4E6F8A

RGB 78.5 111 138

HSL 207.23, 0.27%, 0.42%

LAB 45.42, -4.16, -18.5

 

CMYK 48 / 22 / 0 / 53

HEX #3D5D77

RGB 61.5 93 119

HSL 207.13, 0.32%, 0.35%

LAB 38.14, -3.81, -18.28

 

CMYK 56 / 25 / 0 / 61

HEX #2C4B64

RGB 44.5 75 100

HSL 207.03, 0.38%, 0.28%

LAB 30.64, -3.31, -18.08

 

CMYK 36 / 16 / 0 / 31

HEX #7294B1

RGB 114 148 177

HSL 207.62, 0.29%, 0.57%

LAB 59.83, -4.51, -18.95

 

CMYK 36 / 26 / 0 / 31

HEX #7283B1

RGB 114 131 177

HSL 223.81, 0.29%, 0.57%

LAB 55.06, 5.26, -26.27

 

CMYK 36 / 36 / 0 / 31

HEX #7272B1

RGB 114 114 177

HSL 240, 0.29%, 0.57%

LAB 50.44, 15.39, -33.45

 

CMYK 27 / 36 / 0 / 31

HEX #8272B1

RGB 130 114 177

HSL 255.24, 0.29%, 0.57%

LAB 51.79, 20.11, -31.24

 

CMYK 16 / 36 / 0 / 31

HEX #9472B1

RGB 148 114 177

HSL 272.38, 0.29%, 0.57%

LAB 53.5, 25.7, -28.45

 

CMYK 36 / 16 / 0 / 31

HEX #7294B1

RGB 114 148 177

HSL 207.62, 0.29%, 0.57%

LAB 59.83, -4.51, -18.95

 

CMYK 36 / 26 / 0 / 31

HEX #7283B1

RGB 114 131 177

HSL 223.81, 0.29%, 0.57%

LAB 55.06, 5.26, -26.27

 

CMYK 36 / 36 / 0 / 31

HEX #7272B1

RGB 114 114 177

HSL 240, 0.29%, 0.57%

LAB 50.44, 15.39, -33.45

 

CMYK 36 / 16 / 0 / 31

HEX #7294B1

RGB 114 148 177

HSL 207.62, 0.29%, 0.57%

LAB 59.83, -4.51, -18.95

 

CMYK 51 / 23 / 0 / 24

HEX #6096C3

RGB 96 150 195

HSL 207.27, 0.45%, 0.57%

LAB 60.1, -5.22, -28.77

 

CMYK 63 / 29 / 0 / 16

HEX #4E97D5

RGB 78 151 213

HSL 207.56, 0.62%, 0.57%

LAB 60.39, -3.78, -38.48

 

CMYK 74 / 33 / 0 / 10

HEX #3C99E6

RGB 60 153 230

HSL 207.18, 0.77%, 0.57%

LAB 61.18, -1.83, -46.72

 

CMYK 83 / 38 / 0 / 3

HEX #2B9AF8

RGB 43 154 248

HSL 207.51, 0.94%, 0.57%

LAB 62, 2.31, -55.36

 

CMYK 36 / 16 / 0 / 31

HEX #7294B1

RGB 114 148 177

HSL 207.62, 0.29%, 0.57%

LAB 59.83, -4.51, -18.95

 

CMYK 18 / 8 / 0 / 38

HEX #83939F

RGB 131 147 159

HSL 205.71, 0.13%, 0.57%

LAB 60.07, -3.08, -8.25

 

CMYK 0 / 3 / 5 / 42

HEX #95918E

RGB 149 145 142

HSL 25.71, 0.03%, 0.57%

LAB 60.42, 0.91, 2.1

 

CMYK 0 / 14 / 26 / 35

HEX #A78F7C

RGB 167 143 124

HSL 26.51, 0.2%, 0.57%

LAB 61.06, 5.98, 13.44

 

CMYK 0 / 23 / 43 / 27

HEX #B98E6A

RGB 185 142 106

HSL 27.34, 0.36%, 0.57%

LAB 62.25, 11.55, 25.44

 

CMYK 36 / 0 / 3 / 31

HEX #72B1AC

RGB 114 177 172

HSL 175.24, 0.29%, 0.57%

LAB 68.02, -21.32, -3.87

 

CMYK 36 / 7 / 0 / 31

HEX #72A5B1

RGB 114 165 177

HSL 191.43, 0.29%, 0.57%

LAB 64.69, -13.82, -11.59

 

CMYK 36 / 16 / 0 / 31

HEX #7295B1

RGB 114 149 177

HSL 206.67, 0.29%, 0.57%

LAB 60.11, -5.07, -18.51

 

CMYK 36 / 25 / 0 / 31

HEX #7284B1

RGB 114 132 177

HSL 222.86, 0.29%, 0.57%

LAB 55.33, 4.68, -25.84

 

CMYK 36 / 35 / 0 / 31

HEX #7273B1

RGB 114 115 177

HSL 239.05, 0.29%, 0.57%

LAB 50.7, 14.79, -33.04

 

CMYK 45 / 20 / 0 / 47

HEX #4A6B86

RGB 74 107 134

HSL 207, 0.29%, 0.41%

LAB 43.79, -4.22, -18.64

 

CMYK 45 / 20 / 0 / 37

HEX #5980A1

RGB 89 128 161

HSL 207.5, 0.29%, 0.49%

LAB 51.99, -4.49, -21.89

 

CMYK 36 / 16 / 0 / 31

HEX #7294B1

RGB 114 148 177

HSL 207.62, 0.29%, 0.57%

LAB 59.83, -4.51, -18.95

 

CMYK 27 / 13 / 0 / 25

HEX #8CA8C0

RGB 140 168 192

HSL 207.69, 0.29%, 0.65%

LAB 67.57, -4.11, -15.47

 

CMYK 19 / 9 / 0 / 19

HEX #A7BCCE

RGB 167 188 206

HSL 207.69, 0.28%, 0.73%

LAB 75.23, -3.34, -11.47

 

CMYK 36 / 16 / 0 / 31

HEX #7093B0

RGB 112.5 147 176

HSL 207.4, 0.29%, 0.57%

LAB 59.42, -4.64, -19.01

 

CMYK 12 / 36 / 0 / 31

HEX #9B72B1

RGB 155 114 177

HSL 279.05, 0.29%, 0.57%

LAB 54.21, 27.93, -27.28

 

CMYK 2 / 0 / 36 / 31

HEX #AEB172

RGB 174 177 114

HSL 62.86, 0.29%, 0.57%

LAB 70.63, -10.94, 31.92

 

CMYK 36 / 16 / 0 / 31

HEX #7093B0

RGB 112.5 147 176

HSL 207.4, 0.29%, 0.57%

LAB 59.42, -4.64, -19.01

 

CMYK 0 / 36 / 16 / 31

HEX #B17295

RGB 177 114 149

HSL 326.67, 0.29%, 0.57%

LAB 55.64, 30.04, -8.65

 

CMYK 16 / 0 / 36 / 31

HEX #95B172

RGB 149 177 114

HSL 86.67, 0.29%, 0.57%

LAB 68.79, -20.72, 29.15

 

CMYK 36 / 16 / 0 / 31

HEX #7093B0

RGB 112.5 147 176

HSL 207.4, 0.29%, 0.57%

LAB 59.42, -4.64, -19.01

 

CMYK 12 / 36 / 0 / 31

HEX #9B72B1

RGB 155 114 177

HSL 279.05, 0.29%, 0.57%

LAB 54.21, 27.93, -27.28

 

CMYK 0 / 20 / 36 / 31

HEX #B18E72

RGB 177 142 114

HSL 26.67, 0.29%, 0.57%

LAB 61.57, 9.21, 19.93

 

CMYK 23 / 0 / 36 / 31

HEX #88B172

RGB 136 177 114

HSL 99.05, 0.29%, 0.57%

LAB 67.94, -25.55, 27.89

 

CMYK 36 / 16 / 0 / 31

HEX #7093B0

RGB 112.5 147 176

HSL 207.4, 0.29%, 0.57%

LAB 59.42, -4.64, -19.01

 

CMYK 2 / 36 / 0 / 31

HEX #AE72B1

RGB 174 114 177

HSL 297.14, 0.29%, 0.57%

LAB 56.3, 34.06, -23.9

 

CMYK 0 / 20 / 36 / 31

HEX #B18E72

RGB 177 142 114

HSL 26.67, 0.29%, 0.57%

LAB 61.57, 9.21, 19.93

 

CMYK 34 / 0 / 36 / 31

HEX #75B172

RGB 117 177 114

HSL 117.14, 0.29%, 0.57%

LAB 66.86, -32.16, 26.25

 

Description

Color code: RGB 112.5 147 176 | qconv.com Color code: RGB 112.5 147 176 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112.5 red, 147 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112.5 147 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 16 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 16% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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