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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95.5 129 157 it is the complementary color RGB 159.5 126 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95.5 129 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95.5 129 157 shade: RGB 100.5 129 152, RGB 117.5 147 171, RGB 134.5 165 190, RGB 151.5 183 209 and RGB 168.5 201 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95.5 129 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95.5 129 157 shade: RGB 95.5 129 157, RGB 78.5 111 138, RGB 61.5 93 119, RGB 44.5 75 100 and RGB 27.5 57 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95.5 129 157 shade: RGB 97 130 158, RGB 97 114 158, RGB 97 97 158, RGB 113 97 158 and RGB 130 97 158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95.5 129 157 shade: RGB 97 130 158, RGB 97 114 158 and RGB 97 97 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95.5 129 157 shade matches the following richer shades: RGB 97 130 158, RGB 76 132 179, RGB 56 134 199, RGB 35 136 220 and RGB 14 138 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95.5 129 157 shade: RGB 97 130 158, RGB 118 128 137, RGB 138 127 117, RGB 159 125 96 and RGB 179 123 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95.5 129 157 shade: RGB 97 158 153, RGB 97 147 158, RGB 97 131 158, RGB 97 114 158 and RGB 97 98 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95.5 129 157 shade: RGB 66 88 107, RGB 81 109 133, RGB 97 130 158, RGB 122 150 174 and RGB 148 171 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95.5 129 157 shade: RGB 95.5 129 157, RGB 137 97 158 and RGB 155 158 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95.5 129 157 shade: RGB 95.5 129 157, RGB 158 97 131 and RGB 131 158 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95.5 129 157 shade: RGB 95.5 129 157, RGB 137 97 158, RGB 158 124 97 and RGB 118 158 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95.5 129 157 shade: RGB 95.5 129 157, RGB 155 97 158, RGB 158 124 97 and RGB 100 158 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 18 / 0 / 38

HEX #5F819D

RGB 95.5 129 157

HSL 207.32, 0.24%, 0.5%

LAB 52.5, -4.43, -18.75

 

Complementary color

CMYK 0 / 21 / 39 / 37

HEX #9F7E62

RGB 159.5 126 98

HSL 27.32, 0.24%, 0.5%

LAB 55.3, 8.96, 20.17

 

CMYK 34 / 15 / 0 / 40

HEX #648198

RGB 100.5 129 152

HSL 206.8, 0.2%, 0.5%

LAB 52.63, -4.33, -15.63

 

CMYK 31 / 14 / 0 / 33

HEX #7593AB

RGB 117.5 147 171

HSL 206.92, 0.24%, 0.57%

LAB 59.55, -4.48, -15.95

 

CMYK 29 / 13 / 0 / 25

HEX #86A5BE

RGB 134.5 165 190

HSL 207.03, 0.3%, 0.64%

LAB 66.32, -4.61, -16.27

 

CMYK 28 / 12 / 0 / 18

HEX #97B7D1

RGB 151.5 183 209

HSL 207.13, 0.38%, 0.71%

LAB 72.96, -4.73, -16.61

 

CMYK 26 / 12 / 0 / 11

HEX #A8C9E4

RGB 168.5 201 228

HSL 207.23, 0.52%, 0.78%

LAB 79.47, -4.84, -16.96

 

CMYK 39 / 18 / 0 / 38

HEX #5F819D

RGB 95.5 129 157

HSL 207.32, 0.24%, 0.5%

LAB 52.5, -4.43, -18.75

 

CMYK 43 / 20 / 0 / 46

HEX #4E6F8A

RGB 78.5 111 138

HSL 207.23, 0.27%, 0.42%

LAB 45.42, -4.16, -18.5

 

CMYK 48 / 22 / 0 / 53

HEX #3D5D77

RGB 61.5 93 119

HSL 207.13, 0.32%, 0.35%

LAB 38.14, -3.81, -18.28

 

CMYK 56 / 25 / 0 / 61

HEX #2C4B64

RGB 44.5 75 100

HSL 207.03, 0.38%, 0.28%

LAB 30.64, -3.31, -18.08

 

CMYK 66 / 30 / 0 / 68

HEX #1B3951

RGB 27.5 57 81

HSL 206.92, 0.49%, 0.21%

LAB 22.86, -2.54, -17.9

 

CMYK 39 / 18 / 0 / 38

HEX #61829E

RGB 97 130 158

HSL 207.54, 0.24%, 0.5%

LAB 52.92, -4.3, -18.68

 

CMYK 39 / 28 / 0 / 38

HEX #61729E

RGB 97 114 158

HSL 223.28, 0.24%, 0.5%

LAB 48.32, 5.14, -25.77

 

CMYK 39 / 39 / 0 / 38

HEX #61619E

RGB 97 97 158

HSL 240, 0.24%, 0.5%

LAB 43.59, 15.57, -33.14

 

CMYK 28 / 39 / 0 / 38

HEX #71619E

RGB 113 97 158

HSL 255.74, 0.24%, 0.5%

LAB 44.98, 20.27, -30.87

 

CMYK 18 / 39 / 0 / 38

HEX #82619E

RGB 130 97 158

HSL 272.46, 0.24%, 0.5%

LAB 46.66, 25.56, -28.12

 

CMYK 39 / 18 / 0 / 38

HEX #61829E

RGB 97 130 158

HSL 207.54, 0.24%, 0.5%

LAB 52.92, -4.3, -18.68

 

CMYK 39 / 28 / 0 / 38

HEX #61729E

RGB 97 114 158

HSL 223.28, 0.24%, 0.5%

LAB 48.32, 5.14, -25.77

 

CMYK 39 / 39 / 0 / 38

HEX #61619E

RGB 97 97 158

HSL 240, 0.24%, 0.5%

LAB 43.59, 15.57, -33.14

 

CMYK 39 / 18 / 0 / 38

HEX #61829E

RGB 97 130 158

HSL 207.54, 0.24%, 0.5%

LAB 52.92, -4.3, -18.68

 

CMYK 58 / 26 / 0 / 30

HEX #4C84B3

RGB 76 132 179

HSL 207.38, 0.4%, 0.5%

LAB 53.27, -4.34, -30.35

 

CMYK 72 / 33 / 0 / 22

HEX #3886C7

RGB 56 134 199

HSL 207.27, 0.56%, 0.5%

LAB 54.04, -2.23, -40.62

 

CMYK 84 / 38 / 0 / 14

HEX #2388DC

RGB 35 136 220

HSL 207.24, 0.73%, 0.5%

LAB 55.21, 1.98, -50.65

 

CMYK 94 / 43 / 0 / 5

HEX #0E8AF1

RGB 14 138 241

HSL 207.22, 0.89%, 0.5%

LAB 56.7, 7.6, -59.98

 

CMYK 39 / 18 / 0 / 38

HEX #61829E

RGB 97 130 158

HSL 207.54, 0.24%, 0.5%

LAB 52.92, -4.3, -18.68

 

CMYK 14 / 7 / 0 / 46

HEX #768089

RGB 118 128 137

HSL 208.42, 0.07%, 0.5%

LAB 53.05, -1.72, -6.12

 

CMYK 0 / 8 / 15 / 46

HEX #8A7F75

RGB 138 127 117

HSL 28.57, 0.08%, 0.5%

LAB 53.88, 2.39, 6.94

 

CMYK 0 / 21 / 40 / 38

HEX #9F7D60

RGB 159 125 96

HSL 27.62, 0.25%, 0.5%

LAB 54.95, 9.07, 20.83

 

CMYK 0 / 31 / 58 / 30

HEX #B37B4C

RGB 179 123 76

HSL 27.38, 0.4%, 0.5%

LAB 56.36, 16.7, 34.22

 

CMYK 39 / 0 / 3 / 38

HEX #619E99

RGB 97 158 153

HSL 175.08, 0.24%, 0.5%

LAB 61.04, -20.92, -3.63

 

CMYK 39 / 7 / 0 / 38

HEX #61939E

RGB 97 147 158

HSL 190.82, 0.24%, 0.5%

LAB 57.92, -13.81, -11.11

 

CMYK 39 / 17 / 0 / 38

HEX #61839E

RGB 97 131 158

HSL 206.56, 0.24%, 0.5%

LAB 53.21, -4.87, -18.23

 

CMYK 39 / 28 / 0 / 38

HEX #61729E

RGB 97 114 158

HSL 223.28, 0.24%, 0.5%

LAB 48.32, 5.14, -25.77

 

CMYK 39 / 38 / 0 / 38

HEX #61629E

RGB 97 98 158

HSL 239.02, 0.24%, 0.5%

LAB 43.87, 14.95, -32.72

 

CMYK 38 / 18 / 0 / 58

HEX #42586B

RGB 66 88 107

HSL 207.8, 0.24%, 0.34%

LAB 36.37, -3.08, -13.56

 

CMYK 39 / 18 / 0 / 48

HEX #516D85

RGB 81 109 133

HSL 207.69, 0.24%, 0.42%

LAB 44.77, -3.71, -16.49

 

CMYK 39 / 18 / 0 / 38

HEX #61829E

RGB 97 130 158

HSL 207.54, 0.24%, 0.5%

LAB 52.92, -4.3, -18.68

 

CMYK 30 / 14 / 0 / 32

HEX #7A96AE

RGB 122 150 174

HSL 207.69, 0.24%, 0.58%

LAB 60.79, -4.04, -15.74

 

CMYK 22 / 10 / 0 / 26

HEX #94ABBD

RGB 148 171 189

HSL 206.34, 0.24%, 0.66%

LAB 68.82, -3.97, -11.87

 

CMYK 39 / 18 / 0 / 38

HEX #5F819D

RGB 95.5 129 157

HSL 207.32, 0.24%, 0.5%

LAB 52.5, -4.43, -18.75

 

CMYK 13 / 39 / 0 / 38

HEX #89619E

RGB 137 97 158

HSL 279.34, 0.24%, 0.5%

LAB 47.41, 27.8, -26.89

 

CMYK 2 / 0 / 39 / 38

HEX #9B9E61

RGB 155 158 97

HSL 62.95, 0.24%, 0.5%

LAB 63.58, -10.7, 31.51

 

CMYK 39 / 18 / 0 / 38

HEX #5F819D

RGB 95.5 129 157

HSL 207.32, 0.24%, 0.5%

LAB 52.5, -4.43, -18.75

 

CMYK 0 / 39 / 17 / 38

HEX #9E6183

RGB 158 97 131

HSL 326.56, 0.24%, 0.5%

LAB 48.83, 29.73, -8.46

 

CMYK 17 / 0 / 39 / 38

HEX #839E61

RGB 131 158 97

HSL 86.56, 0.24%, 0.5%

LAB 61.78, -20.34, 28.83

 

CMYK 39 / 18 / 0 / 38

HEX #5F819D

RGB 95.5 129 157

HSL 207.32, 0.24%, 0.5%

LAB 52.5, -4.43, -18.75

 

CMYK 13 / 39 / 0 / 38

HEX #89619E

RGB 137 97 158

HSL 279.34, 0.24%, 0.5%

LAB 47.41, 27.8, -26.89

 

CMYK 0 / 22 / 39 / 38

HEX #9E7C61

RGB 158 124 97

HSL 26.56, 0.24%, 0.5%

LAB 54.6, 9.34, 19.77

 

CMYK 25 / 0 / 39 / 38

HEX #769E61

RGB 118 158 97

HSL 99.34, 0.24%, 0.5%

LAB 60.93, -25.27, 27.57

 

CMYK 39 / 18 / 0 / 38

HEX #5F819D

RGB 95.5 129 157

HSL 207.32, 0.24%, 0.5%

LAB 52.5, -4.43, -18.75

 

CMYK 2 / 39 / 0 / 38

HEX #9B619E

RGB 155 97 158

HSL 297.05, 0.24%, 0.5%

LAB 49.48, 33.63, -23.53

 

CMYK 0 / 22 / 39 / 38

HEX #9E7C61

RGB 158 124 97

HSL 26.56, 0.24%, 0.5%

LAB 54.6, 9.34, 19.77

 

CMYK 37 / 0 / 39 / 38

HEX #649E61

RGB 100 158 97

HSL 117.05, 0.24%, 0.5%

LAB 59.91, -31.61, 26.04

 

Description

Color code: RGB 95.5 129 157 | qconv.com Color code: RGB 95.5 129 157 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95.5 red, 129 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95.5 129 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 18 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 18% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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