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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 26 / 12 / 0 / 11 it is the complementary color CMYK 0 / 37 / 68 / 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 26 / 12 / 0 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 26 / 12 / 0 / 11: CMYK 22 / 10 / 0 / 13, CMYK 21 / 10 / 0 / 5, CMYK 19 / 7 / 0 / 0, CMYK 12 / 0 / 0 / 0 and CMYK 5 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 26 / 12 / 0 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 26 / 12 / 0 / 11: CMYK 26 / 12 / 0 / 11, CMYK 27 / 13 / 0 / 18, CMYK 29 / 13 / 0 / 26, CMYK 31 / 14 / 0 / 33 and CMYK 34 / 15 / 0 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 12 / 0 / 11

HEX #A8C8E3

RGB 168 200 227

HSL 207.46, 0.51%, 0.77%

LAB 79.14, -4.69, -16.92

 

Complementary color

CMYK 0 / 37 / 68 / 66

HEX #57371C

RGB 87 55 28

HSL 27.46, 0.51%, 0.23%

LAB 26.28, 11.22, 22.49

 

CMYK 22 / 10 / 0 / 13

HEX #ADC8DE

RGB 173 200 222

HSL 206.94, 0.43%, 0.77%

LAB 79.31, -4.32, -13.95

 

CMYK 21 / 10 / 0 / 5

HEX #BEDAF1

RGB 190 218 241

HSL 207.06, 0.65%, 0.85%

LAB 85.73, -4.41, -14.34

 

CMYK 19 / 7 / 0 / 0

HEX #CFECFF

RGB 207 236 255

HSL 203.75, 1%, 0.91%

LAB 91.9, -5.56, -12.35

 

CMYK 12 / 0 / 0 / 0

HEX #E0FEFF

RGB 224 254 255

HSL 181.94, 1%, 0.94%

LAB 97.61, -9.44, -3.76

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 26 / 12 / 0 / 11

HEX #A8C8E3

RGB 168 200 227

HSL 207.46, 0.51%, 0.77%

LAB 79.14, -4.69, -16.92

 

CMYK 27 / 13 / 0 / 18

HEX #97B6D0

RGB 151 182 208

HSL 207.37, 0.38%, 0.7%

LAB 72.62, -4.58, -16.58

 

CMYK 29 / 13 / 0 / 26

HEX #86A4BD

RGB 134 164 189

HSL 207.27, 0.29%, 0.63%

LAB 65.98, -4.46, -16.24

 

CMYK 31 / 14 / 0 / 33

HEX #7592AA

RGB 117 146 170

HSL 207.17, 0.24%, 0.56%

LAB 59.2, -4.32, -15.91

 

CMYK 34 / 15 / 0 / 41

HEX #648097

RGB 100 128 151

HSL 207.06, 0.2%, 0.49%

LAB 52.27, -4.17, -15.59

 

CMYK 26 / 12 / 0 / 11

HEX #A8C8E3

RGB 168 200 227

HSL 207.46, 0.51%, 0.77%

LAB 79.14, -4.69, -16.92

 

CMYK 27 / 16 / 0 / 11

HEX #A6BDE2

RGB 166 189 226

HSL 217, 0.51%, 0.77%

LAB 76.07, 0.37, -21.05

 

CMYK 27 / 21 / 0 / 11

HEX #A6B3E2

RGB 166 179 226

HSL 227, 0.51%, 0.77%

LAB 73.44, 5.83, -25.05

 

CMYK 27 / 25 / 0 / 11

HEX #A6A9E2

RGB 166 169 226

HSL 237, 0.51%, 0.77%

LAB 70.85, 11.37, -29.02

 

CMYK 23 / 27 / 0 / 11

HEX #ADA6E2

RGB 173 166 226

HSL 247, 0.51%, 0.77%

LAB 70.63, 15.14, -29.32

 

CMYK 26 / 12 / 0 / 11

HEX #A8C8E3

RGB 168 200 227

HSL 207.46, 0.51%, 0.77%

LAB 79.14, -4.69, -16.92

 

CMYK 26 / 13 / 0 / 91

HEX #111417

RGB 17 20 23

HSL 210, 0.15%, 0.08%

LAB 6.15, -0.48, -2.38

 

CMYK 26 / 12 / 0 / 71

HEX #37414A

RGB 55 65 74

HSL 208.42, 0.15%, 0.25%

LAB 26.98, -1.72, -6.82

 

CMYK 26 / 12 / 0 / 51

HEX #5D6E7D

RGB 93 110 125

HSL 208.13, 0.15%, 0.43%

LAB 45.58, -2.68, -10.41

 

CMYK 26 / 12 / 0 / 31

HEX #829BB0

RGB 130 155 176

HSL 207.39, 0.23%, 0.6%

LAB 62.78, -3.88, -13.81

 

CMYK 26 / 12 / 0 / 11

HEX #A8C8E3

RGB 168 200 227

HSL 207.46, 0.51%, 0.77%

LAB 79.14, -4.69, -16.92

 

CMYK 9 / 27 / 0 / 11

HEX #CDA6E2

RGB 205 166 226

HSL 279, 0.51%, 0.77%

LAB 73.38, 25.1, -24.86

 

CMYK 1 / 0 / 27 / 11

HEX #DFE2A6

RGB 223 226 166

HSL 63, 0.51%, 0.77%

LAB 88.37, -10.46, 29.08

 

CMYK 26 / 12 / 0 / 11

HEX #A8C8E3

RGB 168 200 227

HSL 207.46, 0.51%, 0.77%

LAB 79.14, -4.69, -16.92

 

CMYK 0 / 27 / 12 / 11

HEX #E2A6C7

RGB 226 166 199

HSL 327, 0.51%, 0.77%

LAB 74.55, 27.14, -8.12

 

CMYK 12 / 0 / 27 / 11

HEX #C7E2A6

RGB 199 226 166

HSL 87, 0.51%, 0.77%

LAB 86.65, -19.24, 26.46

 

CMYK 26 / 12 / 0 / 11

HEX #A8C8E3

RGB 168 200 227

HSL 207.46, 0.51%, 0.77%

LAB 79.14, -4.69, -16.92

 

CMYK 9 / 27 / 0 / 11

HEX #CDA6E2

RGB 205 166 226

HSL 279, 0.51%, 0.77%

LAB 73.38, 25.1, -24.86

 

CMYK 0 / 15 / 27 / 11

HEX #E2C1A6

RGB 226 193 166

HSL 27, 0.51%, 0.77%

LAB 80.21, 7.71, 17.95

 

CMYK 17 / 0 / 27 / 11

HEX #BBE2A6

RGB 187 226 166

HSL 99, 0.51%, 0.77%

LAB 85.86, -23.48, 25.26

 

CMYK 26 / 12 / 0 / 11

HEX #A8C8E3

RGB 168 200 227

HSL 207.46, 0.51%, 0.77%

LAB 79.14, -4.69, -16.92

 

CMYK 1 / 27 / 0 / 11

HEX #DFA6E2

RGB 223 166 226

HSL 297, 0.51%, 0.77%

LAB 75.11, 30.89, -22.07

 

CMYK 0 / 15 / 27 / 11

HEX #E2C1A6

RGB 226 193 166

HSL 27, 0.51%, 0.77%

LAB 80.21, 7.71, 17.95

 

CMYK 25 / 0 / 27 / 11

HEX #A9E2A6

RGB 169 226 166

HSL 117, 0.51%, 0.77%

LAB 84.78, -29.59, 23.61

 

Description

Color code: CMYK 26 / 12 / 0 / 11 | qconv.com Color code: CMYK 26 / 12 / 0 / 11 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 200 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 200 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 12 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 12% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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