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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 202 136 it is the complementary color RGB 147 53 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 202 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 202 136: RGB 113 202 131, RGB 130 220 150, RGB 147 238 169, RGB 164 255 188 and RGB 181 255 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 202 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 202 136: RGB 108 202 136, RGB 91 184 117, RGB 74 166 98, RGB 57 148 79 and RGB 40 130 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 33 / 21

HEX #6CCA88

RGB 108 202 136

HSL 137.87, 0.47%, 0.61%

LAB 74.32, -42.4, 24.54

 

Complementary color

CMYK 0 / 64 / 19 / 42

HEX #933577

RGB 147 53 119

HSL 317.87, 0.47%, 0.39%

LAB 37.99, 46.98, -17.73

 

CMYK 44 / 0 / 35 / 21

HEX #71CA83

RGB 113 202 131

HSL 132.13, 0.46%, 0.62%

LAB 74.44, -41.89, 27.35

 

CMYK 41 / 0 / 32 / 14

HEX #82DC96

RGB 130 220 150

HSL 133.33, 0.56%, 0.69%

LAB 80.81, -41.66, 26.17

 

CMYK 38 / 0 / 29 / 7

HEX #93EEA9

RGB 147 238 169

HSL 134.51, 0.73%, 0.75%

LAB 87.1, -41.41, 25.06

 

CMYK 36 / 0 / 26 / 0

HEX #A4FFBC

RGB 164 255 188

HSL 135.82, 1%, 0.82%

LAB 93.03, -40.7, 23.62

 

CMYK 29 / 0 / 19 / 0

HEX #B5FFCF

RGB 181 255 207

HSL 141.08, 1%, 0.85%

LAB 94.25, -32.27, 15.74

 

CMYK 47 / 0 / 33 / 21

HEX #6CCA88

RGB 108 202 136

HSL 137.87, 0.47%, 0.61%

LAB 74.32, -42.4, 24.54

 

CMYK 51 / 0 / 36 / 28

HEX #5BB875

RGB 91 184 117

HSL 136.77, 0.4%, 0.54%

LAB 67.87, -42.56, 25.79

 

CMYK 55 / 0 / 41 / 35

HEX #4AA662

RGB 74 166 98

HSL 135.65, 0.38%, 0.47%

LAB 61.32, -42.64, 27.14

 

CMYK 61 / 0 / 47 / 42

HEX #39944F

RGB 57 148 79

HSL 134.51, 0.44%, 0.4%

LAB 54.67, -42.54, 28.59

 

CMYK 69 / 0 / 54 / 49

HEX #28823C

RGB 40 130 60

HSL 133.33, 0.53%, 0.33%

LAB 47.93, -42.13, 30.12

 

CMYK 47 / 0 / 33 / 21

HEX #6CCA88

RGB 108 202 136

HSL 137.87, 0.47%, 0.61%

LAB 74.32, -42.4, 24.54

 

CMYK 47 / 0 / 26 / 21

HEX #6CCA96

RGB 108 202 150

HSL 146.81, 0.47%, 0.61%

LAB 74.59, -39.74, 17.49

 

CMYK 47 / 0 / 18 / 21

HEX #6CCAA6

RGB 108 202 166

HSL 157.02, 0.47%, 0.61%

LAB 74.94, -36.39, 9.41

 

CMYK 47 / 0 / 10 / 21

HEX #6CCAB6

RGB 108 202 182

HSL 167.23, 0.47%, 0.61%

LAB 75.33, -32.75, 1.34

 

CMYK 47 / 0 / 2 / 21

HEX #6CCAC5

RGB 108 202 197

HSL 176.81, 0.47%, 0.61%

LAB 75.74, -29.08, -6.16

 

CMYK 47 / 0 / 33 / 21

HEX #6CCA88

RGB 108 202 136

HSL 137.87, 0.47%, 0.61%

LAB 74.32, -42.4, 24.54

 

CMYK 47 / 0 / 33 / 1

HEX #87FDAA

RGB 135 253 170

HSL 137.8, 0.97%, 0.76%

LAB 90.92, -50.94, 29.65

 

CMYK 47 / 0 / 33 / 81

HEX #1A3121

RGB 26 49 33

HSL 138.26, 0.31%, 0.15%

LAB 18.04, -13.46, 7.44

 

CMYK 47 / 0 / 33 / 61

HEX #356443

RGB 53 100 67

HSL 137.87, 0.31%, 0.3%

LAB 38.33, -24.23, 13.85

 

CMYK 46 / 0 / 32 / 41

HEX #519766

RGB 81 151 102

HSL 138, 0.3%, 0.45%

LAB 56.92, -33.39, 19.15

 

CMYK 47 / 0 / 33 / 21

HEX #6CCA88

RGB 108 202 136

HSL 137.87, 0.47%, 0.61%

LAB 74.32, -42.4, 24.54

 

CMYK 47 / 22 / 0 / 21

HEX #6C9DCA

RGB 108 157 202

HSL 208.72, 0.47%, 0.61%

LAB 62.98, -4.22, -28.2

 

CMYK 0 / 47 / 41 / 21

HEX #CA6C77

RGB 202 108 119

HSL 352.98, 0.47%, 0.61%

LAB 56.7, 38.25, 10.78

 

CMYK 47 / 0 / 33 / 21

HEX #6CCA88

RGB 108 202 136

HSL 137.87, 0.47%, 0.61%

LAB 74.32, -42.4, 24.54

 

CMYK 33 / 47 / 0 / 21

HEX #876CCA

RGB 135 108 202

HSL 257.23, 0.47%, 0.61%

LAB 52, 31.55, -45.26

 

CMYK 0 / 33 / 47 / 21

HEX #CA876C

RGB 202 135 108

HSL 17.23, 0.47%, 0.61%

LAB 62.48, 22.57, 24.97

 

CMYK 47 / 0 / 33 / 21

HEX #6CCA88

RGB 108 202 136

HSL 137.87, 0.47%, 0.61%

LAB 74.32, -42.4, 24.54

 

CMYK 47 / 22 / 0 / 21

HEX #6C9DCA

RGB 108 157 202

HSL 208.72, 0.47%, 0.61%

LAB 62.98, -4.22, -28.2

 

CMYK 0 / 47 / 13 / 21

HEX #CA6CAF

RGB 202 108 175

HSL 317.23, 0.47%, 0.61%

LAB 58.39, 45.92, -19.23

 

CMYK 0 / 24 / 47 / 21

HEX #CA996C

RGB 202 153 108

HSL 28.72, 0.47%, 0.61%

LAB 66.84, 12.73, 30.69

 

CMYK 47 / 0 / 33 / 21

HEX #6CCA88

RGB 108 202 136

HSL 137.87, 0.47%, 0.61%

LAB 74.32, -42.4, 24.54

 

CMYK 47 / 36 / 0 / 21

HEX #6C81CA

RGB 108 129 202

HSL 226.6, 0.47%, 0.61%

LAB 55.23, 12.03, -40.28

 

CMYK 0 / 47 / 13 / 21

HEX #CA6CAF

RGB 202 108 175

HSL 317.23, 0.47%, 0.61%

LAB 58.39, 45.92, -19.23

 

CMYK 0 / 10 / 47 / 21

HEX #CAB66C

RGB 202 182 108

HSL 47.23, 0.47%, 0.61%

LAB 74.25, -2.83, 40.11

 

Description

Color code: RGB 108 202 136 | qconv.com Color code: RGB 108 202 136 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 202 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 202 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 33 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 33% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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