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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 33 / 47 / 0 / 21 it is the complementary color CMYK 19 / 0 / 64 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 33 / 47 / 0 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 33 / 47 / 0 / 21: CMYK 29 / 45 / 0 / 23, CMYK 27 / 42 / 0 / 16, CMYK 26 / 39 / 0 / 8, CMYK 25 / 36 / 0 / 1 and CMYK 18 / 30 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 33 / 47 / 0 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 33 / 47 / 0 / 21: CMYK 33 / 47 / 0 / 21, CMYK 35 / 51 / 0 / 29, CMYK 38 / 56 / 0 / 36, CMYK 42 / 63 / 0 / 44 and CMYK 46 / 72 / 0 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 47 / 0 / 21

HEX #876BC9

RGB 135 107 201

HSL 257.87, 0.47%, 0.6%

LAB 51.71, 31.87, -45.15

 

Complementary color

CMYK 19 / 0 / 64 / 42

HEX #789436

RGB 120 148 54

HSL 77.87, 0.47%, 0.4%

LAB 57.5, -24.45, 45.11

 

CMYK 29 / 45 / 0 / 23

HEX #8C6BC4

RGB 140 107 196

HSL 262.25, 0.43%, 0.59%

LAB 51.92, 31.95, -41.91

 

CMYK 27 / 42 / 0 / 16

HEX #9D7DD7

RGB 157 125 215

HSL 261.33, 0.53%, 0.67%

LAB 58.73, 31.07, -41.84

 

CMYK 26 / 39 / 0 / 8

HEX #AE8FEA

RGB 174 143 234

HSL 260.44, 0.68%, 0.74%

LAB 65.42, 30.26, -41.8

 

CMYK 25 / 36 / 0 / 1

HEX #BFA1FD

RGB 191 161 253

HSL 259.57, 0.96%, 0.81%

LAB 72, 29.53, -41.78

 

CMYK 18 / 30 / 0 / 0

HEX #D0B3FF

RGB 208 179 255

HSL 262.89, 1%, 0.85%

LAB 77.8, 25.05, -33.74

 

CMYK 33 / 47 / 0 / 21

HEX #876BC9

RGB 135 107 201

HSL 257.87, 0.47%, 0.6%

LAB 51.71, 31.87, -45.15

 

CMYK 35 / 51 / 0 / 29

HEX #7659B6

RGB 118 89 182

HSL 258.71, 0.39%, 0.53%

LAB 44.76, 32.92, -45.31

 

CMYK 38 / 56 / 0 / 36

HEX #6547A3

RGB 101 71 163

HSL 259.57, 0.39%, 0.46%

LAB 37.69, 34.06, -45.48

 

CMYK 42 / 63 / 0 / 44

HEX #543590

RGB 84 53 144

HSL 260.44, 0.46%, 0.39%

LAB 30.51, 35.29, -45.63

 

CMYK 46 / 72 / 0 / 51

HEX #43237D

RGB 67 35 125

HSL 261.33, 0.56%, 0.31%

LAB 23.26, 36.48, -45.63

 

CMYK 33 / 47 / 0 / 21

HEX #876BC9

RGB 135 107 201

HSL 257.87, 0.47%, 0.6%

LAB 51.71, 31.87, -45.15

 

CMYK 26 / 48 / 0 / 22

HEX #9469C8

RGB 148 105 200

HSL 267.16, 0.46%, 0.6%

LAB 52.47, 36.31, -43.27

 

CMYK 18 / 48 / 0 / 22

HEX #A469C8

RGB 164 105 200

HSL 277.26, 0.46%, 0.6%

LAB 54.2, 40.79, -40.43

 

CMYK 10 / 48 / 0 / 22

HEX #B469C8

RGB 180 105 200

HSL 287.37, 0.46%, 0.6%

LAB 56.06, 45.35, -37.38

 

CMYK 2 / 48 / 0 / 22

HEX #C469C8

RGB 196 105 200

HSL 297.47, 0.46%, 0.6%

LAB 58.05, 49.96, -34.13

 

CMYK 33 / 47 / 0 / 21

HEX #876BC9

RGB 135 107 201

HSL 257.87, 0.47%, 0.6%

LAB 51.71, 31.87, -45.15

 

CMYK 33 / 47 / 0 / 1

HEX #A986FC

RGB 169 134 252

HSL 257.8, 0.95%, 0.76%

LAB 63.77, 38.4, -54.34

 

CMYK 33 / 46 / 0 / 81

HEX #201A30

RGB 32 26 48

HSL 256.36, 0.3%, 0.15%

LAB 10.99, 9.05, -13.61

 

CMYK 33 / 46 / 0 / 61

HEX #423563

RGB 66 53 99

HSL 256.96, 0.3%, 0.3%

LAB 25.58, 17.31, -25.23

 

CMYK 33 / 47 / 0 / 41

HEX #655096

RGB 101 80 150

HSL 258, 0.3%, 0.45%

LAB 39.08, 25, -35.46

 

CMYK 33 / 47 / 0 / 21

HEX #876BC9

RGB 135 107 201

HSL 257.87, 0.47%, 0.6%

LAB 51.71, 31.87, -45.15

 

CMYK 0 / 48 / 23 / 22

HEX #C8699A

RGB 200 105 154

HSL 329.05, 0.46%, 0.6%

LAB 56.8, 43.59, -9.52

 

CMYK 42 / 0 / 48 / 22

HEX #74C869

RGB 116 200 105

HSL 113.05, 0.46%, 0.6%

LAB 73.57, -44.12, 39.53

 

CMYK 33 / 47 / 0 / 21

HEX #876BC9

RGB 135 107 201

HSL 257.87, 0.47%, 0.6%

LAB 51.71, 31.87, -45.15

 

CMYK 0 / 34 / 48 / 22

HEX #C88469

RGB 200 132 105

HSL 17.05, 0.46%, 0.6%

LAB 61.48, 23.1, 25.28

 

CMYK 48 / 0 / 34 / 22

HEX #69C884

RGB 105 200 132

HSL 137.05, 0.46%, 0.6%

LAB 73.53, -43.06, 25.55

 

CMYK 33 / 47 / 0 / 21

HEX #876BC9

RGB 135 107 201

HSL 257.87, 0.47%, 0.6%

LAB 51.71, 31.87, -45.15

 

CMYK 0 / 48 / 23 / 22

HEX #C8699A

RGB 200 105 154

HSL 329.05, 0.46%, 0.6%

LAB 56.8, 43.59, -9.52

 

CMYK 14 / 0 / 48 / 22

HEX #ADC869

RGB 173 200 105

HSL 77.05, 0.46%, 0.6%

LAB 76.81, -23.98, 44.24

 

CMYK 48 / 0 / 25 / 22

HEX #69C897

RGB 105 200 151

HSL 149.05, 0.46%, 0.6%

LAB 73.9, -39.42, 15.97

 

CMYK 33 / 47 / 0 / 21

HEX #876BC9

RGB 135 107 201

HSL 257.87, 0.47%, 0.6%

LAB 51.71, 31.87, -45.15

 

CMYK 0 / 48 / 38 / 22

HEX #C8697D

RGB 200 105 125

HSL 347.37, 0.46%, 0.6%

LAB 55.95, 39.77, 6.18

 

CMYK 14 / 0 / 48 / 22

HEX #ADC869

RGB 173 200 105

HSL 77.05, 0.46%, 0.6%

LAB 76.81, -23.98, 44.24

 

CMYK 48 / 0 / 10 / 22

HEX #69C8B4

RGB 105 200 180

HSL 167.37, 0.46%, 0.6%

LAB 74.58, -33, 1.31

 

Description

Color code: CMYK 33 / 47 / 0 / 21 | qconv.com Color code: CMYK 33 / 47 / 0 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 107 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 107 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 47 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 47% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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