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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 178 225 it is the complementary color RGB 147 77 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 178 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 178 225: RGB 113 178 220, RGB 130 196 239, RGB 147 214 255, RGB 164 232 255 and RGB 181 250 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 178 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 178 225: RGB 108 178 225, RGB 91 160 206, RGB 74 142 187, RGB 57 124 168 and RGB 40 106 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 21 / 0 / 12

HEX #6CB2E1

RGB 108 178 225

HSL 204.1, 0.66%, 0.65%

LAB 69.8, -9.09, -30.38

 

Complementary color

CMYK 0 / 48 / 80 / 42

HEX #934D1E

RGB 147 77 30

HSL 24.1, 0.66%, 0.35%

LAB 40.58, 25.84, 39.36

 

CMYK 49 / 19 / 0 / 14

HEX #71B2DC

RGB 113 178 220

HSL 203.55, 0.6%, 0.65%

LAB 69.84, -9.41, -27.57

 

CMYK 46 / 18 / 0 / 6

HEX #82C4EF

RGB 130 196 239

HSL 203.67, 0.77%, 0.72%

LAB 76.35, -9.73, -27.81

 

CMYK 42 / 16 / 0 / 0

HEX #93D6FF

RGB 147 214 255

HSL 202.78, 1%, 0.79%

LAB 82.66, -10.79, -26.63

 

CMYK 36 / 9 / 0 / 0

HEX #A4E8FF

RGB 164 232 255

HSL 195.16, 1%, 0.82%

LAB 88.36, -15.71, -17.9

 

CMYK 29 / 2 / 0 / 0

HEX #B5FAFF

RGB 181 250 255

HSL 184.05, 1%, 0.85%

LAB 94.06, -20.11, -9.29

 

CMYK 52 / 21 / 0 / 12

HEX #6CB2E1

RGB 108 178 225

HSL 204.1, 0.66%, 0.65%

LAB 69.8, -9.09, -30.38

 

CMYK 56 / 22 / 0 / 19

HEX #5BA0CE

RGB 91 160 206

HSL 204, 0.54%, 0.58%

LAB 63.2, -8.57, -30.16

 

CMYK 60 / 24 / 0 / 27

HEX #4A8EBB

RGB 74 142 187

HSL 203.89, 0.45%, 0.51%

LAB 56.48, -7.9, -29.95

 

CMYK 66 / 26 / 0 / 34

HEX #397CA8

RGB 57 124 168

HSL 203.78, 0.49%, 0.44%

LAB 49.63, -7.03, -29.72

 

CMYK 73 / 29 / 0 / 42

HEX #286A95

RGB 40 106 149

HSL 203.67, 0.58%, 0.37%

LAB 42.66, -5.86, -29.48

 

CMYK 52 / 21 / 0 / 12

HEX #6CB2E1

RGB 108 178 225

HSL 204.1, 0.66%, 0.65%

LAB 69.8, -9.09, -30.38

 

CMYK 53 / 30 / 0 / 12

HEX #6A9DE0

RGB 106 157 224

HSL 214.07, 0.66%, 0.65%

LAB 63.8, 1.87, -39.15

 

CMYK 53 / 38 / 0 / 12

HEX #6A8AE0

RGB 106 138 224

HSL 223.73, 0.66%, 0.65%

LAB 58.62, 12.96, -47.3

 

CMYK 53 / 47 / 0 / 12

HEX #6A76E0

RGB 106 118 224

HSL 233.9, 0.66%, 0.65%

LAB 53.39, 24.98, -55.64

 

CMYK 49 / 53 / 0 / 12

HEX #726AE0

RGB 114 106 224

HSL 244.07, 0.66%, 0.65%

LAB 51, 33.9, -59.45

 

CMYK 52 / 21 / 0 / 12

HEX #6CB2E1

RGB 108 178 225

HSL 204.1, 0.66%, 0.65%

LAB 69.8, -9.09, -30.38

 

CMYK 52 / 19 / 0 / 92

HEX #0A1115

RGB 10 17 21

HSL 201.82, 0.35%, 0.06%

LAB 4.69, -1.35, -3.14

 

CMYK 51 / 21 / 0 / 72

HEX #233948

RGB 35 57 72

HSL 204.32, 0.35%, 0.21%

LAB 22.83, -3.84, -11.93

 

CMYK 52 / 21 / 0 / 52

HEX #3B617B

RGB 59 97 123

HSL 204.38, 0.35%, 0.36%

LAB 39.43, -5.63, -18.76

 

CMYK 52 / 21 / 0 / 32

HEX #548AAE

RGB 84 138 174

HSL 204, 0.36%, 0.51%

LAB 55.19, -7.58, -24.48

 

CMYK 52 / 21 / 0 / 12

HEX #6CB2E1

RGB 108 178 225

HSL 204.1, 0.66%, 0.65%

LAB 69.8, -9.09, -30.38

 

CMYK 21 / 53 / 0 / 12

HEX #B16AE0

RGB 177 106 224

HSL 276.1, 0.66%, 0.65%

LAB 57.11, 49.09, -49.32

 

CMYK 0 / 0 / 53 / 12

HEX #E0E06A

RGB 224 224 106

HSL 60, 0.66%, 0.65%

LAB 87.09, -15.46, 56.9

 

CMYK 52 / 21 / 0 / 12

HEX #6CB2E1

RGB 108 178 225

HSL 204.1, 0.66%, 0.65%

LAB 69.8, -9.09, -30.38

 

CMYK 0 / 53 / 21 / 12

HEX #E06AB1

RGB 224 106 177

HSL 323.9, 0.66%, 0.65%

LAB 61.07, 54.09, -16.03

 

CMYK 21 / 0 / 53 / 12

HEX #B1E06A

RGB 177 224 106

HSL 83.9, 0.66%, 0.65%

LAB 83.81, -33.74, 52.23

 

CMYK 52 / 21 / 0 / 12

HEX #6CB2E1

RGB 108 178 225

HSL 204.1, 0.66%, 0.65%

LAB 69.8, -9.09, -30.38

 

CMYK 21 / 53 / 0 / 12

HEX #B16AE0

RGB 177 106 224

HSL 276.1, 0.66%, 0.65%

LAB 57.11, 49.09, -49.32

 

CMYK 0 / 32 / 53 / 12

HEX #E0996A

RGB 224 153 106

HSL 23.9, 0.66%, 0.65%

LAB 69.23, 21.54, 35.32

 

CMYK 32 / 0 / 53 / 12

HEX #99E06A

RGB 153 224 106

HSL 96.1, 0.66%, 0.65%

LAB 82.45, -42.31, 50.28

 

CMYK 52 / 21 / 0 / 12

HEX #6CB2E1

RGB 108 178 225

HSL 204.1, 0.66%, 0.65%

LAB 69.8, -9.09, -30.38

 

CMYK 5 / 53 / 0 / 12

HEX #D46AE0

RGB 212 106 224

HSL 293.9, 0.66%, 0.65%

LAB 61.38, 58.33, -42.29

 

CMYK 0 / 32 / 53 / 12

HEX #E0996A

RGB 224 153 106

HSL 23.9, 0.66%, 0.65%

LAB 69.23, 21.54, 35.32

 

CMYK 47 / 0 / 53 / 12

HEX #76E06A

RGB 118 224 106

HSL 113.9, 0.66%, 0.65%

LAB 80.85, -53.28, 47.99

 

Description

Color code: RGB 108 178 225 | qconv.com Color code: RGB 108 178 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 178 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 178 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 21 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 21% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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