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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76E06A it is the complementary color #891F95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76E06A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #76E06A: #7BE065, #8CF278, #9DFF8B, #AEFF9E and #BFFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76E06A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #76E06A: #76E06A, #65CE57, #54BC44, #43AA31 and #32981E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 53 / 12

HEX #76E06A

RGB 118 224 106

HSL 113.9, 0.66%, 0.65%

LAB 80.85, -53.28, 47.99

 

Complementary color

CMYK 8 / 79 / 0 / 42

HEX #891F95

RGB 137 31 149

HSL 293.9, 0.66%, 0.35%

LAB 34.94, 57.83, -41.17

 

CMYK 45 / 0 / 55 / 12

HEX #7BE065

RGB 123 224 101

HSL 109.27, 0.66%, 0.64%

LAB 80.99, -52.43, 50.52

 

CMYK 42 / 0 / 50 / 5

HEX #8CF278

RGB 140 242 120

HSL 110.16, 0.82%, 0.71%

LAB 87.21, -52.43, 49.35

 

CMYK 38 / 0 / 45 / 0

HEX #9DFF8B

RGB 157 255 139

HSL 110.69, 1%, 0.77%

LAB 91.93, -50.28, 46.39

 

CMYK 32 / 0 / 38 / 0

HEX #AEFF9E

RGB 174 255 158

HSL 110.1, 1%, 0.81%

LAB 93.01, -42.41, 38.71

 

CMYK 25 / 0 / 31 / 0

HEX #BFFFB1

RGB 191 255 177

HSL 109.23, 1%, 0.85%

LAB 94.21, -34.14, 31.02

 

CMYK 47 / 0 / 53 / 12

HEX #76E06A

RGB 118 224 106

HSL 113.9, 0.66%, 0.65%

LAB 80.85, -53.28, 47.99

 

CMYK 51 / 0 / 58 / 19

HEX #65CE57

RGB 101 206 87

HSL 112.94, 0.55%, 0.57%

LAB 74.57, -53.17, 49.17

 

CMYK 55 / 0 / 64 / 26

HEX #54BC44

RGB 84 188 68

HSL 112, 0.47%, 0.5%

LAB 68.22, -52.87, 50.23

 

CMYK 61 / 0 / 71 / 33

HEX #43AA31

RGB 67 170 49

HSL 111.07, 0.55%, 0.43%

LAB 61.8, -52.27, 51

 

CMYK 67 / 0 / 80 / 40

HEX #32981E

RGB 50 152 30

HSL 110.16, 0.67%, 0.36%

LAB 55.31, -51.22, 51.14

 

CMYK 47 / 0 / 53 / 12

HEX #76E06A

RGB 118 224 106

HSL 113.9, 0.66%, 0.65%

LAB 80.85, -53.28, 47.99

 

CMYK 53 / 0 / 50 / 12

HEX #6AE070

RGB 106 224 112

HSL 123.05, 0.66%, 0.65%

LAB 80.49, -55.72, 44.6

 

CMYK 53 / 0 / 41 / 12

HEX #6AE084

RGB 106 224 132

HSL 133.22, 0.66%, 0.65%

LAB 80.76, -52.77, 35.12

 

CMYK 53 / 0 / 32 / 12

HEX #6AE098

RGB 106 224 152

HSL 143.39, 0.66%, 0.65%

LAB 81.09, -49.31, 25.36

 

CMYK 53 / 0 / 24 / 12

HEX #6AE0AB

RGB 106 224 171

HSL 153.05, 0.66%, 0.65%

LAB 81.46, -45.57, 15.96

 

CMYK 47 / 0 / 53 / 12

HEX #76E06A

RGB 118 224 106

HSL 113.9, 0.66%, 0.65%

LAB 80.85, -53.28, 47.99

 

CMYK 45 / 0 / 55 / 92

HEX #0B1409

RGB 11 20 9

HSL 109.09, 0.38%, 0.06%

LAB 5.34, -5.1, 4.21

 

CMYK 48 / 0 / 52 / 72

HEX #254722

RGB 37 71 34

HSL 115.14, 0.35%, 0.21%

LAB 26.78, -21.19, 18.41

 

CMYK 48 / 0 / 52 / 52

HEX #407A3A

RGB 64 122 58

HSL 114.38, 0.36%, 0.35%

LAB 46.06, -32.75, 29.08

 

CMYK 47 / 0 / 53 / 32

HEX #5BAD52

RGB 91 173 82

HSL 114.07, 0.36%, 0.5%

LAB 63.93, -43.33, 38.82

 

CMYK 47 / 0 / 53 / 12

HEX #76E06A

RGB 118 224 106

HSL 113.9, 0.66%, 0.65%

LAB 80.85, -53.28, 47.99

 

CMYK 53 / 4 / 0 / 12

HEX #6AD6E0

RGB 106 214 224

HSL 185.08, 0.66%, 0.65%

LAB 79.92, -28.29, -14.45

 

CMYK 0 / 53 / 25 / 12

HEX #E06AA7

RGB 224 106 167

HSL 328.98, 0.66%, 0.65%

LAB 60.73, 52.7, -10.81

 

CMYK 47 / 0 / 53 / 12

HEX #76E06A

RGB 118 224 106

HSL 113.9, 0.66%, 0.65%

LAB 80.85, -53.28, 47.99

 

CMYK 53 / 46 / 0 / 12

HEX #6A78E0

RGB 106 120 224

HSL 232.88, 0.66%, 0.65%

LAB 53.9, 23.77, -54.82

 

CMYK 0 / 53 / 46 / 12

HEX #E06A78

RGB 224 106 120

HSL 352.88, 0.66%, 0.65%

LAB 59.44, 47.25, 14.51

 

CMYK 47 / 0 / 53 / 12

HEX #76E06A

RGB 118 224 106

HSL 113.9, 0.66%, 0.65%

LAB 80.85, -53.28, 47.99

 

CMYK 53 / 4 / 0 / 12

HEX #6AD6E0

RGB 106 214 224

HSL 185.08, 0.66%, 0.65%

LAB 79.92, -28.29, -14.45

 

CMYK 6 / 53 / 0 / 12

HEX #D26AE0

RGB 210 106 224

HSL 292.88, 0.66%, 0.65%

LAB 61.13, 57.8, -42.72

 

CMYK 0 / 48 / 53 / 12

HEX #E0746A

RGB 224 116 106

HSL 5.08, 0.66%, 0.65%

LAB 61.11, 41.01, 24.8

 

CMYK 47 / 0 / 53 / 12

HEX #76E06A

RGB 118 224 106

HSL 113.9, 0.66%, 0.65%

LAB 80.85, -53.28, 47.99

 

CMYK 53 / 20 / 0 / 12

HEX #6AB3E0

RGB 106 179 224

HSL 202.88, 0.66%, 0.65%

LAB 69.96, -10.35, -29.6

 

CMYK 6 / 53 / 0 / 12

HEX #D26AE0

RGB 210 106 224

HSL 292.88, 0.66%, 0.65%

LAB 61.13, 57.8, -42.72

 

CMYK 0 / 32 / 53 / 12

HEX #E0986A

RGB 224 152 106

HSL 23.39, 0.66%, 0.65%

LAB 69, 22.07, 35.02

 

Description

Color code: HEX #76E06A | qconv.com Color code: HEX #76E06A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 224 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 224 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 53 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 53% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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