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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 198 81 it is the complementary color RGB 152 57 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 198 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 103 198 81: RGB 108 198 76, RGB 125 216 95, RGB 142 234 114, RGB 159 252 133 and RGB 176 255 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 198 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 103 198 81: RGB 103 198 81, RGB 86 180 62, RGB 69 162 43, RGB 52 144 24 and RGB 35 126 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 59 / 22

HEX #67C651

RGB 103 198 81

HSL 108.72, 0.51%, 0.55%

LAB 72.14, -50.12, 49.1

 

Complementary color

CMYK 13 / 67 / 0 / 32

HEX #9839AE

RGB 152 57 174

HSL 288.72, 0.51%, 0.45%

LAB 42.24, 56.19, -44.39

 

CMYK 45 / 0 / 62 / 22

HEX #6CC64C

RGB 108 198 76

HSL 104.26, 0.52%, 0.54%

LAB 72.29, -49.15, 51.55

 

CMYK 42 / 0 / 56 / 15

HEX #7DD85F

RGB 125 216 95

HSL 105.12, 0.61%, 0.61%

LAB 78.64, -49.26, 50.51

 

CMYK 39 / 0 / 51 / 8

HEX #8EEA72

RGB 142 234 114

HSL 106, 0.74%, 0.68%

LAB 84.9, -49.25, 49.37

 

CMYK 37 / 0 / 47 / 1

HEX #9FFC85

RGB 159 252 133

HSL 106.89, 0.95%, 0.75%

LAB 91.09, -49.17, 48.2

 

CMYK 31 / 0 / 40 / 0

HEX #B0FF98

RGB 176 255 152

HSL 106.02, 1%, 0.8%

LAB 93.02, -42.6, 41.69

 

CMYK 48 / 0 / 59 / 22

HEX #67C651

RGB 103 198 81

HSL 108.72, 0.51%, 0.55%

LAB 72.14, -50.12, 49.1

 

CMYK 52 / 0 / 66 / 29

HEX #56B43E

RGB 86 180 62

HSL 107.8, 0.49%, 0.47%

LAB 65.72, -49.85, 50.07

 

CMYK 57 / 0 / 73 / 36

HEX #45A22B

RGB 69 162 43

HSL 106.89, 0.58%, 0.4%

LAB 59.23, -49.3, 50.68

 

CMYK 64 / 0 / 83 / 44

HEX #349018

RGB 52 144 24

HSL 106, 0.71%, 0.33%

LAB 52.67, -48.29, 50.5

 

CMYK 72 / 0 / 96 / 51

HEX #237E05

RGB 35 126 5

HSL 105.12, 0.92%, 0.26%

LAB 46.03, -46.6, 48.89

 

CMYK 48 / 0 / 59 / 22

HEX #67C651

RGB 103 198 81

HSL 108.72, 0.51%, 0.55%

LAB 72.14, -50.12, 49.1

 

CMYK 57 / 0 / 59 / 22

HEX #55C651

RGB 85 198 81

HSL 117.95, 0.51%, 0.55%

LAB 71.5, -54.97, 48.19

 

CMYK 59 / 0 / 51 / 22

HEX #51C661

RGB 81 198 97

HSL 128.21, 0.51%, 0.55%

LAB 71.56, -53.88, 40.68

 

CMYK 59 / 0 / 41 / 22

HEX #51C674

RGB 81 198 116

HSL 137.95, 0.51%, 0.55%

LAB 71.82, -50.93, 31.47

 

CMYK 59 / 0 / 31 / 22

HEX #51C688

RGB 81 198 136

HSL 148.21, 0.51%, 0.55%

LAB 72.17, -47.23, 21.46

 

CMYK 48 / 0 / 59 / 22

HEX #67C651

RGB 103 198 81

HSL 108.72, 0.51%, 0.55%

LAB 72.14, -50.12, 49.1

 

CMYK 48 / 0 / 59 / 2

HEX #82F966

RGB 130 249 102

HSL 108.57, 0.92%, 0.69%

LAB 88.66, -60.06, 59.06

 

CMYK 49 / 0 / 60 / 82

HEX #172D12

RGB 23 45 18

HSL 108.89, 0.43%, 0.12%

LAB 16.02, -15.41, 14.68

 

CMYK 48 / 0 / 59 / 62

HEX #326027

RGB 50 96 39

HSL 108.42, 0.42%, 0.26%

LAB 36.35, -28.06, 27.37

 

CMYK 48 / 0 / 59 / 42

HEX #4C933C

RGB 76 147 60

HSL 108.97, 0.42%, 0.41%

LAB 54.79, -39.65, 38.6

 

CMYK 48 / 0 / 59 / 22

HEX #67C651

RGB 103 198 81

HSL 108.72, 0.51%, 0.55%

LAB 72.14, -50.12, 49.1

 

CMYK 59 / 0 / 0 / 22

HEX #51C6C6

RGB 81 198 198

HSL 180, 0.51%, 0.55%

LAB 73.68, -32.4, -9.85

 

CMYK 0 / 59 / 24 / 22

HEX #C65197

RGB 198 81 151

HSL 324.1, 0.51%, 0.55%

LAB 51.98, 54.16, -15.05

 

CMYK 48 / 0 / 59 / 22

HEX #67C651

RGB 103 198 81

HSL 108.72, 0.51%, 0.55%

LAB 72.14, -50.12, 49.1

 

CMYK 59 / 47 / 0 / 22

HEX #5169C6

RGB 81 105 198

HSL 227.69, 0.51%, 0.55%

LAB 46.88, 19.44, -51.36

 

CMYK 0 / 59 / 47 / 22

HEX #C65169

RGB 198 81 105

HSL 347.69, 0.51%, 0.55%

LAB 50.58, 48.76, 10.37

 

CMYK 48 / 0 / 59 / 22

HEX #67C651

RGB 103 198 81

HSL 108.72, 0.51%, 0.55%

LAB 72.14, -50.12, 49.1

 

CMYK 59 / 0 / 0 / 22

HEX #51C6C6

RGB 81 198 198

HSL 180, 0.51%, 0.55%

LAB 73.68, -32.4, -9.85

 

CMYK 12 / 59 / 0 / 22

HEX #AF51C6

RGB 175 81 198

HSL 288.21, 0.51%, 0.55%

LAB 50.78, 55.66, -44.62

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 48 / 0 / 59 / 22

HEX #67C651

RGB 103 198 81

HSL 108.72, 0.51%, 0.55%

LAB 72.14, -50.12, 49.1

 

CMYK 59 / 18 / 0 / 22

HEX #51A3C6

RGB 81 163 198

HSL 197.95, 0.51%, 0.55%

LAB 63.36, -14.67, -25.48

 

CMYK 12 / 59 / 0 / 22

HEX #AF51C6

RGB 175 81 198

HSL 288.21, 0.51%, 0.55%

LAB 50.78, 55.66, -44.62

 

CMYK 0 / 41 / 59 / 22

HEX #C67451

RGB 198 116 81

HSL 17.95, 0.51%, 0.55%

LAB 57.16, 28.88, 33.02

 

Description

Color code: RGB 103 198 81 | qconv.com Color code: RGB 103 198 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 198 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 198 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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