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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 48 / 0 / 59 / 22 it is the complementary color CMYK 12 / 68 / 0 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 48 / 0 / 59 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 48 / 0 / 59 / 22: CMYK 46 / 0 / 61 / 22, CMYK 42 / 0 / 56 / 15, CMYK 40 / 0 / 51 / 8, CMYK 37 / 0 / 47 / 1 and CMYK 31 / 0 / 40 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 48 / 0 / 59 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 48 / 0 / 59 / 22: CMYK 48 / 0 / 59 / 22, CMYK 52 / 0 / 65 / 29, CMYK 58 / 0 / 73 / 36, CMYK 64 / 0 / 83 / 43 and CMYK 72 / 0 / 95 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 59 / 22

HEX #67C752

RGB 103 199 82

HSL 109.23, 0.51%, 0.55%

LAB 72.45, -50.41, 49.01

 

Complementary color

CMYK 12 / 68 / 0 / 32

HEX #9838AD

RGB 152 56 173

HSL 289.23, 0.51%, 0.45%

LAB 42.03, 56.42, -44.13

 

CMYK 46 / 0 / 61 / 22

HEX #6CC74D

RGB 108 199 77

HSL 104.75, 0.52%, 0.54%

LAB 72.61, -49.45, 51.47

 

CMYK 42 / 0 / 56 / 15

HEX #7DD960

RGB 125 217 96

HSL 105.62, 0.61%, 0.61%

LAB 78.94, -49.56, 50.42

 

CMYK 40 / 0 / 51 / 8

HEX #8EEB73

RGB 142 235 115

HSL 106.5, 0.75%, 0.69%

LAB 85.2, -49.55, 49.27

 

CMYK 37 / 0 / 47 / 1

HEX #9FFD86

RGB 159 253 134

HSL 107.39, 0.97%, 0.76%

LAB 91.39, -49.47, 48.1

 

CMYK 31 / 0 / 40 / 0

HEX #B0FF99

RGB 176 255 153

HSL 106.47, 1%, 0.8%

LAB 93.04, -42.47, 41.22

 

CMYK 48 / 0 / 59 / 22

HEX #67C752

RGB 103 199 82

HSL 109.23, 0.51%, 0.55%

LAB 72.45, -50.41, 49.01

 

CMYK 52 / 0 / 65 / 29

HEX #56B53F

RGB 86 181 63

HSL 108.31, 0.48%, 0.48%

LAB 66.05, -50.14, 50

 

CMYK 58 / 0 / 73 / 36

HEX #45A32C

RGB 69 163 44

HSL 107.39, 0.57%, 0.41%

LAB 59.56, -49.59, 50.64

 

CMYK 64 / 0 / 83 / 43

HEX #349119

RGB 52 145 25

HSL 106.5, 0.71%, 0.33%

LAB 53.01, -48.59, 50.52

 

CMYK 72 / 0 / 95 / 50

HEX #237F06

RGB 35 127 6

HSL 105.62, 0.91%, 0.26%

LAB 46.38, -46.9, 48.97

 

CMYK 48 / 0 / 59 / 22

HEX #67C752

RGB 103 199 82

HSL 109.23, 0.51%, 0.55%

LAB 72.45, -50.41, 49.01

 

CMYK 58 / 0 / 59 / 22

HEX #53C651

RGB 83 198 81

HSL 118.97, 0.51%, 0.55%

LAB 71.43, -55.46, 48.1

 

CMYK 59 / 0 / 50 / 22

HEX #51C663

RGB 81 198 99

HSL 129.23, 0.51%, 0.55%

LAB 71.58, -53.6, 39.73

 

CMYK 59 / 0 / 40 / 22

HEX #51C676

RGB 81 198 118

HSL 138.97, 0.51%, 0.55%

LAB 71.86, -50.59, 30.48

 

CMYK 59 / 0 / 30 / 22

HEX #51C68A

RGB 81 198 138

HSL 149.23, 0.51%, 0.55%

LAB 72.21, -46.83, 20.45

 

CMYK 48 / 0 / 59 / 22

HEX #67C752

RGB 103 199 82

HSL 109.23, 0.51%, 0.55%

LAB 72.45, -50.41, 49.01

 

CMYK 48 / 0 / 59 / 2

HEX #81FA67

RGB 129 250 103

HSL 109.39, 0.94%, 0.69%

LAB 88.93, -60.62, 58.92

 

CMYK 48 / 0 / 59 / 82

HEX #182E13

RGB 24 46 19

HSL 108.89, 0.42%, 0.13%

LAB 16.48, -15.39, 14.65

 

CMYK 48 / 0 / 59 / 62

HEX #326128

RGB 50 97 40

HSL 109.47, 0.42%, 0.27%

LAB 36.71, -28.4, 27.26

 

CMYK 48 / 0 / 59 / 42

HEX #4D943D

RGB 77 148 61

HSL 108.97, 0.42%, 0.41%

LAB 55.17, -39.64, 38.56

 

CMYK 48 / 0 / 59 / 22

HEX #67C752

RGB 103 199 82

HSL 109.23, 0.51%, 0.55%

LAB 72.45, -50.41, 49.01

 

CMYK 59 / 1 / 0 / 22

HEX #51C4C6

RGB 81 196 198

HSL 181.03, 0.51%, 0.55%

LAB 73.09, -31.45, -10.74

 

CMYK 0 / 59 / 24 / 22

HEX #C65196

RGB 198 81 150

HSL 324.62, 0.51%, 0.55%

LAB 51.94, 54.02, -14.52

 

CMYK 48 / 0 / 59 / 22

HEX #67C752

RGB 103 199 82

HSL 109.23, 0.51%, 0.55%

LAB 72.45, -50.41, 49.01

 

CMYK 59 / 48 / 0 / 22

HEX #5167C6

RGB 81 103 198

HSL 228.72, 0.51%, 0.55%

LAB 46.35, 20.69, -52.22

 

CMYK 0 / 59 / 48 / 22

HEX #C65167

RGB 198 81 103

HSL 348.72, 0.51%, 0.55%

LAB 50.53, 48.57, 11.51

 

CMYK 48 / 0 / 59 / 22

HEX #67C752

RGB 103 199 82

HSL 109.23, 0.51%, 0.55%

LAB 72.45, -50.41, 49.01

 

CMYK 59 / 1 / 0 / 22

HEX #51C4C6

RGB 81 196 198

HSL 181.03, 0.51%, 0.55%

LAB 73.09, -31.45, -10.74

 

CMYK 11 / 59 / 0 / 22

HEX #B151C6

RGB 177 81 198

HSL 289.23, 0.51%, 0.55%

LAB 51.05, 56.16, -44.17

 

CMYK 0 / 58 / 59 / 22

HEX #C65351

RGB 198 83 81

HSL 1.03, 0.51%, 0.55%

LAB 50.44, 45.8, 24.48

 

CMYK 48 / 0 / 59 / 22

HEX #67C752

RGB 103 199 82

HSL 109.23, 0.51%, 0.55%

LAB 72.45, -50.41, 49.01

 

CMYK 59 / 19 / 0 / 22

HEX #51A1C6

RGB 81 161 198

HSL 198.97, 0.51%, 0.55%

LAB 62.77, -13.59, -26.39

 

CMYK 11 / 59 / 0 / 22

HEX #B151C6

RGB 177 81 198

HSL 289.23, 0.51%, 0.55%

LAB 51.05, 56.16, -44.17

 

CMYK 0 / 40 / 59 / 22

HEX #C67651

RGB 198 118 81

HSL 18.97, 0.51%, 0.55%

LAB 57.61, 27.8, 33.57

 

Description

Color code: CMYK 48 / 0 / 59 / 22 | qconv.com Color code: CMYK 48 / 0 / 59 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 199 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 199 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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