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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 128 183 it is the complementary color RGB 154 127 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 128 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 101 128 183: RGB 106 128 178, RGB 123 146 197, RGB 140 164 216, RGB 157 182 235 and RGB 174 200 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 128 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 101 128 183: RGB 101 128 183, RGB 84 110 164, RGB 67 92 145, RGB 50 74 126 and RGB 33 56 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 30 / 0 / 28

HEX #6580B7

RGB 101 128 183

HSL 220.24, 0.36%, 0.56%

LAB 53.63, 5.17, -31.99

 

Complementary color

CMYK 0 / 18 / 53 / 40

HEX #9A7F48

RGB 154 127 72

HSL 40.24, 0.36%, 0.44%

LAB 54.57, 3.21, 33.55

 

CMYK 40 / 28 / 0 / 30

HEX #6A80B2

RGB 106 128 178

HSL 221.67, 0.32%, 0.56%

LAB 53.73, 5.05, -28.94

 

CMYK 38 / 26 / 0 / 23

HEX #7B92C5

RGB 123 146 197

HSL 221.35, 0.39%, 0.63%

LAB 60.6, 4.57, -29

 

CMYK 35 / 24 / 0 / 15

HEX #8CA4D8

RGB 140 164 216

HSL 221.05, 0.49%, 0.7%

LAB 67.34, 4.16, -29.09

 

CMYK 33 / 23 / 0 / 8

HEX #9DB6EB

RGB 157 182 235

HSL 220.77, 0.66%, 0.77%

LAB 73.95, 3.8, -29.21

 

CMYK 31 / 21 / 0 / 0

HEX #AEC8FE

RGB 174 200 254

HSL 220.5, 0.98%, 0.84%

LAB 80.44, 3.48, -29.36

 

CMYK 45 / 30 / 0 / 28

HEX #6580B7

RGB 101 128 183

HSL 220.24, 0.36%, 0.56%

LAB 53.63, 5.17, -31.99

 

CMYK 49 / 33 / 0 / 36

HEX #546EA4

RGB 84 110 164

HSL 220.5, 0.32%, 0.49%

LAB 46.6, 5.86, -32.03

 

CMYK 54 / 37 / 0 / 43

HEX #435C91

RGB 67 92 145

HSL 220.77, 0.37%, 0.42%

LAB 39.4, 6.73, -32.12

 

CMYK 60 / 41 / 0 / 51

HEX #324A7E

RGB 50 74 126

HSL 221.05, 0.43%, 0.35%

LAB 31.99, 7.88, -32.27

 

CMYK 69 / 48 / 0 / 58

HEX #21386B

RGB 33 56 107

HSL 221.35, 0.53%, 0.27%

LAB 24.36, 9.48, -32.48

 

CMYK 45 / 30 / 0 / 28

HEX #6580B7

RGB 101 128 183

HSL 220.24, 0.36%, 0.56%

LAB 53.63, 5.17, -31.99

 

CMYK 44 / 37 / 0 / 28

HEX #6673B7

RGB 102 115 183

HSL 230.37, 0.36%, 0.56%

LAB 50.1, 13.25, -37.51

 

CMYK 44 / 44 / 0 / 28

HEX #6666B7

RGB 102 102 183

HSL 240, 0.36%, 0.56%

LAB 46.64, 21.21, -42.99

 

CMYK 37 / 44 / 0 / 28

HEX #7366B7

RGB 115 102 183

HSL 249.63, 0.36%, 0.56%

LAB 47.71, 24.6, -41.23

 

CMYK 30 / 44 / 0 / 28

HEX #8166B7

RGB 129 102 183

HSL 260, 0.36%, 0.56%

LAB 48.99, 28.48, -39.11

 

CMYK 45 / 30 / 0 / 28

HEX #6580B7

RGB 101 128 183

HSL 220.24, 0.36%, 0.56%

LAB 53.63, 5.17, -31.99

 

CMYK 45 / 30 / 0 / 8

HEX #81A4EA

RGB 129 164 234

HSL 220, 0.71%, 0.71%

LAB 67.4, 6.21, -38.95

 

CMYK 43 / 30 / 0 / 88

HEX #11151E

RGB 17 21 30

HSL 221.54, 0.28%, 0.09%

LAB 6.77, 0.88, -6.85

 

CMYK 44 / 30 / 0 / 68

HEX #2D3951

RGB 45 57 81

HSL 220, 0.29%, 0.25%

LAB 23.93, 2.25, -16.16

 

CMYK 45 / 30 / 0 / 48

HEX #495C84

RGB 73 92 132

HSL 220.68, 0.29%, 0.4%

LAB 39.13, 4.08, -24.63

 

CMYK 45 / 30 / 0 / 28

HEX #6580B7

RGB 101 128 183

HSL 220.24, 0.36%, 0.56%

LAB 53.63, 5.17, -31.99

 

CMYK 6 / 44 / 0 / 28

HEX #AC66B7

RGB 172 102 183

HSL 291.85, 0.36%, 0.56%

LAB 53.7, 41.18, -31.4

 

CMYK 12 / 0 / 44 / 28

HEX #A1B766

RGB 161 183 102

HSL 76.3, 0.36%, 0.56%

LAB 71.15, -20.6, 38.57

 

CMYK 45 / 30 / 0 / 28

HEX #6580B7

RGB 101 128 183

HSL 220.24, 0.36%, 0.56%

LAB 53.63, 5.17, -31.99

 

CMYK 0 / 44 / 30 / 28

HEX #B76681

RGB 183 102 129

HSL 340, 0.36%, 0.56%

LAB 53.12, 35.72, -0.57

 

CMYK 30 / 0 / 44 / 28

HEX #81B766

RGB 129 183 102

HSL 100, 0.36%, 0.56%

LAB 69.11, -32.63, 35.57

 

CMYK 45 / 30 / 0 / 28

HEX #6580B7

RGB 101 128 183

HSL 220.24, 0.36%, 0.56%

LAB 53.63, 5.17, -31.99

 

CMYK 6 / 44 / 0 / 28

HEX #AC66B7

RGB 172 102 183

HSL 291.85, 0.36%, 0.56%

LAB 53.7, 41.18, -31.4

 

CMYK 0 / 15 / 44 / 28

HEX #B79C66

RGB 183 156 102

HSL 40, 0.36%, 0.56%

LAB 65.6, 2.59, 31.93

 

CMYK 38 / 0 / 44 / 28

HEX #71B766

RGB 113 183 102

HSL 111.85, 0.36%, 0.56%

LAB 68.27, -38.06, 34.33

 

CMYK 45 / 30 / 0 / 28

HEX #6580B7

RGB 101 128 183

HSL 220.24, 0.36%, 0.56%

LAB 53.63, 5.17, -31.99

 

CMYK 0 / 44 / 8 / 28

HEX #B766A9

RGB 183 102 169

HSL 310.37, 0.36%, 0.56%

LAB 54.49, 41.98, -21.96

 

CMYK 0 / 15 / 44 / 28

HEX #B79C66

RGB 183 156 102

HSL 40, 0.36%, 0.56%

LAB 65.6, 2.59, 31.93

 

CMYK 44 / 0 / 37 / 28

HEX #66B773

RGB 102 183 115

HSL 129.63, 0.36%, 0.56%

LAB 67.97, -39.42, 27.07

 

Description

Color code: RGB 101 128 183 | qconv.com Color code: RGB 101 128 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 128 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 128 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 30 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 30% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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