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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 110 164 it is the complementary color RGB 171 145 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 110 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 84 110 164: RGB 89 110 159, RGB 106 128 178, RGB 123 146 197, RGB 140 164 216 and RGB 157 182 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 110 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 84 110 164: RGB 84 110 164, RGB 67 92 145, RGB 50 74 126, RGB 33 56 107 and RGB 16 38 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 33 / 0 / 36

HEX #546EA4

RGB 84 110 164

HSL 220.5, 0.32%, 0.49%

LAB 46.6, 5.86, -32.03

 

Complementary color

CMYK 0 / 15 / 47 / 33

HEX #AB915B

RGB 171 145 91

HSL 40.5, 0.32%, 0.51%

LAB 61.36, 2.4, 32.19

 

CMYK 44 / 31 / 0 / 38

HEX #596E9F

RGB 89 110 159

HSL 222, 0.28%, 0.49%

LAB 46.68, 5.63, -28.94

 

CMYK 40 / 28 / 0 / 30

HEX #6A80B2

RGB 106 128 178

HSL 221.67, 0.32%, 0.56%

LAB 53.73, 5.05, -28.94

 

CMYK 38 / 26 / 0 / 23

HEX #7B92C5

RGB 123 146 197

HSL 221.35, 0.39%, 0.63%

LAB 60.6, 4.57, -29

 

CMYK 35 / 24 / 0 / 15

HEX #8CA4D8

RGB 140 164 216

HSL 221.05, 0.49%, 0.7%

LAB 67.34, 4.16, -29.09

 

CMYK 33 / 23 / 0 / 8

HEX #9DB6EB

RGB 157 182 235

HSL 220.77, 0.66%, 0.77%

LAB 73.95, 3.8, -29.21

 

CMYK 49 / 33 / 0 / 36

HEX #546EA4

RGB 84 110 164

HSL 220.5, 0.32%, 0.49%

LAB 46.6, 5.86, -32.03

 

CMYK 54 / 37 / 0 / 43

HEX #435C91

RGB 67 92 145

HSL 220.77, 0.37%, 0.42%

LAB 39.4, 6.73, -32.12

 

CMYK 60 / 41 / 0 / 51

HEX #324A7E

RGB 50 74 126

HSL 221.05, 0.43%, 0.35%

LAB 31.99, 7.88, -32.27

 

CMYK 69 / 48 / 0 / 58

HEX #21386B

RGB 33 56 107

HSL 221.35, 0.53%, 0.27%

LAB 24.36, 9.48, -32.48

 

CMYK 82 / 57 / 0 / 65

HEX #102658

RGB 16 38 88

HSL 221.67, 0.69%, 0.2%

LAB 16.51, 11.84, -32.71

 

CMYK 49 / 33 / 0 / 36

HEX #546EA4

RGB 84 110 164

HSL 220.5, 0.32%, 0.49%

LAB 46.6, 5.86, -32.03

 

CMYK 49 / 40 / 0 / 36

HEX #5462A4

RGB 84 98 164

HSL 229.5, 0.32%, 0.49%

LAB 43.21, 13.31, -37.37

 

CMYK 49 / 49 / 0 / 36

HEX #5454A4

RGB 84 84 164

HSL 240, 0.32%, 0.49%

LAB 39.42, 22.17, -43.4

 

CMYK 40 / 49 / 0 / 36

HEX #6254A4

RGB 98 84 164

HSL 250.5, 0.32%, 0.49%

LAB 40.6, 25.68, -41.44

 

CMYK 32 / 49 / 0 / 36

HEX #6F54A4

RGB 111 84 164

HSL 260.25, 0.32%, 0.49%

LAB 41.85, 29.18, -39.39

 

CMYK 49 / 33 / 0 / 36

HEX #546EA4

RGB 84 110 164

HSL 220.5, 0.32%, 0.49%

LAB 46.6, 5.86, -32.03

 

CMYK 49 / 33 / 0 / 16

HEX #6E90D7

RGB 110 144 215

HSL 220.57, 0.57%, 0.64%

LAB 60.04, 7.56, -40.03

 

CMYK 45 / 36 / 0 / 96

HEX #06070B

RGB 6 7 11

HSL 228, 0.29%, 0.03%

LAB 1.94, 0.3, -1.62

 

CMYK 48 / 32 / 0 / 76

HEX #202A3E

RGB 32 42 62

HSL 220, 0.32%, 0.18%

LAB 17.04, 2.06, -14.09

 

CMYK 49 / 33 / 0 / 56

HEX #3A4C71

RGB 58 76 113

HSL 220.36, 0.32%, 0.34%

LAB 32.39, 4.04, -23.49

 

CMYK 49 / 33 / 0 / 36

HEX #546EA4

RGB 84 110 164

HSL 220.5, 0.32%, 0.49%

LAB 46.6, 5.86, -32.03

 

CMYK 6 / 49 / 0 / 36

HEX #9A54A4

RGB 154 84 164

HSL 292.5, 0.32%, 0.49%

LAB 46.83, 41.64, -31.19

 

CMYK 13 / 0 / 49 / 36

HEX #8FA454

RGB 143 164 84

HSL 75.75, 0.32%, 0.49%

LAB 64.19, -20.21, 38.81

 

CMYK 49 / 33 / 0 / 36

HEX #546EA4

RGB 84 110 164

HSL 220.5, 0.32%, 0.49%

LAB 46.6, 5.86, -32.03

 

CMYK 0 / 49 / 32 / 36

HEX #A4546F

RGB 164 84 111

HSL 339.75, 0.32%, 0.49%

LAB 46.15, 36.04, -0.29

 

CMYK 32 / 0 / 49 / 36

HEX #6FA454

RGB 111 164 84

HSL 99.75, 0.32%, 0.49%

LAB 62.14, -32.5, 35.85

 

CMYK 49 / 33 / 0 / 36

HEX #546EA4

RGB 84 110 164

HSL 220.5, 0.32%, 0.49%

LAB 46.6, 5.86, -32.03

 

CMYK 6 / 49 / 0 / 36

HEX #9A54A4

RGB 154 84 164

HSL 292.5, 0.32%, 0.49%

LAB 46.83, 41.64, -31.19

 

CMYK 0 / 16 / 49 / 36

HEX #A48A54

RGB 164 138 84

HSL 40.5, 0.32%, 0.49%

LAB 58.7, 2.57, 32.45

 

CMYK 42 / 0 / 49 / 36

HEX #5FA454

RGB 95 164 84

HSL 111.75, 0.32%, 0.49%

LAB 61.33, -37.94, 34.66

 

CMYK 49 / 33 / 0 / 36

HEX #546EA4

RGB 84 110 164

HSL 220.5, 0.32%, 0.49%

LAB 46.6, 5.86, -32.03

 

CMYK 0 / 49 / 8 / 36

HEX #A45497

RGB 164 84 151

HSL 309.75, 0.32%, 0.49%

LAB 47.58, 42.26, -22.21

 

CMYK 0 / 16 / 49 / 36

HEX #A48A54

RGB 164 138 84

HSL 40.5, 0.32%, 0.49%

LAB 58.7, 2.57, 32.45

 

CMYK 49 / 0 / 40 / 36

HEX #54A462

RGB 84 164 98

HSL 130.5, 0.32%, 0.49%

LAB 61.06, -39.11, 26.87

 

Description

Color code: RGB 84 110 164 | qconv.com Color code: RGB 84 110 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 110 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 110 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 33 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 33% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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