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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RAL 2008 it is the complementary color RAL 5012. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RAL 2008. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RAL 2008 shade: RAL 2008, RAL 2003, RAL 1017, RAL 1014 and RAL 1014

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RAL 2008. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RAL 2008 shade: RAL 2008, RAL 2004, RAL 3020, RAL 3002 and RAL 3003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RAL 2008 shade: RAL 2008, RAL 3024 and RAL 3024

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RAL 2008 shade: RAL 2008, RAL 1033, RAL 1016, RAL 1016 and RAL 6039

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RAL 2008 shade matches the following richer shades: RAL 2008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RAL 2008 shade: RAL 2008, RAL 2012, RAL 3022, RAL 1011 and RAL 1035

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RAL 2008 shade: RAL 3024, RAL 3024, RAL 2008, RAL 1033 and RAL 1016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RAL 2008 shade: RAL 2001, RAL 2009, RAL 2008, RAL 1034 and RAL 1034

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RAL 2008 shade: RAL 2008, RAL 6039 and RAL 5022

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RAL 2008 shade: RAL 2008, RAL 6032 and RAL 4005

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RAL 2008 shade: RAL 2008, RAL 6039, RAL 5012 and RAL 4006

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RAL 2008 shade: RAL 2008, RAL 6038, RAL 5012 and RAL 4010

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

Complementary color

CMYK 100 / 25 / 0 / 29

HEX #0089B6

RGB 0 137 182

HSL 194.84, 1%, 0.36%

LAB 53.24, -14.61, -32.24

RAL 5012

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 0 / 51 / 83 / 4

HEX #F67829

RGB 246 120 41

HSL 23.12, 0.92%, 0.56%

LAB 64.31, 43.88, 61.83

RAL 2003

CMYK 0 / 31 / 67 / 4

HEX #F6A951

RGB 246 169 81

HSL 32, 0.9%, 0.64%

LAB 75.18, 20.28, 55.47

RAL 1017

CMYK 0 / 11 / 30 / 13

HEX #DDC49B

RGB 221 196 155

HSL 37.27, 0.49%, 0.74%

LAB 80.3, 2.76, 23.84

RAL 1014

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 0 / 63 / 98 / 11

HEX #E25304

RGB 226 83 4

HSL 21.35, 0.97%, 0.45%

LAB 54.41, 53.1, 63.7

RAL 2004

CMYK 0 / 83 / 91 / 27

HEX #BB1F11

RGB 187 31 17

HSL 4.94, 0.83%, 0.4%

LAB 40.55, 58.93, 47.95

RAL 3020

CMYK 0 / 77 / 79 / 39

HEX #9B2321

RGB 155 35 33

HSL 0.98, 0.65%, 0.37%

LAB 34.56, 48.58, 32.06

RAL 3002

CMYK 0 / 81 / 75 / 47

HEX #861A22

RGB 134 26 34

HSL 355.56, 0.68%, 0.31%

LAB 29.22, 44.94, 24.29

RAL 3003

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 0 / 82 / 87 / 0

HEX #FF2D21

RGB 255 45 33

HSL 3.24, 1%, 0.56%

LAB 55.33, 74.76, 58.26

RAL 3024

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 0 / 38 / 88 / 2

HEX #F99A1D

RGB 249 154 29

HSL 34.09, 0.95%, 0.55%

LAB 71.78, 27.5, 71.82

RAL 1033

CMYK 0 / 8 / 76 / 5

HEX #F1DD39

RGB 241 221 57

HSL 53.48, 0.87%, 0.58%

LAB 87.34, -9.79, 76.74

RAL 1016

CMYK 9 / 0 / 68 / 23

HEX #B3C43E

RGB 179 196 62

HSL 67.61, 0.53%, 0.51%

LAB 75.71, -23.11, 62.15

RAL 6039

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 0 / 53 / 63 / 16

HEX #D5654E

RGB 213 101 78

HSL 10.22, 0.62%, 0.57%

LAB 56.09, 42.34, 33.83

RAL 2012

CMYK 0 / 49 / 59 / 19

HEX #CF6955

RGB 207 105 85

HSL 9.84, 0.56%, 0.57%

LAB 56.11, 38.53, 29.73

RAL 3022

CMYK 0 / 27 / 54 / 31

HEX #AF8050

RGB 175 128 80

HSL 30.32, 0.37%, 0.5%

LAB 57.2, 12.53, 32.99

RAL 1011

CMYK 0 / 8 / 22 / 44

HEX #8F8370

RGB 143 131 112

HSL 36.77, 0.12%, 0.5%

LAB 55.32, 1.28, 11.92

RAL 1035

CMYK 0 / 82 / 87 / 0

HEX #FF2D21

RGB 255 45 33

HSL 3.24, 1%, 0.56%

LAB 55.33, 74.76, 58.26

RAL 3024

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 0 / 38 / 88 / 2

HEX #F99A1D

RGB 249 154 29

HSL 34.09, 0.95%, 0.55%

LAB 71.78, 27.5, 71.82

RAL 1033

CMYK 0 / 8 / 76 / 5

HEX #F1DD39

RGB 241 221 57

HSL 53.48, 0.87%, 0.58%

LAB 87.34, -9.79, 76.74

RAL 1016

CMYK 0 / 61 / 85 / 27

HEX #BA481C

RGB 186 72 28

HSL 16.71, 0.74%, 0.42%

LAB 45.85, 43.97, 47.44

RAL 2001

CMYK 0 / 63 / 96 / 13

HEX #DE5308

RGB 222 83 8

HSL 21.03, 0.93%, 0.45%

LAB 53.74, 51.73, 62.13

RAL 2009

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 0 / 34 / 65 / 8

HEX #EB9C52

RGB 235 156 82

HSL 29.02, 0.79%, 0.62%

LAB 70.9, 22.68, 49.89

RAL 1034

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 9 / 0 / 68 / 23

HEX #B3C43E

RGB 179 196 62

HSL 67.61, 0.53%, 0.51%

LAB 75.71, -23.11, 62.15

RAL 6039

CMYK 62 / 50 / 0 / 65

HEX #222D5A

RGB 34 45 90

HSL 228.21, 0.45%, 0.24%

LAB 19.86, 10.87, -28.59

RAL 5022

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 72 / 0 / 35 / 50

HEX #237F52

RGB 35 127 82

HSL 150.65, 0.57%, 0.32%

LAB 47.16, -37.76, 16.95

RAL 6032

CMYK 23 / 32 / 0 / 40

HEX #76689A

RGB 118 104 154

HSL 256.8, 0.2%, 0.51%

LAB 47.09, 16.55, -25.19

RAL 4005

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 9 / 0 / 68 / 23

HEX #B3C43E

RGB 179 196 62

HSL 67.61, 0.53%, 0.51%

LAB 75.71, -23.11, 62.15

RAL 6039

CMYK 100 / 25 / 0 / 29

HEX #0089B6

RGB 0 137 182

HSL 194.84, 1%, 0.36%

LAB 53.24, -14.61, -32.24

RAL 5012

CMYK 0 / 65 / 20 / 44

HEX #903373

RGB 144 51 115

HSL 318.71, 0.48%, 0.38%

LAB 36.99, 46.38, -16.81

RAL 4006

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

RAL 2008

CMYK 100 / 0 / 85 / 29

HEX #00B51B

RGB 0 181 27

HSL 128.95, 1%, 0.35%

LAB 64.26, -65.8, 60.02

RAL 6038

CMYK 100 / 25 / 0 / 29

HEX #0089B6

RGB 0 137 182

HSL 194.84, 1%, 0.36%

LAB 53.24, -14.61, -32.24

RAL 5012

CMYK 0 / 66 / 36 / 27

HEX #BB4077

RGB 187 64 119

HSL 333.17, 0.49%, 0.49%

LAB 46.4, 54.19, -4.39

RAL 4010

Description

Color code: RAL 2008 - Bright red orange | qconv.com Color code: RAL 2008 - Bright red orange | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 107 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 107 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 86 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 86% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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