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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RAL 1034 it is the complementary color RAL 5015. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RAL 1034. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RAL 1034: , , , and

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RAL 1034. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RAL 1034: , , , and

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 65 / 8

HEX #EB9C52

RGB 235 156 82

HSL 29.02, 0.79%, 0.62%

LAB 70.9, 22.68, 49.89

RAL 1034

Complementary color

CMYK 81 / 37 / 0 / 30

HEX #2271B3

RGB 34 113 179

HSL 207.31, 0.68%, 0.42%

LAB 46.18, 0.36, -41.59

RAL 5015

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL 1034

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL 1034

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

RAL 1015

CMYK 0 / 2 / 9 / 2

HEX #FAF4E3

RGB 250 244 227

HSL 44.35, 0.7%, 0.94%

LAB 96.23, -0.84, 8.89

RAL 9001

CMYK 0 / 2 / 9 / 2

HEX #FAF4E3

RGB 250 244 227

HSL 44.35, 0.7%, 0.94%

LAB 96.23, -0.84, 8.89

RAL 9001

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL 1034

CMYK 0 / 20 / 75 / 20

HEX #CDA434

RGB 205 164 52

HSL 43.92, 0.6%, 0.5%

LAB 69.31, 4.05, 60.4

RAL 1004

CMYK 0 / 43 / 72 / 35

HEX #A65E2E

RGB 166 94 46

HSL 24, 0.57%, 0.42%

LAB 47.38, 25.31, 39.28

RAL 8023

CMYK 0 / 55 / 70 / 44

HEX #8E402A

RGB 142 64 42

HSL 13.2, 0.54%, 0.36%

LAB 37.09, 31.45, 28.96

RAL 8004

CMYK 0 / 74 / 79 / 53

HEX #781F19

RGB 120 31 25

HSL 3.79, 0.66%, 0.28%

LAB 26.86, 38.08, 26.49

RAL 3011

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL 1034

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL 1034

CMYK 0 / 9 / 65 / 12

HEX #E1CC4F

RGB 225 204 79

HSL 51.37, 0.71%, 0.6%

LAB 81.71, -6.89, 62.74

RAL 1014

CMYK 0 / 9 / 65 / 12

HEX #E1CC4F

RGB 225 204 79

HSL 51.37, 0.71%, 0.6%

LAB 81.71, -6.89, 62.74

RAL 1014

CMYK 0 / 9 / 65 / 12

HEX #E1CC4F

RGB 225 204 79

HSL 51.37, 0.71%, 0.6%

LAB 81.71, -6.89, 62.74

RAL 1014

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL 1034

CMYK 0 / 0 / 0 / 89

HEX #1C1C1C

RGB 28 28 28

HSL 0, 0%, 0.11%

LAB 10.27, 0, -0

RAL 9011

CMYK 0 / 40 / 65 / 65

HEX #59351F

RGB 89 53 31

HSL 22.76, 0.48%, 0.24%

LAB 26.07, 13.71, 20.48

RAL 8007

CMYK 0 / 17 / 60 / 49

HEX #826C34

RGB 130 108 52

HSL 43.08, 0.43%, 0.36%

LAB 46.6, 1.48, 34.08

RAL 8000

CMYK 0 / 58 / 63 / 29

HEX #B44C43

RGB 180 76 67

HSL 4.78, 0.46%, 0.48%

LAB 46.01, 41.64, 26.5

RAL 3033

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL 1034

CMYK 0 / 0 / 48 / 40

HEX #999950

RGB 153 153 80

HSL 60, 0.31%, 0.46%

LAB 61.77, -10.74, 38.1

RAL 1020

CMYK 31 / 21 / 0 / 45

HEX #606F8C

RGB 96 111 140

HSL 219.55, 0.19%, 0.46%

LAB 46.64, 1.63, -17.72

RAL 5014

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL 1034

CMYK 40 / 0 / 0 / 39

HEX #5D9B9B

RGB 93 155 155

HSL 180, 0.25%, 0.49%

LAB 60.01, -19.94, -6.31

RAL 5024

CMYK 0 / 47 / 14 / 43

HEX #924E7D

RGB 146 78 125

HSL 318.53, 0.3%, 0.44%

LAB 42.82, 35.06, -14.05

RAL 4008

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL 1034

CMYK 0 / 0 / 48 / 40

HEX #999950

RGB 153 153 80

HSL 60, 0.31%, 0.46%

LAB 61.77, -10.74, 38.1

RAL 1020

CMYK 69 / 31 / 0 / 26

HEX #3B83BD

RGB 59 131 189

HSL 206.77, 0.52%, 0.49%

LAB 52.77, -3.53, -36.91

RAL 5012

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

RAL 4001

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL 1034

CMYK 48 / 0 / 66 / 35

HEX #57A639

RGB 87 166 57

HSL 103.49, 0.49%, 0.44%

LAB 61.3, -44.45, 47.41

RAL 6018

CMYK 69 / 31 / 0 / 26

HEX #3B83BD

RGB 59 131 189

HSL 206.77, 0.52%, 0.49%

LAB 52.77, -3.53, -36.91

RAL 5012

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

RAL 4001

Description

Color code: RAL 1034 - Pastel yellow | qconv.com Color code: RAL 1034 - Pastel yellow | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 156 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 156 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 65 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 65% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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