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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RAL 1033 it is the complementary color RAL 5015. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RAL 1033. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RAL 1033: , , , and

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RAL 1033. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RAL 1033: , , , and

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 88 / 2

HEX #F99A1D

RGB 249 154 29

HSL 34.09, 0.95%, 0.55%

LAB 71.78, 27.5, 71.82

RAL 1033

Complementary color

CMYK 81 / 37 / 0 / 30

HEX #2271B3

RGB 34 113 179

HSL 207.31, 0.68%, 0.42%

LAB 46.18, 0.36, -41.59

RAL 5015

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL 1037

CMYK 0 / 15 / 79 / 4

HEX #F5D033

RGB 245 208 51

HSL 48.56, 0.91%, 0.58%

LAB 84.36, -1.75, 76.02

RAL 1017

CMYK 0 / 9 / 65 / 12

HEX #E1CC4F

RGB 225 204 79

HSL 51.37, 0.71%, 0.6%

LAB 81.71, -6.89, 62.74

RAL 1014

CMYK 0 / 2 / 79 / 3

HEX #F8F335

RGB 248 243 53

HSL 58.46, 0.93%, 0.59%

LAB 93.59, -17.82, 83.67

RAL 1018

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

RAL 1015

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL 1037

CMYK 0 / 29 / 100 / 14

HEX #DC9C00

RGB 220 156 0

HSL 42.55, 1%, 0.43%

LAB 68.75, 13.74, 72.89

RAL 1007

CMYK 0 / 55 / 75 / 24

HEX #C35831

RGB 195 88 49

HSL 16.03, 0.6%, 0.48%

LAB 50.46, 40.4, 42.32

RAL 2013

CMYK 0 / 78 / 89 / 37

HEX #A12312

RGB 161 35 18

HSL 7.13, 0.8%, 0.35%

LAB 35.64, 50.04, 41.49

RAL 3013

CMYK 0 / 78 / 89 / 37

HEX #A12312

RGB 161 35 18

HSL 7.13, 0.8%, 0.35%

LAB 35.64, 50.04, 41.49

RAL 3013

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL 1037

CMYK 0 / 36 / 87 / 0

HEX #FFA420

RGB 255 164 32

HSL 35.52, 1%, 0.56%

LAB 74.77, 24.83, 73.7

RAL 2007

CMYK 0 / 10 / 95 / 5

HEX #F3DA0B

RGB 243 218 11

HSL 53.53, 0.91%, 0.5%

LAB 86.61, -8.45, 85.48

RAL 1021

CMYK 7 / 0 / 87 / 0

HEX #EDFF21

RGB 237 255 33

HSL 64.86, 1%, 0.56%

LAB 95.84, -28.5, 89.54

RAL 1016

CMYK 7 / 0 / 87 / 0

HEX #EDFF21

RGB 237 255 33

HSL 64.86, 1%, 0.56%

LAB 95.84, -28.5, 89.54

RAL 1016

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL 1037

CMYK 0 / 8 / 27 / 85

HEX #25221B

RGB 37 34 27

HSL 42, 0.16%, 0.13%

LAB 13.33, -0.1, 5.23

RAL 6022

CMYK 0 / 40 / 65 / 65

HEX #59351F

RGB 89 53 31

HSL 22.76, 0.48%, 0.24%

LAB 26.07, 13.71, 20.48

RAL 8007

CMYK 0 / 36 / 79 / 42

HEX #955F20

RGB 149 95 32

HSL 32.31, 0.65%, 0.35%

LAB 45.19, 16.56, 43.04

RAL 8001

CMYK 0 / 50 / 94 / 7

HEX #ED760E

RGB 237 118 14

HSL 27.98, 0.89%, 0.49%

LAB 62.5, 40.9, 67.71

RAL 2000

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL 1037

CMYK 48 / 0 / 66 / 35

HEX #57A639

RGB 87 166 57

HSL 103.49, 0.49%, 0.44%

LAB 61.3, -44.45, 47.41

RAL 6018

CMYK 69 / 31 / 0 / 26

HEX #3B83BD

RGB 59 131 189

HSL 206.77, 0.52%, 0.49%

LAB 52.77, -3.53, -36.91

RAL 5012

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL 1037

CMYK 56 / 5 / 0 / 44

HEX #3F888F

RGB 63 136 143

HSL 185.25, 0.39%, 0.4%

LAB 52.56, -20.54, -10.67

RAL 5018

CMYK 0 / 68 / 29 / 37

HEX #A03472

RGB 160 52 114

HSL 325.56, 0.51%, 0.42%

LAB 39.82, 50.51, -11.62

RAL 4006

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL 1037

CMYK 48 / 0 / 66 / 35

HEX #57A639

RGB 87 166 57

HSL 103.49, 0.49%, 0.44%

LAB 61.3, -44.45, 47.41

RAL 6018

CMYK 81 / 37 / 0 / 30

HEX #2271B3

RGB 34 113 179

HSL 207.31, 0.68%, 0.42%

LAB 46.18, 0.36, -41.59

RAL 5015

CMYK 0 / 79 / 49 / 16

HEX #D72D6D

RGB 215 45 109

HSL 337.41, 0.68%, 0.51%

LAB 48.79, 67.54, 5.82

RAL 4010

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL 1037

CMYK 100 / 0 / 76 / 27

HEX #00BB2D

RGB 0 187 45

HSL 134.44, 1%, 0.37%

LAB 66.31, -66.37, 56.72

RAL 6038

CMYK 81 / 37 / 0 / 30

HEX #2271B3

RGB 34 113 179

HSL 207.31, 0.68%, 0.42%

LAB 46.18, 0.36, -41.59

RAL 5015

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

RAL 4001

Description

Color code: RAL 1033 - Dahlia yellow | qconv.com Color code: RAL 1033 - Dahlia yellow | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 154 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 154 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 88 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 88% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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