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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Munsell - Munsell 2.5B 5-4 it is the complementary color Munsell - Munsell 2.5R 5-6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Munsell - Munsell 2.5B 5-4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Munsell - Munsell 2.5B 5-4: Munsell - Munsell 2.5B 5-4, Munsell - Munsell 7.5BG 6-4, Munsell - Munsell 7.5B 6-4, Munsell - Munsell 5B 7-4 and Munsell - Munsell 10BG 8-4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Munsell - Munsell 2.5B 5-4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Munsell - Munsell 2.5B 5-4: Munsell - Munsell 2.5B 5-4, Munsell - Munsell 7.5B 4-4, Munsell - Munsell 5BG 4-4, Munsell - Munsell 7.5BG 3-4 and Munsell - Munsell 10BG 2-4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 4 / 0 / 45

HEX #55878C

RGB 85 135 140

HSL 185.45, 0.24%, 0.44%

LAB 53.12, -15.41, -8

Munsell
Munsell 2.5B 5-4

Complementary color

CMYK 0 / 36 / 33 / 34

HEX #A86C70

RGB 168 108 112

HSL 356, 0.26%, 0.54%

LAB 52.08, 24.46, 7.74

Munsell
Munsell 2.5R 5-6

CMYK 39 / 4 / 0 / 45

HEX #55878C

RGB 85 135 140 1

HSL 185.45, 0.24%, 0.44%

LAB 53.12, -15.41, -8

Munsell
Munsell 2.5B 5-4

CMYK 35 / 0 / 4 / 35

HEX #6BA59E

RGB 107 165 158 1

HSL 172.76, 0.24%, 0.53%

LAB 63.76, -20.5, -2.39

Munsell
Munsell 7.5BG 6-4

CMYK 29 / 6 / 0 / 33

HEX #7AA0AB

RGB 122 160 171 1

HSL 193.47, 0.23%, 0.57%

LAB 63.52, -10.29, -9.94

Munsell
Munsell 7.5B 6-4

CMYK 27 / 4 / 0 / 24

HEX #8EBCC3

RGB 142 188 195 1

HSL 187.92, 0.31%, 0.66%

LAB 73.32, -13.5, -8.48

Munsell
Munsell 5B 7-4

CMYK 26 / 0 / 2 / 15

HEX #A2DAD5

RGB 162 218 213 1

HSL 174.64, 0.43%, 0.75%

LAB 83.25, -18.89, -3.37

Munsell
Munsell 10BG 8-4

CMYK 39 / 4 / 0 / 45

HEX #55878C

RGB 85 135 140 1

HSL 185.45, 0.24%, 0.44%

LAB 53.12, -15.41, -8

Munsell
Munsell 2.5B 5-4

CMYK 43 / 10 / 0 / 52

HEX #456E7A

RGB 69 110 122 1

HSL 193.58, 0.28%, 0.37%

LAB 43.98, -10.91, -11.17

Munsell
Munsell 7.5B 4-4

CMYK 46 / 0 / 7 / 58

HEX #3A6B64

RGB 58 107 100 1

HSL 171.43, 0.3%, 0.32%

LAB 41.74, -18.47, -1.26

Munsell
Munsell 5BG 4-4

CMYK 64 / 0 / 0 / 67

HEX #1E5353

RGB 30 83 83 1

HSL 180, 0.47%, 0.22%

LAB 32, -17.22, -5.24

Munsell
Munsell 7.5BG 3-4

CMYK 89 / 8 / 0 / 75

HEX #073B40

RGB 7 59 64 1

HSL 185.26, 0.8%, 0.14%

LAB 22.1, -14.02, -7.78

Munsell
Munsell 10BG 2-4

CMYK 39 / 4 / 0 / 45

HEX #55878C

RGB 85 135 140 1

HSL 185.45, 0.24%, 0.44%

LAB 53.12, -15.41, -8

Munsell
Munsell 2.5B 5-4

CMYK 39 / 7 / 0 / 45

HEX #56838D

RGB 86 131 141 1

HSL 190.91, 0.24%, 0.45%

LAB 51.99, -12.66, -10.27

Munsell
Munsell 5B 5-4

CMYK 39 / 7 / 0 / 45

HEX #56838D

RGB 86 131 141 1

HSL 190.91, 0.24%, 0.45%

LAB 51.99, -12.66, -10.27

Munsell
Munsell 5B 5-4

CMYK 33 / 26 / 0 / 46

HEX #5C668A

RGB 92 102 138 1

HSL 226.96, 0.2%, 0.45%

LAB 43.67, 5.28, -21.11

Munsell
Munsell 7.5PB 4-6

CMYK 33 / 26 / 0 / 46

HEX #5C668A

RGB 92 102 138 1

HSL 226.96, 0.2%, 0.45%

LAB 43.67, 5.28, -21.11

Munsell
Munsell 7.5PB 4-6

CMYK 39 / 4 / 0 / 45

HEX #55878C

RGB 85 135 140 1

HSL 185.45, 0.24%, 0.44%

LAB 53.12, -15.41, -8

Munsell
Munsell 2.5B 5-4

CMYK 44 / 0 / 5 / 23

HEX #6EC4BA

RGB 110 196 186 1

HSL 173.02, 0.42%, 0.6%

LAB 73.77, -28.43, -3.1

Munsell
Munsell 7.5BG 7-6

CMYK 32 / 9 / 0 / 5

HEX #A4DBF1

RGB 164 219 241 1

HSL 197.14, 0.73%, 0.79%

LAB 84.44, -12.46, -16.44

Munsell
Munsell 10B 8-6

CMYK 61 / 0 / 32 / 78

HEX #163826

RGB 22 56 38 1

HSL 148.24, 0.44%, 0.15%

LAB 20.59, -17.53, 7.57

Munsell
Munsell 5G 2-4

CMYK 31 / 5 / 0 / 68

HEX #384D51

RGB 56 77 81 1

HSL 189.6, 0.18%, 0.27%

LAB 31.21, -7, -5.01

Munsell
Munsell 2.5B 3-2

CMYK 39 / 4 / 0 / 45

HEX #55878C

RGB 85 135 140 1

HSL 185.45, 0.24%, 0.44%

LAB 53.12, -15.41, -8

Munsell
Munsell 2.5B 5-4

CMYK 27 / 29 / 0 / 45

HEX #66638B

RGB 102 99 139 1

HSL 244.5, 0.17%, 0.47%

LAB 43.67, 10.58, -21.65

Munsell
Munsell 10PB 4-6

CMYK 0 / 17 / 47 / 44

HEX #8F764C

RGB 143 118 76 1

HSL 37.61, 0.31%, 0.43%

LAB 51.06, 3.88, 26.73

Munsell
Munsell 2.5Y 5-4

CMYK 39 / 4 / 0 / 45

HEX #55878C

RGB 85 135 140 1

HSL 185.45, 0.24%, 0.44%

LAB 53.12, -15.41, -8

Munsell
Munsell 2.5B 5-4

CMYK 0 / 45 / 5 / 45

HEX #8B4D84

RGB 139 77 132 1

HSL 306.77, 0.29%, 0.42%

LAB 41.94, 34.51, -19.75

Munsell
Munsell 10P 4-10

CMYK 0 / 5 / 44 / 49

HEX #837C4A

RGB 131 124 74 1

HSL 52.63, 0.28%, 0.4%

LAB 51.54, -5.02, 28.21

Munsell
Munsell 10Y 5-4

CMYK 39 / 4 / 0 / 45

HEX #55878C

RGB 85 135 140 1

HSL 185.45, 0.24%, 0.44%

LAB 53.12, -15.41, -8

Munsell
Munsell 2.5B 5-4

CMYK 27 / 29 / 0 / 45

HEX #66638B

RGB 102 99 139 1

HSL 244.5, 0.17%, 0.47%

LAB 43.67, 10.58, -21.65

Munsell
Munsell 10PB 4-6

CMYK 0 / 44 / 39 / 45

HEX #8B4E55

RGB 139 78 85 1

HSL 353.11, 0.28%, 0.43%

LAB 40.56, 26.47, 7.16

Munsell
Munsell 2.5R 4-6

CMYK 6 / 0 / 35 / 50

HEX #787F52

RGB 120 127 82 1

HSL 69.33, 0.22%, 0.41%

LAB 51.59, -10.4, 23.63

Munsell
Munsell 5GY 5-4

CMYK 39 / 4 / 0 / 45

HEX #55878C

RGB 85 135 140 1

HSL 185.45, 0.24%, 0.44%

LAB 53.12, -15.41, -8

Munsell
Munsell 2.5B 5-4

CMYK 16 / 36 / 0 / 47

HEX #725788

RGB 114 87 136 1

HSL 273.06, 0.22%, 0.44%

LAB 41.49, 21.15, -23.13

Munsell
Munsell 5P 4-8

CMYK 0 / 44 / 39 / 45

HEX #8B4E55

RGB 139 78 85 1

HSL 353.11, 0.28%, 0.43%

LAB 40.56, 26.47, 7.16

Munsell
Munsell 2.5R 4-6

CMYK 12 / 0 / 31 / 49

HEX #718159

RGB 113 129 89 1

HSL 84, 0.18%, 0.43%

LAB 51.76, -13.35, 19.81

Munsell
Munsell 7.5GY 5-4

Description

Color code: Munsell - Munsell 2.5B 5-4 | qconv.com Color code: Munsell - Munsell 2.5B 5-4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 135 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 135 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 4 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 4% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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nsc-logo

HKS® to RGB

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HKS® to RAL®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

nsc-logo

PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

convert from Pantone®-number (Pantone 0000) to RGBA red green blue transparency

PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

Icons

PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

nsc-logo

Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to NCS®

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NCS® to RGB

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NCS® to RGBA

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