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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 4 / 0 / 24 it is the complementary color CMYK 0 / 39 / 46 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 4 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 27 / 4 / 0 / 24: CMYK 23 / 2 / 0 / 26, CMYK 22 / 2 / 0 / 18, CMYK 21 / 2 / 0 / 11, CMYK 20 / 2 / 0 / 4 and CMYK 16 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 4 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 27 / 4 / 0 / 24: CMYK 27 / 4 / 0 / 24, CMYK 29 / 4 / 0 / 31, CMYK 31 / 4 / 0 / 39, CMYK 34 / 4 / 0 / 46 and CMYK 38 / 3 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 4 / 0 / 24

HEX #8DBAC2

RGB 141 186 194

HSL 189.06, 0.3%, 0.66%

LAB 72.68, -12.98, -8.9

 

Complementary color

CMYK 0 / 39 / 46 / 55

HEX #72453D

RGB 114 69 61

HSL 9.06, 0.3%, 0.34%

LAB 34.34, 18.37, 12.99

 

CMYK 23 / 2 / 0 / 26

HEX #92BABD

RGB 146 186 189

HSL 184.19, 0.25%, 0.66%

LAB 72.83, -12.61, -5.91

 

CMYK 22 / 2 / 0 / 18

HEX #A3CCD0

RGB 163 204 208

HSL 185.33, 0.32%, 0.73%

LAB 79.34, -12.56, -6.45

 

CMYK 21 / 2 / 0 / 11

HEX #B4DEE3

RGB 180 222 227

HSL 186.38, 0.46%, 0.8%

LAB 85.75, -12.52, -6.97

 

CMYK 20 / 2 / 0 / 4

HEX #C5F0F6

RGB 197 240 246

HSL 187.35, 0.73%, 0.87%

LAB 92.06, -12.5, -7.48

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 27 / 4 / 0 / 24

HEX #8DBAC2

RGB 141 186 194

HSL 189.06, 0.3%, 0.66%

LAB 72.68, -12.98, -8.9

 

CMYK 29 / 4 / 0 / 31

HEX #7CA8AF

RGB 124 168 175

HSL 188.24, 0.24%, 0.59%

LAB 66.05, -13.02, -8.4

 

CMYK 31 / 4 / 0 / 39

HEX #6B969C

RGB 107 150 156

HSL 187.35, 0.2%, 0.52%

LAB 59.29, -13.07, -7.87

 

CMYK 34 / 4 / 0 / 46

HEX #5A8489

RGB 90 132 137

HSL 186.38, 0.21%, 0.45%

LAB 52.38, -13.11, -7.33

 

CMYK 38 / 3 / 0 / 54

HEX #497276

RGB 73 114 118

HSL 185.33, 0.24%, 0.37%

LAB 45.3, -13.16, -6.76

 

CMYK 27 / 4 / 0 / 24

HEX #8DBAC2

RGB 141 186 194

HSL 189.06, 0.3%, 0.66%

LAB 72.68, -12.98, -8.9

 

CMYK 27 / 9 / 0 / 24

HEX #8EB1C2

RGB 142 177 194

HSL 199.62, 0.3%, 0.66%

LAB 70.24, -7.91, -12.54

 

CMYK 27 / 13 / 0 / 24

HEX #8EA9C2

RGB 142 169 194

HSL 208.85, 0.3%, 0.66%

LAB 68.04, -3.57, -15.85

SW® 6528

CMYK 27 / 18 / 0 / 24

HEX #8EA0C2

RGB 142 160 194

HSL 219.23, 0.3%, 0.66%

LAB 65.58, 1.41, -19.57

 

CMYK 27 / 22 / 0 / 24

HEX #8E97C2

RGB 142 151 194

HSL 229.62, 0.3%, 0.66%

LAB 63.16, 6.48, -23.27

 

CMYK 27 / 4 / 0 / 24

HEX #8DBAC2

RGB 141 186 194

HSL 189.06, 0.3%, 0.66%

LAB 72.68, -12.98, -8.9

 

CMYK 27 / 4 / 0 / 4

HEX #B2EBF5

RGB 178 235 245

HSL 188.96, 0.77%, 0.83%

LAB 89.61, -15.74, -10.71

 

CMYK 27 / 5 / 0 / 84

HEX #1E2729

RGB 30 39 41

HSL 190.91, 0.15%, 0.14%

LAB 14.88, -3.36, -2.63

 

CMYK 27 / 4 / 0 / 64

HEX #43585C

RGB 67 88 92

HSL 189.6, 0.16%, 0.31%

LAB 35.88, -6.93, -4.94

 

CMYK 27 / 4 / 0 / 44

HEX #68898F

RGB 104 137 143

HSL 189.23, 0.16%, 0.48%

LAB 54.88, -10.07, -6.99

 

CMYK 27 / 4 / 0 / 24

HEX #8DBAC2

RGB 141 186 194

HSL 189.06, 0.3%, 0.66%

LAB 72.68, -12.98, -8.9

 

CMYK 18 / 27 / 0 / 24

HEX #A08EC2

RGB 160 142 194

HSL 260.77, 0.3%, 0.66%

LAB 62.27, 17.26, -24.51

 

CMYK 0 / 7 / 27 / 24

HEX #C2B58E

RGB 194 181 142

HSL 45, 0.3%, 0.66%

LAB 73.85, -1.51, 21.58

 

CMYK 27 / 4 / 0 / 24

HEX #8DBAC2

RGB 141 186 194

HSL 189.06, 0.3%, 0.66%

LAB 72.68, -12.98, -8.9

 

CMYK 0 / 27 / 4 / 24

HEX #C28EBA

RGB 194 142 186

HSL 309.23, 0.3%, 0.66%

LAB 65.25, 26.92, -15.18

 

CMYK 4 / 0 / 27 / 24

HEX #BAC28E

RGB 186 194 142

HSL 69.23, 0.3%, 0.66%

LAB 76.66, -11.39, 25.3

 

CMYK 27 / 4 / 0 / 24

HEX #8DBAC2

RGB 141 186 194

HSL 189.06, 0.3%, 0.66%

LAB 72.68, -12.98, -8.9

 

CMYK 18 / 27 / 0 / 24

HEX #A08EC2

RGB 160 142 194

HSL 260.77, 0.3%, 0.66%

LAB 62.27, 17.26, -24.51

 

CMYK 0 / 23 / 27 / 24

HEX #C2968E

RGB 194 150 142

HSL 9.23, 0.3%, 0.66%

LAB 65.93, 15.31, 10.56

 

CMYK 9 / 0 / 27 / 24

HEX #B0C28E

RGB 176 194 142

HSL 80.77, 0.3%, 0.66%

LAB 75.93, -15.16, 24.18

 

CMYK 27 / 4 / 0 / 24

HEX #8DBAC2

RGB 141 186 194

HSL 189.06, 0.3%, 0.66%

LAB 72.68, -12.98, -8.9

 

CMYK 9 / 27 / 0 / 24

HEX #B08EC2

RGB 176 142 194

HSL 279.23, 0.3%, 0.66%

LAB 63.73, 22.45, -22.14

 

CMYK 0 / 23 / 27 / 24

HEX #C2968E

RGB 194 150 142

HSL 9.23, 0.3%, 0.66%

LAB 65.93, 15.31, 10.56

 

CMYK 18 / 0 / 27 / 24

HEX #A0C28E

RGB 160 194 142

HSL 99.23, 0.3%, 0.66%

LAB 74.83, -21.02, 22.51

 

Description

Color code: CMYK 27 / 4 / 0 / 24 | qconv.com Color code: CMYK 27 / 4 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 186 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 186 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 4 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 4% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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