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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 13 / 0 / 24 it is the complementary color CMYK 0 / 25 / 46 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 13 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 27 / 13 / 0 / 24: CMYK 23 / 11 / 0 / 26, CMYK 22 / 10 / 0 / 18, CMYK 21 / 10 / 0 / 11, CMYK 20 / 9 / 0 / 4 and CMYK 16 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 13 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 27 / 13 / 0 / 24: CMYK 27 / 13 / 0 / 24, CMYK 29 / 14 / 0 / 31, CMYK 31 / 15 / 0 / 39, CMYK 34 / 16 / 0 / 46 and CMYK 38 / 18 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 13 / 0 / 24

HEX #8DA9C2

RGB 141 169 194

HSL 208.3, 0.3%, 0.66%

LAB 67.97, -3.87, -15.96

 

Complementary color

CMYK 0 / 25 / 46 / 55

HEX #72563D

RGB 114 86 61

HSL 28.3, 0.3%, 0.34%

LAB 38.85, 8.06, 19.01

 

CMYK 23 / 11 / 0 / 26

HEX #92A9BD

RGB 146 169 189

HSL 207.91, 0.25%, 0.66%

LAB 68.14, -3.51, -12.9

 

CMYK 22 / 10 / 0 / 18

HEX #A3BBD0

RGB 163 187 208

HSL 208, 0.32%, 0.73%

LAB 74.75, -3.61, -13.29

 

CMYK 21 / 10 / 0 / 11

HEX #B4CDE3

RGB 180 205 227

HSL 208.09, 0.46%, 0.8%

LAB 81.24, -3.71, -13.69

 

CMYK 20 / 9 / 0 / 4

HEX #C5DFF6

RGB 197 223 246

HSL 208.16, 0.73%, 0.87%

LAB 87.63, -3.81, -14.08

 

CMYK 16 / 5 / 0 / 0

HEX #D6F1FF

RGB 214 241 255

HSL 200.49, 1%, 0.92%

LAB 93.64, -5.98, -9.71

 

CMYK 27 / 13 / 0 / 24

HEX #8DA9C2

RGB 141 169 194

HSL 208.3, 0.3%, 0.66%

LAB 67.97, -3.87, -15.96

 

CMYK 29 / 14 / 0 / 31

HEX #7C97AF

RGB 124 151 175

HSL 208.24, 0.24%, 0.59%

LAB 61.23, -3.74, -15.62

 

CMYK 31 / 15 / 0 / 39

HEX #6B859C

RGB 107 133 156

HSL 208.16, 0.2%, 0.52%

LAB 54.35, -3.59, -15.3

 

CMYK 34 / 16 / 0 / 46

HEX #5A7389

RGB 90 115 137

HSL 208.09, 0.21%, 0.45%

LAB 47.29, -3.43, -14.99

 

CMYK 38 / 18 / 0 / 54

HEX #496176

RGB 73 97 118

HSL 208, 0.24%, 0.37%

LAB 40.04, -3.22, -14.7

 

CMYK 27 / 13 / 0 / 24

HEX #8DA9C2

RGB 141 169 194

HSL 208.3, 0.3%, 0.66%

LAB 67.97, -3.87, -15.96

 

CMYK 27 / 17 / 0 / 24

HEX #8EA1C2

RGB 142 161 194

HSL 218.08, 0.3%, 0.66%

LAB 65.85, 0.85, -19.16

 

CMYK 27 / 22 / 0 / 24

HEX #8E98C2

RGB 142 152 194

HSL 228.46, 0.3%, 0.66%

LAB 63.43, 5.91, -22.86

 

CMYK 27 / 26 / 0 / 24

HEX #8E90C2

RGB 142 144 194

HSL 237.69, 0.3%, 0.66%

LAB 61.3, 10.48, -26.12

 

CMYK 23 / 27 / 0 / 24

HEX #958EC2

RGB 149 142 194

HSL 248.08, 0.3%, 0.66%

LAB 61.33, 13.79, -26.03

 

CMYK 27 / 13 / 0 / 24

HEX #8DA9C2

RGB 141 169 194

HSL 208.3, 0.3%, 0.66%

LAB 67.97, -3.87, -15.96

 

CMYK 27 / 13 / 0 / 4

HEX #B2D5F5

RGB 178 213 245

HSL 208.66, 0.77%, 0.83%

LAB 83.78, -4.45, -19.46

 

CMYK 27 / 12 / 0 / 84

HEX #1E2429

RGB 30 36 41

HSL 207.27, 0.15%, 0.14%

LAB 13.81, -1.27, -4.22

 

CMYK 27 / 13 / 0 / 64

HEX #43505C

RGB 67 80 92

HSL 208.8, 0.16%, 0.31%

LAB 33.36, -2.02, -8.71

 

CMYK 27 / 13 / 0 / 44

HEX #687D8F

RGB 104 125 143

HSL 207.69, 0.16%, 0.48%

LAB 51.37, -3.27, -12.25

 

CMYK 27 / 13 / 0 / 24

HEX #8DA9C2

RGB 141 169 194

HSL 208.3, 0.3%, 0.66%

LAB 67.97, -3.87, -15.96

 

CMYK 9 / 27 / 0 / 24

HEX #B08EC2

RGB 176 142 194

HSL 279.23, 0.3%, 0.66%

LAB 63.73, 22.45, -22.14

 

CMYK 2 / 0 / 27 / 24

HEX #BEC28E

RGB 190 194 142

HSL 64.62, 0.3%, 0.66%

LAB 76.97, -9.86, 25.77

 

CMYK 27 / 13 / 0 / 24

HEX #8DA9C2

RGB 141 169 194

HSL 208.3, 0.3%, 0.66%

LAB 67.97, -3.87, -15.96

 

CMYK 0 / 27 / 12 / 24

HEX #C28EAA

RGB 194 142 170

HSL 327.69, 0.3%, 0.66%

LAB 64.74, 24.1, -6.93

 

CMYK 12 / 0 / 27 / 24

HEX #AAC28E

RGB 170 194 142

HSL 87.69, 0.3%, 0.66%

LAB 75.5, -17.38, 23.53

 

CMYK 27 / 13 / 0 / 24

HEX #8DA9C2

RGB 141 169 194

HSL 208.3, 0.3%, 0.66%

LAB 67.97, -3.87, -15.96

 

CMYK 9 / 27 / 0 / 24

HEX #B08EC2

RGB 176 142 194

HSL 279.23, 0.3%, 0.66%

LAB 63.73, 22.45, -22.14

 

CMYK 0 / 14 / 27 / 24

HEX #C2A68E

RGB 194 166 142

HSL 27.69, 0.3%, 0.66%

LAB 69.96, 6.55, 16.22

 

CMYK 18 / 0 / 27 / 24

HEX #9FC28E

RGB 159 194 142

HSL 100.38, 0.3%, 0.66%

LAB 74.77, -21.37, 22.41

 

CMYK 27 / 13 / 0 / 24

HEX #8DA9C2

RGB 141 169 194

HSL 208.3, 0.3%, 0.66%

LAB 67.97, -3.87, -15.96

 

CMYK 1 / 27 / 0 / 24

HEX #C08EC2

RGB 192 142 194

HSL 297.69, 0.3%, 0.66%

LAB 65.32, 27.75, -19.58

 

CMYK 0 / 14 / 27 / 24

HEX #C2A68E

RGB 194 166 142

HSL 27.69, 0.3%, 0.66%

LAB 69.96, 6.55, 16.22

 

CMYK 26 / 0 / 27 / 24

HEX #90C28E

RGB 144 194 142

HSL 117.69, 0.3%, 0.66%

LAB 73.85, -26.6, 21

 

Description

Color code: CMYK 27 / 13 / 0 / 24 | qconv.com Color code: CMYK 27 / 13 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 169 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 169 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 13 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 13% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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