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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Munsell - Munsell 10P 5-12 it is the complementary color Munsell - Munsell 2.5G 5-6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Munsell - Munsell 10P 5-12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Munsell - Munsell 10P 5-12: Munsell - Munsell 10P 5-12, Munsell - Munsell 2.5RP 6-10, Munsell - Munsell 10P 6-10, Munsell - Munsell 2.5RP 7-10 and Munsell - Munsell 2.5RP 8-6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Munsell - Munsell 10P 5-12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Munsell - Munsell 10P 5-12: Munsell - Munsell 10P 5-12, Munsell - Munsell 7.5P 4-10, Munsell - Munsell 10P 4-12, Munsell - Munsell 2.5RP 3-10 and Munsell - Munsell 5RP 3-10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 4 / 33

HEX #AB63A4

RGB 171 99 164

HSL 305.83, 0.3%, 0.53%

LAB 52.13, 38.85, -22.8

Munsell
Munsell 10P 5-12

Complementary color

CMYK 42 / 0 / 33 / 46

HEX #4F895C

RGB 79 137 92

HSL 133.45, 0.27%, 0.42%

LAB 52.2, -29.29, 18.35

Munsell
Munsell 2.5G 5-6

CMYK 0 / 42 / 4 / 33

HEX #AB63A4

RGB 171 99 164 1

HSL 305.83, 0.3%, 0.53%

LAB 52.13, 38.85, -22.8

Munsell
Munsell 10P 5-12

CMYK 0 / 36 / 14 / 21

HEX #C980AD

RGB 201 128 173 1

HSL 323.01, 0.4%, 0.65%

LAB 62.4, 34.72, -12.04

Munsell
Munsell 2.5RP 6-10

CMYK 0 / 32 / 6 / 23

HEX #C485B9

RGB 196 133 185 1

HSL 310.48, 0.35%, 0.65%

LAB 63.35, 32.37, -17.46

Munsell
Munsell 10P 6-10

CMYK 0 / 32 / 15 / 10

HEX #E59CC3

RGB 229 156 195 1

HSL 327.95, 0.58%, 0.75%

LAB 72.48, 32.88, -8.97

Munsell
Munsell 2.5RP 7-10

CMYK 0 / 21 / 12 / 5

HEX #F2C0D6

RGB 242 192 214 1

HSL 333.6, 0.66%, 0.85%

LAB 82.61, 21.28, -4.15

Munsell
Munsell 2.5RP 8-6

CMYK 0 / 42 / 4 / 33

HEX #AB63A4

RGB 171 99 164 1

HSL 305.83, 0.3%, 0.53%

LAB 52.13, 38.85, -22.8

Munsell
Munsell 10P 5-12

CMYK 9 / 43 / 0 / 43

HEX #855392

RGB 133 83 146 1

HSL 287.62, 0.28%, 0.45%

LAB 43.14, 32, -26.43

Munsell
Munsell 7.5P 4-10

CMYK 0 / 52 / 4 / 45

HEX #8D4488

RGB 141 68 136 1

HSL 304.11, 0.35%, 0.41%

LAB 40.53, 40.75, -24.35

Munsell
Munsell 10P 4-12

CMYK 0 / 66 / 18 / 53

HEX #772961

RGB 119 41 97 1

HSL 316.92, 0.49%, 0.31%

LAB 30.33, 40.66, -15.96

Munsell
Munsell 2.5RP 3-10

CMYK 0 / 71 / 28 / 53

HEX #792357

RGB 121 35 87 1

HSL 323.72, 0.55%, 0.31%

LAB 29.3, 42.4, -11

Munsell
Munsell 5RP 3-10

CMYK 0 / 42 / 4 / 33

HEX #AB63A4

RGB 171 99 164 1

HSL 305.83, 0.3%, 0.53%

LAB 52.13, 38.85, -22.8

Munsell
Munsell 10P 5-12

CMYK 0 / 42 / 4 / 33

HEX #AB63A4

RGB 171 99 164 1

HSL 305.83, 0.3%, 0.53%

LAB 52.13, 38.85, -22.8

Munsell
Munsell 10P 5-12

CMYK 0 / 41 / 16 / 32

HEX #AD6692

RGB 173 102 146 1

HSL 322.82, 0.3%, 0.54%

LAB 52.36, 34.75, -11.87

Munsell
Munsell 2.5RP 5-10

CMYK 0 / 42 / 24 / 33

HEX #AC6482

RGB 172 100 130 1

HSL 335, 0.3%, 0.53%

LAB 51.26, 32.97, -4.05

Munsell
Munsell 5RP 5-8

CMYK 0 / 43 / 31 / 31

HEX #B06479

RGB 176 100 121 1

HSL 343.42, 0.32%, 0.54%

LAB 51.52, 33.16, 1.74

Munsell
Munsell 7.5RP 5-8

CMYK 0 / 42 / 4 / 33

HEX #AB63A4

RGB 171 99 164 1

HSL 305.83, 0.3%, 0.53%

LAB 52.13, 38.85, -22.8

Munsell
Munsell 10P 5-12

CMYK 0 / 24 / 5 / 16

HEX #D6A3CB

RGB 214 163 203 1

HSL 312.94, 0.38%, 0.74%

LAB 72.76, 25.32, -13.11

Munsell
Munsell 10P 7-8

CMYK 75 / 0 / 21 / 81

HEX #0C3026

RGB 12 48 38 1

HSL 163.33, 0.6%, 0.12%

LAB 17.14, -15.83, 2.65

Munsell
Munsell 10G 2-4

CMYK 0 / 35 / 2 / 75

HEX #412A40

RGB 65 42 64 1

HSL 302.61, 0.21%, 0.21%

LAB 20.63, 15.04, -9.64

Munsell
Munsell 10P 2-4

CMYK 0 / 36 / 13 / 50

HEX #80526F

RGB 128 82 111 1

HSL 322.17, 0.22%, 0.41%

LAB 40.85, 23.88, -8.68

Munsell
Munsell 2.5RP 4-6

CMYK 0 / 42 / 4 / 33

HEX #AB63A4

RGB 171 99 164 1

HSL 305.83, 0.3%, 0.53%

LAB 52.13, 38.85, -22.8

Munsell
Munsell 10P 5-12

CMYK 0 / 38 / 42 / 34

HEX #A86961

RGB 168 105 97 1

HSL 6.76, 0.29%, 0.52%

LAB 51.03, 24.28, 15.1

Munsell
Munsell 7.5R 5-6

CMYK 49 / 0 / 13 / 33

HEX #58AC95

RGB 88 172 149 1

HSL 163.57, 0.34%, 0.51%

LAB 64.76, -31.21, 4

Munsell
Munsell 2.5BG 6-6

CMYK 0 / 42 / 4 / 33

HEX #AB63A4

RGB 171 99 164 1

HSL 305.83, 0.3%, 0.53%

LAB 52.13, 38.85, -22.8

Munsell
Munsell 10P 5-12

CMYK 8 / 0 / 45 / 28

HEX #A9B866

RGB 169 184 102 1

HSL 70.98, 0.37%, 0.56%

LAB 72.01, -17.93, 39.77

Munsell
Munsell 5GY 7-6

CMYK 35 / 0 / 1 / 36

HEX #6BA4A3

RGB 107 164 163 1

HSL 178.95, 0.24%, 0.53%

LAB 63.61, -18.77, -5.41

Munsell
Munsell 10BG 6-4

CMYK 0 / 42 / 4 / 33

HEX #AB63A4

RGB 171 99 164 1

HSL 305.83, 0.3%, 0.53%

LAB 52.13, 38.85, -22.8

Munsell
Munsell 10P 5-12

CMYK 0 / 38 / 42 / 34

HEX #A86961

RGB 168 105 97 1

HSL 6.76, 0.29%, 0.52%

LAB 51.03, 24.28, 15.1

Munsell
Munsell 7.5R 5-6

CMYK 49 / 0 / 38 / 34

HEX #55A869

RGB 85 168 105 1

HSL 134.46, 0.33%, 0.5%

LAB 62.47, -39.37, 24.98

Munsell
Munsell 2.5G 6-8

CMYK 44 / 19 / 0 / 35

HEX #5D87A6

RGB 93 135 166 1

HSL 205.48, 0.29%, 0.51%

LAB 54.46, -6, -20.97

Munsell
Munsell 2.5PB 5-6

CMYK 0 / 42 / 4 / 33

HEX #AB63A4

RGB 171 99 164 1

HSL 305.83, 0.3%, 0.53%

LAB 52.13, 38.85, -22.8

Munsell
Munsell 10P 5-12

CMYK 0 / 17 / 41 / 33

HEX #AC8F66

RGB 172 143 102 1

HSL 35.14, 0.3%, 0.54%

LAB 61.11, 5.13, 25.89

Munsell
Munsell 2.5Y 6-4

CMYK 49 / 0 / 38 / 34

HEX #55A869

RGB 85 168 105 1

HSL 134.46, 0.33%, 0.5%

LAB 62.47, -39.37, 24.98

Munsell
Munsell 2.5G 6-8

CMYK 38 / 21 / 0 / 35

HEX #6682A5

RGB 102 130 165 1

HSL 213.33, 0.26%, 0.52%

LAB 53.5, -0.92, -21.82

Munsell
Munsell 5PB 5-6

Description

Color code: Munsell - Munsell 10P 5-12 | qconv.com Color code: Munsell - Munsell 10P 5-12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 99 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 99 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 4 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 4% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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nsc-logo

HKS® to RGB

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HKS® to RAL®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

nsc-logo

PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

convert from Pantone®-number (Pantone 0000) to RGBA red green blue transparency

PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

Icons

PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

nsc-logo

Sherwin Williams® to RGB

convert from Sherwin Williams®-number (SW 0000) to RGB red green blue

Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)

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NCS® to RGB

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NCS® to RGBA

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NCS® to CMYK

convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

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