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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 49 / 0 / 38 / 34 it is the complementary color CMYK 0 / 49 / 11 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 49 / 0 / 38 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 49 / 0 / 38 / 34: CMYK 46 / 0 / 41 / 34, CMYK 42 / 0 / 37 / 27, CMYK 39 / 0 / 33 / 20, CMYK 36 / 0 / 30 / 13 and CMYK 34 / 0 / 27 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 49 / 0 / 38 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 49 / 0 / 38 / 34: CMYK 49 / 0 / 38 / 34, CMYK 54 / 0 / 43 / 41, CMYK 61 / 0 / 50 / 48, CMYK 69 / 0 / 59 / 55 and CMYK 81 / 0 / 71 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 38 / 34

HEX #56A868

RGB 86 168 104

HSL 133.17, 0.32%, 0.5%

LAB 62.49, -39.27, 25.56

 

Complementary color

CMYK 0 / 49 / 11 / 34

HEX #A95797

RGB 169 87 151

HSL 313.17, 0.32%, 0.5%

LAB 48.87, 42.28, -20.18

 

CMYK 46 / 0 / 41 / 34

HEX #5BA863

RGB 91 168 99

HSL 126.23, 0.31%, 0.51%

LAB 62.62, -38.68, 28.43

 

CMYK 42 / 0 / 37 / 27

HEX #6CBA76

RGB 108 186 118

HSL 127.69, 0.36%, 0.58%

LAB 69.19, -38.48, 27.15

 

CMYK 39 / 0 / 33 / 20

HEX #7DCC89

RGB 125 204 137

HSL 129.11, 0.44%, 0.65%

LAB 75.67, -38.23, 25.96

 

CMYK 36 / 0 / 30 / 13

HEX #8EDE9C

RGB 142 222 156

HSL 130.5, 0.55%, 0.71%

LAB 82.05, -37.98, 24.83

 

CMYK 34 / 0 / 27 / 6

HEX #9FF0AF

RGB 159 240 175

HSL 131.85, 0.73%, 0.78%

LAB 88.35, -37.72, 23.77

 

CMYK 49 / 0 / 38 / 34

HEX #56A868

RGB 86 168 104

HSL 133.17, 0.32%, 0.5%

LAB 62.49, -39.27, 25.56

 

CMYK 54 / 0 / 43 / 41

HEX #459655

RGB 69 150 85

HSL 131.85, 0.37%, 0.43%

LAB 55.82, -39.37, 26.92

 

CMYK 61 / 0 / 50 / 48

HEX #348442

RGB 52 132 66

HSL 130.5, 0.43%, 0.36%

LAB 49.04, -39.29, 28.39

 

CMYK 69 / 0 / 59 / 55

HEX #23722F

RGB 35 114 47

HSL 129.11, 0.53%, 0.29%

LAB 42.15, -38.86, 29.9

 

CMYK 81 / 0 / 71 / 62

HEX #12601C

RGB 18 96 28

HSL 127.69, 0.68%, 0.22%

LAB 35.16, -37.75, 31.29

 

CMYK 49 / 0 / 38 / 34

HEX #56A868

RGB 86 168 104

HSL 133.17, 0.32%, 0.5%

LAB 62.49, -39.27, 25.56

 

CMYK 49 / 0 / 30 / 34

HEX #56A875

RGB 86 168 117

HSL 142.68, 0.32%, 0.5%

LAB 62.73, -36.85, 18.82

 

CMYK 49 / 0 / 22 / 34

HEX #56A883

RGB 86 168 131

HSL 152.93, 0.32%, 0.5%

LAB 63.03, -33.94, 11.51

 

CMYK 49 / 0 / 14 / 34

HEX #56A891

RGB 86 168 145

HSL 163.17, 0.32%, 0.5%

LAB 63.37, -30.74, 4.2

 

CMYK 49 / 0 / 6 / 34

HEX #56A89E

RGB 86 168 158

HSL 172.68, 0.32%, 0.5%

LAB 63.71, -27.52, -2.56

 

CMYK 49 / 0 / 38 / 34

HEX #56A868

RGB 86 168 104

HSL 133.17, 0.32%, 0.5%

LAB 62.49, -39.27, 25.56

 

CMYK 49 / 0 / 38 / 14

HEX #70DB88

RGB 112 219 136

HSL 133.46, 0.6%, 0.65%

LAB 79.55, -48.56, 31.55

 

CMYK 47 / 0 / 40 / 94

HEX #080F09

RGB 8 15 9

HSL 128.57, 0.3%, 0.05%

LAB 3.73, -2.96, 1.84

 

CMYK 48 / 0 / 38 / 74

HEX #224229

RGB 34 66 41

HSL 133.13, 0.32%, 0.2%

LAB 24.94, -18.31, 11.64

 

CMYK 49 / 0 / 38 / 54

HEX #3C7548

RGB 60 117 72

HSL 132.63, 0.32%, 0.35%

LAB 44.45, -29.38, 19.19

 

CMYK 49 / 0 / 38 / 34

HEX #56A868

RGB 86 168 104

HSL 133.17, 0.32%, 0.5%

LAB 62.49, -39.27, 25.56

 

CMYK 49 / 20 / 0 / 34

HEX #5686A8

RGB 86 134 168

HSL 204.88, 0.32%, 0.5%

LAB 53.87, -6.63, -23.05

 

CMYK 0 / 49 / 40 / 34

HEX #A85665

RGB 168 86 101

HSL 349.02, 0.32%, 0.5%

LAB 46.87, 35.19, 6.89

 

CMYK 49 / 0 / 38 / 34

HEX #56A868

RGB 86 168 104

HSL 133.17, 0.32%, 0.5%

LAB 62.49, -39.27, 25.56

 

CMYK 38 / 49 / 0 / 34

HEX #6856A8

RGB 104 86 168

HSL 253.17, 0.32%, 0.5%

LAB 41.88, 27.17, -41.74

 

CMYK 0 / 38 / 49 / 34

HEX #A86856

RGB 168 104 86

HSL 13.17, 0.32%, 0.5%

LAB 50.57, 23.65, 20.92

 

CMYK 49 / 0 / 38 / 34

HEX #56A868

RGB 86 168 104

HSL 133.17, 0.32%, 0.5%

LAB 62.49, -39.27, 25.56

 

CMYK 49 / 20 / 0 / 34

HEX #5686A8

RGB 86 134 168

HSL 204.88, 0.32%, 0.5%

LAB 53.87, -6.63, -23.05

 

CMYK 0 / 49 / 11 / 34

HEX #A85696

RGB 168 86 150

HSL 313.17, 0.32%, 0.5%

LAB 48.49, 42.31, -20.18

 

CMYK 0 / 29 / 49 / 34

HEX #A87856

RGB 168 120 86

HSL 24.88, 0.32%, 0.5%

LAB 54.48, 14.61, 26.06

 

CMYK 49 / 0 / 38 / 34

HEX #56A868

RGB 86 168 104

HSL 133.17, 0.32%, 0.5%

LAB 62.49, -39.27, 25.56

 

CMYK 49 / 35 / 0 / 34

HEX #566DA8

RGB 86 109 168

HSL 223.17, 0.32%, 0.5%

LAB 46.64, 8.23, -34.31

 

CMYK 0 / 49 / 11 / 34

HEX #A85696

RGB 168 86 150

HSL 313.17, 0.32%, 0.5%

LAB 48.49, 42.31, -20.18

 

CMYK 0 / 14 / 49 / 34

HEX #A89156

RGB 168 145 86

HSL 43.17, 0.32%, 0.5%

LAB 61, 0.61, 34.34

 

Description

Color code: CMYK 49 / 0 / 38 / 34 | qconv.com Color code: CMYK 49 / 0 / 38 / 34 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 168 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 168 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 38 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 38% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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