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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A87856 it is the complementary color #5787A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A87856. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A87856 shade: #AD7851, #BE8A64, #CF9C77, #E0AE8A and #F1C09D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A87856. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A87856 shade: #A87856, #976643, #865430, #75421D and #64300A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A87856 shade: #A87957, #A86357 and #A85757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A87856 shade: #A87957, #A88F57, #A8A557, #96A857 and #80A857

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A87856 shade matches the following richer shades: #A87957, #BD7542, #D2712D, #E66E19 and #FB6A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A87856 shade: #A87957, #947C6B, #7F8080, #6A8395 and #5687A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A87856 shade: #A85762, #A86257, #A87757, #A88D57 and #A8A357

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A87856 shade: #72523B, #8D6549, #A87957, #B68E72 and #C4A48D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A87856 shade: #A87856, #77A857 and #5757A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A87856 shade: #A87856, #57A877 and #7757A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A87856 shade: #A87856, #77A857, #5788A8 and #8857A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A87856 shade: #A87856, #5FA857, #5788A8 and #A057A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 49 / 34

HEX #A87856

RGB 168 120 86

HSL 24.88, 0.32%, 0.5%

LAB 54.48, 14.61, 26.06

 

Complementary color

CMYK 49 / 20 / 0 / 34

HEX #5787A9

RGB 87 135 169

HSL 204.88, 0.32%, 0.5%

LAB 54.26, -6.66, -23.03

 

CMYK 0 / 31 / 53 / 32

HEX #AD7851

RGB 173 120 81

HSL 25.43, 0.36%, 0.5%

LAB 54.98, 16.26, 29.61

 

CMYK 0 / 27 / 47 / 25

HEX #BE8A64

RGB 190 138 100

HSL 25.33, 0.41%, 0.57%

LAB 61.69, 15.2, 28.11

 

CMYK 0 / 25 / 43 / 19

HEX #CF9C77

RGB 207 156 119

HSL 25.23, 0.48%, 0.64%

LAB 68.3, 14.3, 26.74

 

CMYK 0 / 22 / 38 / 12

HEX #E0AE8A

RGB 224 174 138

HSL 25.12, 0.58%, 0.71%

LAB 74.8, 13.51, 25.48

 

CMYK 0 / 20 / 35 / 5

HEX #F1C09D

RGB 241 192 157

HSL 25, 0.75%, 0.78%

LAB 81.2, 12.82, 24.31

 

CMYK 0 / 29 / 49 / 34

HEX #A87856

RGB 168 120 86

HSL 24.88, 0.32%, 0.5%

LAB 54.48, 14.61, 26.06

 

CMYK 0 / 32 / 56 / 41

HEX #976643

RGB 151 102 67

HSL 25, 0.39%, 0.43%

LAB 47.61, 15.74, 27.63

 

CMYK 0 / 37 / 64 / 47

HEX #865430

RGB 134 84 48

HSL 25.12, 0.47%, 0.36%

LAB 40.61, 17.1, 29.36

 

CMYK 0 / 44 / 75 / 54

HEX #75421D

RGB 117 66 29

HSL 25.23, 0.6%, 0.29%

LAB 33.49, 18.76, 31.19

 

CMYK 0 / 52 / 90 / 61

HEX #64300A

RGB 100 48 10

HSL 25.33, 0.82%, 0.22%

LAB 26.29, 20.79, 32.64

 

CMYK 0 / 28 / 48 / 34

HEX #A87957

RGB 168 121 87

HSL 25.19, 0.32%, 0.5%

LAB 54.75, 14.15, 25.84

 

CMYK 0 / 41 / 48 / 34

HEX #A86357

RGB 168 99 87

HSL 8.89, 0.32%, 0.5%

LAB 49.42, 26.55, 18.8

 

CMYK 0 / 48 / 48 / 34

HEX #A85757

RGB 168 87 87

HSL 0, 0.32%, 0.5%

LAB 46.75, 33.12, 15.18

 

CMYK 0 / 28 / 48 / 34

HEX #A87957

RGB 168 121 87

HSL 25.19, 0.32%, 0.5%

LAB 54.75, 14.15, 25.84

 

CMYK 0 / 15 / 48 / 34

HEX #A88F57

RGB 168 143 87

HSL 41.48, 0.32%, 0.5%

LAB 60.48, 1.82, 33.15

 

CMYK 0 / 2 / 48 / 34

HEX #A8A557

RGB 168 165 87

HSL 57.78, 0.32%, 0.5%

LAB 66.46, -10.07, 40.51

 

CMYK 11 / 0 / 48 / 34

HEX #96A857

RGB 150 168 87

HSL 73.33, 0.32%, 0.5%

LAB 65.89, -19.08, 39.49

 

CMYK 24 / 0 / 48 / 34

HEX #80A857

RGB 128 168 87

HSL 89.63, 0.32%, 0.5%

LAB 64.39, -27.76, 37.31

 

CMYK 0 / 28 / 48 / 34

HEX #A87957

RGB 168 121 87

HSL 25.19, 0.32%, 0.5%

LAB 54.75, 14.15, 25.84

 

CMYK 0 / 38 / 65 / 26

HEX #BD7542

RGB 189 117 66

HSL 24.88, 0.48%, 0.5%

LAB 56.02, 23.56, 39.44

 

CMYK 0 / 46 / 79 / 18

HEX #D2712D

RGB 210 113 45

HSL 24.73, 0.65%, 0.5%

LAB 57.75, 33.37, 52.31

 

CMYK 0 / 52 / 89 / 10

HEX #E66E19

RGB 230 110 25

HSL 24.88, 0.8%, 0.5%

LAB 59.93, 42.3, 62.75

 

CMYK 0 / 58 / 98 / 2

HEX #FB6A04

RGB 251 106 4

HSL 24.78, 0.97%, 0.5%

LAB 62.36, 51.82, 70.35

 

CMYK 0 / 28 / 48 / 34

HEX #A87957

RGB 168 121 87

HSL 25.19, 0.32%, 0.5%

LAB 54.75, 14.15, 25.84

 

CMYK 0 / 16 / 28 / 42

HEX #947C6B

RGB 148 124 107

HSL 24.88, 0.16%, 0.5%

LAB 53.79, 6.54, 12.73

 

CMYK 1 / 0 / 0 / 50

HEX #7F8080

RGB 127 128 128

HSL 180, 0%, 0.5%

LAB 53.5, -0.37, -0.14

 

CMYK 29 / 12 / 0 / 42

HEX #6A8395

RGB 106 131 149

HSL 205.12, 0.17%, 0.5%

LAB 53.46, -4.56, -12.59

 

CMYK 49 / 20 / 0 / 34

HEX #5687A9

RGB 86 135 169

HSL 204.58, 0.33%, 0.5%

LAB 54.21, -6.9, -23.12

 

CMYK 0 / 48 / 42 / 34

HEX #A85762

RGB 168 87 98

HSL 351.85, 0.32%, 0.5%

LAB 47, 34.31, 8.9

 

CMYK 0 / 42 / 48 / 34

HEX #A86257

RGB 168 98 87

HSL 8.15, 0.32%, 0.5%

LAB 49.19, 27.1, 18.49

 

CMYK 0 / 29 / 48 / 34

HEX #A87757

RGB 168 119 87

HSL 23.7, 0.32%, 0.5%

LAB 54.25, 15.28, 25.19

 

CMYK 0 / 16 / 48 / 34

HEX #A88D57

RGB 168 141 87

HSL 40, 0.32%, 0.5%

LAB 59.95, 2.92, 32.48

 

CMYK 0 / 3 / 48 / 34

HEX #A8A357

RGB 168 163 87

HSL 56.3, 0.32%, 0.5%

LAB 65.91, -9.01, 39.85

 

CMYK 0 / 28 / 48 / 55

HEX #72523B

RGB 114 82 59

HSL 25.09, 0.32%, 0.34%

LAB 37.71, 10.25, 18.73

 

CMYK 0 / 28 / 48 / 45

HEX #8D6549

RGB 141 101 73

HSL 24.71, 0.32%, 0.42%

LAB 46.25, 12.53, 22.19

 

CMYK 0 / 28 / 48 / 34

HEX #A87957

RGB 168 121 87

HSL 25.19, 0.32%, 0.5%

LAB 54.75, 14.15, 25.84

 

CMYK 0 / 22 / 37 / 29

HEX #B68E72

RGB 182 142 114

HSL 24.71, 0.32%, 0.58%

LAB 62.09, 11.25, 20.72

 

CMYK 0 / 16 / 28 / 23

HEX #C4A48D

RGB 196 164 141

HSL 25.09, 0.32%, 0.66%

LAB 69.62, 8.28, 16.32

 

CMYK 0 / 29 / 49 / 34

HEX #A87856

RGB 168 120 86

HSL 24.88, 0.32%, 0.5%

LAB 54.48, 14.61, 26.06

 

CMYK 29 / 0 / 48 / 34

HEX #77A857

RGB 119 168 87

HSL 96.3, 0.32%, 0.5%

LAB 63.85, -31.11, 36.53

 

CMYK 48 / 48 / 0 / 34

HEX #5757A8

RGB 87 87 168

HSL 240, 0.32%, 0.5%

LAB 40.69, 22.25, -43.74

 

CMYK 0 / 29 / 49 / 34

HEX #A87856

RGB 168 120 86

HSL 24.88, 0.32%, 0.5%

LAB 54.48, 14.61, 26.06

 

CMYK 48 / 0 / 29 / 34

HEX #57A877

RGB 87 168 119

HSL 143.7, 0.32%, 0.5%

LAB 62.81, -36.18, 17.84

 

CMYK 29 / 48 / 0 / 34

HEX #7757A8

RGB 119 87 168

HSL 263.7, 0.32%, 0.5%

LAB 43.6, 30.67, -38.92

 

CMYK 0 / 29 / 49 / 34

HEX #A87856

RGB 168 120 86

HSL 24.88, 0.32%, 0.5%

LAB 54.48, 14.61, 26.06

 

CMYK 29 / 0 / 48 / 34

HEX #77A857

RGB 119 168 87

HSL 96.3, 0.32%, 0.5%

LAB 63.85, -31.11, 36.53

 

CMYK 48 / 19 / 0 / 34

HEX #5788A8

RGB 87 136 168

HSL 203.7, 0.32%, 0.5%

LAB 54.51, -7.52, -22.07

 

CMYK 19 / 48 / 0 / 34

HEX #8857A8

RGB 136 87 168

HSL 276.3, 0.32%, 0.5%

LAB 45.47, 35.54, -35.85

 

CMYK 0 / 29 / 49 / 34

HEX #A87856

RGB 168 120 86

HSL 24.88, 0.32%, 0.5%

LAB 54.48, 14.61, 26.06

 

CMYK 43 / 0 / 48 / 34

HEX #5FA857

RGB 95 168 87

HSL 114.07, 0.32%, 0.5%

LAB 62.61, -39.28, 34.72

 

CMYK 48 / 19 / 0 / 34

HEX #5788A8

RGB 87 136 168

HSL 203.7, 0.32%, 0.5%

LAB 54.51, -7.52, -22.07

 

CMYK 5 / 48 / 0 / 34

HEX #A057A8

RGB 160 87 168

HSL 294.07, 0.32%, 0.5%

LAB 48.41, 42.63, -31.03

 

Description

Color code: HEX #A87856 | qconv.com Color code: HEX #A87856 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 120 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 120 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 49 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 49% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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