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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Kilz - RG110-01 - Forest Found it is the complementary color Kilz - LA160-01 - Paper Dolls. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Kilz - RG110-01 - Forest Found. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Kilz - RG110-01 - Forest Found: Kilz - RG110-01 - Forest Found, Kilz - RG120-02 - Emerald Stream, Kilz - RF280-01 - Tahitian Green, Kilz - RG120-01 - Fragrant Herbs and Kilz - RG130-01 - Celadon Plate

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Kilz - RG110-01 - Forest Found. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Kilz - RG110-01 - Forest Found: Kilz - RG110-01 - Forest Found, Kilz - RG100-02 - Argyll, Kilz - RG290-01 - Tropical Foliage, Kilz - TB-39 - Mystic Black and Kilz - TB-40 - Deep Onyx

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 16 / 49

HEX #46836E

RGB 70 131 110

HSL 159.34, 0.3%, 0.39%

LAB 50.29, -25.13, 5.25

Kilz
RG110-01 - Forest Found

Complementary color

CMYK 0 / 25 / 25 / 24

HEX #C19091

RGB 193 144 145

HSL 358.78, 0.28%, 0.66%

LAB 64.43, 18.67, 6.72

Kilz
LA160-01 - Paper Dolls

CMYK 47 / 0 / 16 / 49

HEX #46836E

RGB 70 131 110 1

HSL 159.34, 0.3%, 0.39%

LAB 50.29, -25.13, 5.25

Kilz
RG110-01 - Forest Found

CMYK 40 / 0 / 14 / 38

HEX #5F9E88

RGB 95 158 136 1

HSL 159.05, 0.25%, 0.5%

LAB 60.48, -25.54, 5.15

Kilz
RG120-02 - Emerald Stream

CMYK 40 / 0 / 4 / 35

HEX #64A69F

RGB 100 166 159 1

HSL 173.64, 0.27%, 0.52%

LAB 63.74, -22.72, -3.01

Kilz
RF280-01 - Tahitian Green

CMYK 47 / 0 / 16 / 49

HEX #46836E

RGB 70 131 110 1

HSL 159.34, 0.3%, 0.39%

LAB 50.29, -25.13, 5.25

Kilz
RG110-01 - Forest Found

CMYK 49 / 0 / 13 / 60

HEX #346558

RGB 52 101 88 1

HSL 164.08, 0.32%, 0.3%

LAB 39.14, -20.11, 2.23

Kilz
RG100-02 - Argyll

CMYK 37 / 0 / 18 / 63

HEX #3C5F4E

RGB 60 95 78 1

HSL 150.86, 0.23%, 0.3%

LAB 37.29, -16.86, 5.76

Kilz
RG290-01 - Tropical Foliage

CMYK 2 / 0 / 2 / 78

HEX #383938

RGB 56 57 56 1

HSL 120, 0.01%, 0.22%

LAB 23.84, -0.66, 0.47

Kilz
TB-39 - Mystic Black

CMYK 0 / 3 / 6 / 86

HEX #242322

RGB 36 35 34 1

HSL 30, 0.03%, 0.14%

LAB 13.78, 0.23, 0.83

Kilz
TB-40 - Deep Onyx

CMYK 47 / 0 / 16 / 49

HEX #46836E

RGB 70 131 110 1

HSL 159.34, 0.3%, 0.39%

LAB 50.29, -25.13, 5.25

Kilz
RG110-01 - Forest Found

CMYK 47 / 0 / 16 / 49

HEX #46836E

RGB 70 131 110 1

HSL 159.34, 0.3%, 0.39%

LAB 50.29, -25.13, 5.25

Kilz
RG110-01 - Forest Found

CMYK 45 / 12 / 0 / 49

HEX #477382

RGB 71 115 130 1

HSL 195.25, 0.29%, 0.39%

LAB 45.92, -10.9, -13

Kilz
RE110-02 - Night Train

CMYK 45 / 12 / 0 / 49

HEX #477382

RGB 71 115 130 1

HSL 195.25, 0.29%, 0.39%

LAB 45.92, -10.9, -13

Kilz
RE110-02 - Night Train

CMYK 45 / 12 / 0 / 49

HEX #477382

RGB 71 115 130 1

HSL 195.25, 0.29%, 0.39%

LAB 45.92, -10.9, -13

Kilz
RE110-02 - Night Train

CMYK 47 / 0 / 16 / 49

HEX #46836E

RGB 70 131 110 1

HSL 159.34, 0.3%, 0.39%

LAB 50.29, -25.13, 5.25

Kilz
RG110-01 - Forest Found

CMYK 40 / 0 / 4 / 35

HEX #64A69F

RGB 100 166 159 1

HSL 173.64, 0.27%, 0.52%

LAB 63.74, -22.72, -3.01

Kilz
RF280-01 - Tahitian Green

CMYK 38 / 0 / 5 / 17

HEX #83D4CA

RGB 131 212 202 1

HSL 172.59, 0.49%, 0.67%

LAB 79.71, -27.05, -2.88

Kilz
RG150-02 - Miss Golightly

CMYK 0 / 3 / 6 / 86

HEX #242322

RGB 36 35 34 1

HSL 30, 0.03%, 0.14%

LAB 13.78, 0.23, 0.83

Kilz
TB-40 - Deep Onyx

CMYK 32 / 0 / 11 / 67

HEX #39544B

RGB 57 84 75 1

HSL 160, 0.19%, 0.28%

LAB 33.39, -12.4, 2.01

Kilz
RG290-02 - Deep Spruce

CMYK 47 / 0 / 16 / 49

HEX #46836E

RGB 70 131 110 1

HSL 159.34, 0.3%, 0.39%

LAB 50.29, -25.13, 5.25

Kilz
RG110-01 - Forest Found

CMYK 52 / 36 / 0 / 49

HEX #3E5382

RGB 62 83 130 1

HSL 221.47, 0.35%, 0.38%

LAB 35.64, 6.23, -28.93

Kilz
RH230 - Darkening Sky

CMYK 0 / 31 / 48 / 51

HEX #7C5641

RGB 124 86 65 1

HSL 21.36, 0.31%, 0.37%

LAB 40.12, 13.02, 18.5

Kilz
LC290-02 - Yule Log

CMYK 47 / 0 / 16 / 49

HEX #46836E

RGB 70 131 110 1

HSL 159.34, 0.3%, 0.39%

LAB 50.29, -25.13, 5.25

Kilz
RG110-01 - Forest Found

CMYK 24 / 40 / 0 / 50

HEX #604C7F

RGB 96 76 127 1

HSL 263.53, 0.25%, 0.4%

LAB 36.34, 19.8, -25.78

Kilz
RH250 - Superstition

CMYK 0 / 24 / 41 / 47

HEX #86664F

RGB 134 102 79 1

HSL 25.09, 0.26%, 0.42%

LAB 45.82, 9.58, 17.96

Kilz
LC280-02 - Caramel Nut

CMYK 47 / 0 / 16 / 49

HEX #46836E

RGB 70 131 110 1

HSL 159.34, 0.3%, 0.39%

LAB 50.29, -25.13, 5.25

Kilz
RG110-01 - Forest Found

CMYK 52 / 36 / 0 / 49

HEX #3E5382

RGB 62 83 130 1

HSL 221.47, 0.35%, 0.38%

LAB 35.64, 6.23, -28.93

Kilz
RH230 - Darkening Sky

CMYK 0 / 9 / 51 / 45

HEX #8C7F44

RGB 140 127 68 1

HSL 49.17, 0.35%, 0.41%

LAB 53.14, -3.37, 33.62

Kilz
LF120-02 - Olivery

CMYK 47 / 0 / 16 / 49

HEX #46836E

RGB 70 131 110 1

HSL 159.34, 0.3%, 0.39%

LAB 50.29, -25.13, 5.25

Kilz
RG110-01 - Forest Found

CMYK 24 / 40 / 0 / 50

HEX #604C7F

RGB 96 76 127 1

HSL 263.53, 0.25%, 0.4%

LAB 36.34, 19.8, -25.78

Kilz
RH250 - Superstition

CMYK 20 / 0 / 50 / 46

HEX #6F8A45

RGB 111 138 69 1

HSL 83.48, 0.33%, 0.41%

LAB 54.01, -21.63, 33.61

Kilz
LG270-01 - Emerald Shimmer

Description

Color code: Kilz - RG110-01 - Forest Found | qconv.com Color code: Kilz - RG110-01 - Forest Found | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 131 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 131 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 16 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 16% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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