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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69655F it is the complementary color #969AA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69655F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #69655F: #6E655A, #7F776D, #908980, #A19B93 and #B2ADA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69655F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #69655F: #69655F, #58534C, #474139, #362F26 and #251D13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 10 / 59

HEX #69655F

RGB 105 101 95

HSL 36, 0.05%, 0.39%

LAB 42.97, 0.4, 3.95

 

Complementary color

CMYK 6 / 4 / 0 / 37

HEX #969AA0

RGB 150 154 160

HSL 216, 0.05%, 0.61%

LAB 63.45, -0.24, -3.64

 

CMYK 0 / 8 / 18 / 57

HEX #6E655A

RGB 110 101 90

HSL 33, 0.1%, 0.39%

LAB 43.3, 1.54, 7.51

 

CMYK 0 / 6 / 14 / 50

HEX #7F776D

RGB 127 119 109

HSL 33.33, 0.08%, 0.46%

LAB 50.46, 1.23, 6.6

 

CMYK 0 / 5 / 11 / 44

HEX #908980

RGB 144 137 128

HSL 33.75, 0.07%, 0.53%

LAB 57.44, 0.97, 5.75

 

CMYK 0 / 4 / 9 / 37

HEX #A19B93

RGB 161 155 147

HSL 34.29, 0.07%, 0.6%

LAB 64.26, 0.73, 4.96

 

CMYK 0 / 3 / 7 / 30

HEX #B2ADA6

RGB 178 173 166

HSL 35, 0.07%, 0.67%

LAB 70.94, 0.52, 4.22

 

CMYK 0 / 4 / 10 / 59

HEX #69655F

RGB 105 101 95

HSL 36, 0.05%, 0.39%

LAB 42.97, 0.4, 3.95

 

CMYK 0 / 6 / 14 / 65

HEX #58534C

RGB 88 83 76

HSL 35, 0.07%, 0.32%

LAB 35.56, 0.66, 4.83

 

CMYK 0 / 8 / 20 / 72

HEX #474139

RGB 71 65 57

HSL 34.29, 0.11%, 0.25%

LAB 27.89, 0.97, 5.81

 

CMYK 0 / 13 / 30 / 79

HEX #362F26

RGB 54 47 38

HSL 33.75, 0.17%, 0.18%

LAB 19.87, 1.4, 6.95

 

CMYK 0 / 22 / 49 / 85

HEX #251D13

RGB 37 29 19

HSL 33.33, 0.32%, 0.11%

LAB 11.41, 2.04, 8.21

 

CMYK 0 / 4 / 10 / 59

HEX #69655F

RGB 105 101 95

HSL 36, 0.05%, 0.39%

LAB 42.97, 0.4, 3.95

 

CMYK 0 / 2 / 10 / 59

HEX #68665E

RGB 104 102 94

HSL 48, 0.05%, 0.39%

LAB 43.14, -0.79, 4.79

 

CMYK 0 / 1 / 10 / 59

HEX #68675E

RGB 104 103 94

HSL 54, 0.05%, 0.39%

LAB 43.44, -1.38, 5.21

 

CMYK 1 / 0 / 10 / 59

HEX #67685E

RGB 103 104 94

HSL 66, 0.05%, 0.39%

LAB 43.64, -2.38, 5.5

 

CMYK 3 / 0 / 10 / 59

HEX #65685E

RGB 101 104 94

HSL 78, 0.05%, 0.39%

LAB 43.47, -3.18, 5.23

 

CMYK 0 / 4 / 10 / 59

HEX #69655F

RGB 105 101 95

HSL 36, 0.05%, 0.39%

LAB 42.97, 0.4, 3.95

 

CMYK 0 / 4 / 10 / 39

HEX #9C968D

RGB 156 150 141

HSL 36, 0.07%, 0.58%

LAB 62.34, 0.56, 5.52

 

CMYK 0 / 4 / 10 / 19

HEX #CFC7BB

RGB 207 199 187

HSL 36, 0.17%, 0.77%

LAB 80.57, 0.71, 6.99

 

CMYK 0 / 0 / 0 / 99

HEX #030303

RGB 3 3 3

HSL 0, 0%, 0.01%

LAB 0.82, 0, -0

 

CMYK 0 / 4 / 9 / 79

HEX #363431

RGB 54 52 49

HSL 36, 0.05%, 0.2%

LAB 21.81, 0.22, 2.2

 

CMYK 0 / 4 / 10 / 59

HEX #69655F

RGB 105 101 95

HSL 36, 0.05%, 0.39%

LAB 42.97, 0.4, 3.95

 

CMYK 8 / 0 / 10 / 59

HEX #60685E

RGB 96 104 94

HSL 108, 0.05%, 0.39%

LAB 43.06, -5.16, 4.58

 

CMYK 8 / 10 / 0 / 59

HEX #605E68

RGB 96 94 104

HSL 252, 0.05%, 0.39%

LAB 40.4, 2.95, -5.41

 

CMYK 0 / 4 / 10 / 59

HEX #69655F

RGB 105 101 95

HSL 36, 0.05%, 0.39%

LAB 42.97, 0.4, 3.95

 

CMYK 10 / 0 / 4 / 59

HEX #5E6864

RGB 94 104 100

HSL 156, 0.05%, 0.39%

LAB 43.06, -4.68, 0.94

 

CMYK 4 / 10 / 0 / 59

HEX #645E68

RGB 100 94 104

HSL 276, 0.05%, 0.39%

LAB 40.76, 4.48, -4.83

 

CMYK 0 / 4 / 10 / 59

HEX #69655F

RGB 105 101 95

HSL 36, 0.05%, 0.39%

LAB 42.97, 0.4, 3.95

 

CMYK 8 / 0 / 10 / 59

HEX #60685E

RGB 96 104 94

HSL 108, 0.05%, 0.39%

LAB 43.06, -5.16, 4.58

 

CMYK 10 / 6 / 0 / 59

HEX #5E6268

RGB 94 98 104

HSL 216, 0.05%, 0.39%

LAB 41.4, -0.23, -3.94

 

CMYK 2 / 10 / 0 / 59

HEX #665E68

RGB 102 94 104

HSL 288, 0.05%, 0.39%

LAB 40.94, 5.25, -4.53

 

CMYK 0 / 4 / 10 / 59

HEX #69655F

RGB 105 101 95

HSL 36, 0.05%, 0.39%

LAB 42.97, 0.4, 3.95

 

CMYK 10 / 0 / 9 / 59

HEX #5E685F

RGB 94 104 95

HSL 126, 0.05%, 0.39%

LAB 42.92, -5.74, 3.76

 

CMYK 10 / 6 / 0 / 59

HEX #5E6268

RGB 94 98 104

HSL 216, 0.05%, 0.39%

LAB 41.4, -0.23, -3.94

 

CMYK 0 / 10 / 1 / 59

HEX #685E67

RGB 104 94 103

HSL 306, 0.05%, 0.39%

LAB 41.1, 5.82, -3.67

 

Description

Color code: HEX #69655F | qconv.com Color code: HEX #69655F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 101 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 101 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 10 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 10% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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