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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C4762 it is the complementary color #73B89D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C4762. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8C4762: #91475D, #A25970, #B36B83, #C47D96 and #D58FA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C4762. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8C4762: #8C4762, #7B354F, #6A233C, #591129 and #480016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 30 / 45

HEX #8C4762

RGB 140 71 98

HSL 336.52, 0.33%, 0.41%

LAB 39.52, 32.52, -2.42

 

Complementary color

CMYK 38 / 0 / 15 / 28

HEX #73B89D

RGB 115 184 157

HSL 156.52, 0.33%, 0.59%

LAB 69.73, -27.96, 6.88

 

CMYK 0 / 51 / 36 / 43

HEX #91475D

RGB 145 71 93

HSL 342.16, 0.34%, 0.42%

LAB 40.11, 33.69, 1.65

 

CMYK 0 / 45 / 31 / 36

HEX #A25970

RGB 162 89 112

HSL 341.1, 0.29%, 0.49%

LAB 46.97, 32.75, 0.27

 

CMYK 0 / 40 / 27 / 30

HEX #B36B83

RGB 179 107 131

HSL 340, 0.32%, 0.56%

LAB 53.75, 31.84, -0.89

 

CMYK 0 / 36 / 23 / 23

HEX #C47D96

RGB 196 125 150

HSL 338.87, 0.38%, 0.63%

LAB 60.43, 30.98, -1.88

 

CMYK 0 / 33 / 21 / 16

HEX #D58FA9

RGB 213 143 169

HSL 337.71, 0.45%, 0.7%

LAB 67.02, 30.19, -2.77

 

CMYK 0 / 49 / 30 / 45

HEX #8C4762

RGB 140 71 98

HSL 336.52, 0.33%, 0.41%

LAB 39.52, 32.52, -2.42

 

CMYK 0 / 57 / 36 / 52

HEX #7B354F

RGB 123 53 79

HSL 337.71, 0.4%, 0.35%

LAB 32.53, 33.4, -0.92

 

CMYK 0 / 67 / 43 / 58

HEX #6A233C

RGB 106 35 60

HSL 338.87, 0.5%, 0.28%

LAB 25.54, 34.07, 1.1

 

CMYK 0 / 81 / 54 / 65

HEX #591129

RGB 89 17 41

HSL 340, 0.68%, 0.21%

LAB 18.73, 34.07, 4.07

 

CMYK 0 / 100 / 69 / 72

HEX #480016

RGB 72 0 22

HSL 341.67, 1%, 0.14%

LAB 12.19, 33.22, 8.33

 

CMYK 0 / 49 / 30 / 45

HEX #8C4762

RGB 140 71 98

HSL 336.52, 0.33%, 0.41%

LAB 39.52, 32.52, -2.42

 

CMYK 0 / 50 / 38 / 45

HEX #8B4656

RGB 139 70 86

HSL 346.09, 0.33%, 0.41%

LAB 38.8, 31.08, 4.02

 

CMYK 0 / 50 / 47 / 45

HEX #8B464A

RGB 139 70 74

HSL 356.52, 0.33%, 0.41%

LAB 38.49, 29.66, 11.1

 

CMYK 0 / 45 / 50 / 45

HEX #8B4C46

RGB 139 76 70

HSL 5.22, 0.33%, 0.41%

LAB 39.75, 25.87, 15.31

 

CMYK 0 / 37 / 50 / 45

HEX #8B5846

RGB 139 88 70

HSL 15.65, 0.33%, 0.41%

LAB 42.63, 18.94, 19.16

 

CMYK 0 / 49 / 30 / 45

HEX #8C4762

RGB 140 71 98

HSL 336.52, 0.33%, 0.41%

LAB 39.52, 32.52, -2.42

 

CMYK 0 / 49 / 30 / 25

HEX #BF6186

RGB 191 97 134

HSL 336.38, 0.42%, 0.56%

LAB 53.33, 41.85, -3.09

 

CMYK 0 / 49 / 30 / 5

HEX #F27BA9

RGB 242 123 169

HSL 336.81, 0.82%, 0.72%

LAB 66.45, 50.55, -3.19

 

CMYK 0 / 50 / 29 / 85

HEX #26131B

RGB 38 19 27

HSL 334.74, 0.33%, 0.11%

LAB 8.63, 11.24, -1.51

 

CMYK 0 / 49 / 30 / 65

HEX #592D3E

RGB 89 45 62

HSL 336.82, 0.33%, 0.26%

LAB 24.79, 22.46, -1.69

 

CMYK 0 / 49 / 30 / 45

HEX #8C4762

RGB 140 71 98

HSL 336.52, 0.33%, 0.41%

LAB 39.52, 32.52, -2.42

 

CMYK 0 / 10 / 50 / 45

HEX #8B7D46

RGB 139 125 70

HSL 47.83, 0.33%, 0.41%

LAB 52.51, -2.49, 31.76

 

CMYK 50 / 10 / 0 / 45

HEX #467D8B

RGB 70 125 139

HSL 192.17, 0.33%, 0.41%

LAB 49.29, -14.15, -13.24

 

CMYK 0 / 49 / 30 / 45

HEX #8C4762

RGB 140 71 98

HSL 336.52, 0.33%, 0.41%

LAB 39.52, 32.52, -2.42

 

CMYK 30 / 0 / 50 / 45

HEX #618B46

RGB 97 139 70

HSL 96.52, 0.33%, 0.41%

LAB 53.44, -27.5, 32.18

 

CMYK 50 / 30 / 0 / 45

HEX #46618B

RGB 70 97 139

HSL 216.52, 0.33%, 0.41%

LAB 40.76, 2.36, -26.35

 

CMYK 0 / 49 / 30 / 45

HEX #8C4762

RGB 140 71 98

HSL 336.52, 0.33%, 0.41%

LAB 39.52, 32.52, -2.42

 

CMYK 0 / 10 / 50 / 45

HEX #8B7D46

RGB 139 125 70

HSL 47.83, 0.33%, 0.41%

LAB 52.51, -2.49, 31.76

 

CMYK 50 / 0 / 20 / 45

HEX #468B6F

RGB 70 139 111

HSL 155.65, 0.33%, 0.41%

LAB 52.86, -28.85, 8.34

 

CMYK 50 / 40 / 0 / 45

HEX #46538B

RGB 70 83 139

HSL 228.7, 0.33%, 0.41%

LAB 36.65, 11.26, -32.8

 

CMYK 0 / 49 / 30 / 45

HEX #8C4762

RGB 140 71 98

HSL 336.52, 0.33%, 0.41%

LAB 39.52, 32.52, -2.42

 

CMYK 5 / 0 / 50 / 45

HEX #848B46

RGB 132 139 70

HSL 66.09, 0.33%, 0.41%

LAB 55.9, -13.25, 35.75

 

CMYK 50 / 0 / 20 / 45

HEX #468B6F

RGB 70 139 111

HSL 155.65, 0.33%, 0.41%

LAB 52.86, -28.85, 8.34

 

CMYK 45 / 50 / 0 / 45

HEX #4C468B

RGB 76 70 139

HSL 245.22, 0.33%, 0.41%

LAB 33.52, 21.25, -37.75

 

Description

Color code: HEX #8C4762 | qconv.com Color code: HEX #8C4762 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 71 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 71 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 30 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 30% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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