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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD4B2B it is the complementary color #02B4D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD4B2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD4B2B shade: #FF4B26, #FF5D39, #FF6F4C, #FF815F and #FF9372

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD4B2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD4B2B shade: #FD4B2B, #EC3918, #DB2705, #CA1500 and #B90300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD4B2B shade: #FD4B2B and #FD2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD4B2B shade: #FD4B2B, #FD842B, #FDBC2B, #FDF52B and #CCFD2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD4B2B shade matches the following richer shades: #FD4B2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD4B2B shade: #FD4B2B, #EC573C, #DA634E, #C96F5F and #B87B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD4B2B shade: #FD2B7B, #FD2B43, #FD4A2B, #FD822B and #FDBA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD4B2B shade: #D32202, #FC2903, #FD4B2B, #FD6E54 and #FE907D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD4B2B shade: #FD4B2B, #B3FD2B and #2B5FFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD4B2B shade: #FD4B2B, #2BFD4A and #4A2BFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD4B2B shade: #FD4B2B, #B3FD2B, #2BDDFD and #742BFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD4B2B shade: #FD4B2B, #74FD2B, #2BDDFD and #B32BFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 83 / 1

HEX #FD4B2B

RGB 253 75 43

HSL 9.14, 0.98%, 0.58%

LAB 58.12, 65.71, 56.03

 

Complementary color

CMYK 99 / 15 / 0 / 17

HEX #02B4D4

RGB 2 180 212

HSL 189.14, 0.98%, 0.42%

LAB 67.58, -26.67, -26.86

 

CMYK 0 / 71 / 85 / 0

HEX #FF4B26

RGB 255 75 38

HSL 10.23, 1%, 0.57%

LAB 58.44, 66.22, 58.64

 

CMYK 0 / 64 / 78 / 0

HEX #FF5D39

RGB 255 93 57

HSL 10.91, 1%, 0.61%

LAB 61.12, 59.85, 52.37

 

CMYK 0 / 56 / 70 / 0

HEX #FF6F4C

RGB 255 111 76

HSL 11.73, 1%, 0.65%

LAB 64.28, 52.76, 46.14

 

CMYK 0 / 49 / 63 / 0

HEX #FF815F

RGB 255 129 95

HSL 12.75, 1%, 0.69%

LAB 67.86, 45.23, 40.33

 

CMYK 0 / 42 / 55 / 0

HEX #FF9372

RGB 255 147 114

HSL 14.04, 1%, 0.72%

LAB 71.79, 37.53, 35.07

 

CMYK 0 / 70 / 83 / 1

HEX #FD4B2B

RGB 253 75 43

HSL 9.14, 0.98%, 0.58%

LAB 58.12, 65.71, 56.03

 

CMYK 0 / 76 / 90 / 7

HEX #EC3918

RGB 236 57 24

HSL 9.34, 0.85%, 0.51%

LAB 52.76, 66.13, 58.31

 

CMYK 0 / 82 / 98 / 14

HEX #DB2705

RGB 219 39 5

HSL 9.53, 0.96%, 0.44%

LAB 47.65, 65.94, 59.24

 

CMYK 0 / 90 / 100 / 21

HEX #CA1500

RGB 202 21 0

HSL 6.24, 1%, 0.4%

LAB 42.9, 64.86, 56.69

 

CMYK 0 / 98 / 100 / 27

HEX #B90300

RGB 185 3 0

HSL 0.97, 1%, 0.36%

LAB 38.51, 62.62, 52.86

 

CMYK 0 / 70 / 83 / 1

HEX #FD4B2B

RGB 253 75 43

HSL 9.14, 0.98%, 0.58%

LAB 58.12, 65.71, 56.03

 

CMYK 0 / 83 / 83 / 1

HEX #FD2B2B

RGB 253 43 43

HSL 0, 0.98%, 0.58%

LAB 54.85, 74.87, 53.11

 

CMYK 0 / 70 / 83 / 1

HEX #FD4B2B

RGB 253 75 43

HSL 9.14, 0.98%, 0.58%

LAB 58.12, 65.71, 56.03

 

CMYK 0 / 48 / 83 / 1

HEX #FD842B

RGB 253 132 43

HSL 25.43, 0.98%, 0.58%

LAB 67.69, 40.7, 64.4

 

CMYK 0 / 26 / 83 / 1

HEX #FDBC2B

RGB 253 188 43

HSL 41.43, 0.98%, 0.58%

LAB 80.19, 11.72, 75.06

 

CMYK 0 / 3 / 83 / 1

HEX #FDF52B

RGB 253 245 43

HSL 57.71, 0.98%, 0.58%

LAB 94.47, -17.01, 86.99

 

CMYK 19 / 0 / 83 / 1

HEX #CCFD2B

RGB 204 253 43

HSL 74, 0.98%, 0.58%

LAB 93.13, -40.37, 84.47

 

CMYK 0 / 70 / 83 / 1

HEX #FD4B2B

RGB 253 75 43

HSL 9.14, 0.98%, 0.58%

LAB 58.12, 65.71, 56.03

 

CMYK 0 / 70 / 83 / 1

HEX #FD4B2B

RGB 253 75 43

HSL 9.14, 0.98%, 0.58%

LAB 58.12, 65.71, 56.03

 

CMYK 0 / 63 / 75 / 7

HEX #EC573C

RGB 236 87 60

HSL 9.2, 0.82%, 0.58%

LAB 57.05, 56.08, 45.64

 

CMYK 0 / 55 / 64 / 15

HEX #DA634E

RGB 218 99 78

HSL 9, 0.65%, 0.58%

LAB 56.47, 45.18, 34.46

 

CMYK 0 / 45 / 53 / 21

HEX #C96F5F

RGB 201 111 95

HSL 9.06, 0.5%, 0.58%

LAB 56.7, 33.9, 24.64

 

CMYK 0 / 33 / 39 / 28

HEX #B87B70

RGB 184 123 112

HSL 9.17, 0.34%, 0.58%

LAB 57.58, 22.4, 15.72

 

CMYK 0 / 83 / 51 / 1

HEX #FD2B7B

RGB 253 43 123

HSL 337.14, 0.98%, 0.58%

LAB 56.13, 78.65, 8.79

 

CMYK 0 / 83 / 74 / 1

HEX #FD2B43

RGB 253 43 67

HSL 353.14, 0.98%, 0.58%

LAB 55.09, 75.58, 40.51

 

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

CMYK 0 / 49 / 83 / 1

HEX #FD822B

RGB 253 130 43

HSL 24.86, 0.98%, 0.58%

LAB 67.29, 41.69, 64.06

 

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

CMYK 0 / 84 / 99 / 17

HEX #D32202

RGB 211 34 2

HSL 9.19, 0.98%, 0.42%

LAB 45.63, 64.84, 58.26

 

CMYK 0 / 84 / 99 / 1

HEX #FC2903

RGB 252 41 3

HSL 9.16, 0.98%, 0.5%

LAB 54.33, 74.5, 66.54

 

CMYK 0 / 70 / 83 / 1

HEX #FD4B2B

RGB 253 75 43

HSL 9.14, 0.98%, 0.58%

LAB 58.12, 65.71, 56.03

 

CMYK 0 / 57 / 67 / 1

HEX #FD6E54

RGB 253 110 84

HSL 9.23, 0.98%, 0.66%

LAB 63.9, 52.92, 41.38

 

CMYK 0 / 43 / 51 / 0

HEX #FE907D

RGB 254 144 125

HSL 8.84, 0.98%, 0.74%

LAB 71.21, 39.59, 28.34

 

CMYK 0 / 70 / 83 / 1

HEX #FD4B2B

RGB 253 75 43

HSL 9.14, 0.98%, 0.58%

LAB 58.12, 65.71, 56.03

 

CMYK 29 / 0 / 83 / 1

HEX #B3FD2B

RGB 179 253 43

HSL 81.14, 0.98%, 0.58%

LAB 91.69, -49.67, 82.67

 

CMYK 83 / 62 / 0 / 1

HEX #2B5FFD

RGB 43 95 253

HSL 225.14, 0.98%, 0.58%

LAB 46.7, 40.51, -82.86

 

CMYK 0 / 70 / 83 / 1

HEX #FD4B2B

RGB 253 75 43

HSL 9.14, 0.98%, 0.58%

LAB 58.12, 65.71, 56.03

 

CMYK 83 / 0 / 71 / 1

HEX #2BFD4A

RGB 43 253 74

HSL 128.86, 0.98%, 0.58%

LAB 87.61, -80.34, 68.34

 

CMYK 71 / 83 / 0 / 1

HEX #4A2BFD

RGB 74 43 253

HSL 248.86, 0.98%, 0.58%

LAB 38.33, 70.07, -96.61

 

CMYK 0 / 70 / 83 / 1

HEX #FD4B2B

RGB 253 75 43

HSL 9.14, 0.98%, 0.58%

LAB 58.12, 65.71, 56.03

 

CMYK 29 / 0 / 83 / 1

HEX #B3FD2B

RGB 179 253 43

HSL 81.14, 0.98%, 0.58%

LAB 91.69, -49.67, 82.67

 

CMYK 83 / 13 / 0 / 1

HEX #2BDDFD

RGB 43 221 253

HSL 189.14, 0.98%, 0.58%

LAB 81.47, -31.62, -27.67

 

CMYK 54 / 83 / 0 / 1

HEX #742BFD

RGB 116 43 253

HSL 260.86, 0.98%, 0.58%

LAB 42.05, 73.51, -90.34

 

CMYK 0 / 70 / 83 / 1

HEX #FD4B2B

RGB 253 75 43

HSL 9.14, 0.98%, 0.58%

LAB 58.12, 65.71, 56.03

 

CMYK 54 / 0 / 83 / 1

HEX #74FD2B

RGB 116 253 43

HSL 99.14, 0.98%, 0.58%

LAB 88.99, -69.4, 79.25

 

CMYK 83 / 13 / 0 / 1

HEX #2BDDFD

RGB 43 221 253

HSL 189.14, 0.98%, 0.58%

LAB 81.47, -31.62, -27.67

 

CMYK 29 / 83 / 0 / 1

HEX #B32BFD

RGB 179 43 253

HSL 278.86, 0.98%, 0.58%

LAB 49.98, 81.28, -77.03

 

Description

Color code: HEX #FD4B2B | qconv.com Color code: HEX #FD4B2B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 75 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 75 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 83 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 83% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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