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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDBA2B it is the complementary color #0245D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDBA2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDBA2B shade: #FFBA26, #FFCC39, #FFDE4C, #FFF05F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDBA2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDBA2B shade: #FDBA2B, #ECA818, #DB9605, #CA8400 and #B97200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDBA2B shade: #FDBA2B, #FD812B, #FD492B and #FD2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDBA2B shade: #FDBA2B, #FDF32B, #CFFD2B, #96FD2B and #5DFD2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDBA2B shade matches the following richer shades: #FDBA2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDBA2B shade: #FDBA2B, #ECB43C, #DAAD4E, #C9A75F and #B8A170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDBA2B shade: #FD472B, #FD7F2B, #FDB72B, #FDEF2B and #D3FD2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDBA2B shade: #D39002, #FCAC03, #FDBA2B, #FDC754 and #FED57D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDBA2B shade: #FDBA2B, #47FD2B and #632BFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDBA2B shade: #FDBA2B, #2BFDB7 and #B72BFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDBA2B shade: #FDBA2B, #47FD2B, #2B71FD and #E12BFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDBA2B shade: #FDBA2B, #2BFD4E, #2B71FD and #FD2BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

Complementary color

CMYK 99 / 67 / 0 / 17

HEX #0245D4

RGB 2 69 212

HSL 220.86, 0.98%, 0.42%

LAB 36.03, 40.03, -77.21

 

CMYK 0 / 27 / 85 / 0

HEX #FFBA26

RGB 255 186 38

HSL 40.92, 1%, 0.57%

LAB 79.91, 13.49, 76.26

 

CMYK 0 / 20 / 78 / 0

HEX #FFCC39

RGB 255 204 57

HSL 44.55, 1%, 0.61%

LAB 84.35, 4.72, 74.49

 

CMYK 0 / 13 / 70 / 0

HEX #FFDE4C

RGB 255 222 76

HSL 48.94, 1%, 0.65%

LAB 88.93, -3.66, 72.17

 

CMYK 0 / 6 / 63 / 0

HEX #FFF05F

RGB 255 240 95

HSL 54.38, 1%, 0.69%

LAB 93.63, -11.59, 69.57

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

CMYK 0 / 29 / 90 / 7

HEX #ECA818

RGB 236 168 24

HSL 40.75, 0.85%, 0.51%

LAB 73.48, 14.56, 73.58

 

CMYK 0 / 32 / 98 / 14

HEX #DB9605

RGB 219 150 5

HSL 40.65, 0.96%, 0.44%

LAB 67.19, 16.58, 71.12

 

CMYK 0 / 35 / 100 / 21

HEX #CA8400

RGB 202 132 0

HSL 39.21, 1%, 0.4%

LAB 60.83, 18.85, 66.6

 

CMYK 0 / 38 / 100 / 27

HEX #B97200

RGB 185 114 0

HSL 36.97, 1%, 0.36%

LAB 54.4, 21.25, 61.36

 

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

CMYK 0 / 49 / 83 / 1

HEX #FD812B

RGB 253 129 43

HSL 24.57, 0.98%, 0.58%

LAB 67.09, 42.19, 63.88

 

CMYK 0 / 71 / 83 / 1

HEX #FD492B

RGB 253 73 43

HSL 8.57, 0.98%, 0.58%

LAB 57.87, 66.41, 55.8

 

CMYK 0 / 83 / 83 / 1

HEX #FD2B2B

RGB 253 43 43

HSL 0, 0.98%, 0.58%

LAB 54.85, 74.87, 53.11

 

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

CMYK 0 / 4 / 83 / 1

HEX #FDF32B

RGB 253 243 43

HSL 57.14, 0.98%, 0.58%

LAB 93.95, -16.05, 86.56

 

CMYK 18 / 0 / 83 / 1

HEX #CFFD2B

RGB 207 253 43

HSL 73.14, 0.98%, 0.58%

LAB 93.32, -39.21, 84.7

 

CMYK 41 / 0 / 83 / 1

HEX #96FD2B

RGB 150 253 43

HSL 89.43, 0.98%, 0.58%

LAB 90.28, -59.55, 80.89

 

CMYK 63 / 0 / 83 / 1

HEX #5DFD2B

RGB 93 253 43

HSL 105.71, 0.98%, 0.58%

LAB 88.33, -74.77, 78.42

 

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

CMYK 0 / 24 / 75 / 7

HEX #ECB43C

RGB 236 180 60

HSL 40.91, 0.82%, 0.58%

LAB 76.56, 9.27, 65.45

 

CMYK 0 / 21 / 64 / 15

HEX #DAAD4E

RGB 218 173 78

HSL 40.71, 0.65%, 0.58%

LAB 73.12, 6.24, 53.73

 

CMYK 0 / 17 / 53 / 21

HEX #C9A75F

RGB 201 167 95

HSL 40.75, 0.5%, 0.58%

LAB 70.09, 3.52, 41.57

 

CMYK 0 / 13 / 39 / 28

HEX #B8A170

RGB 184 161 112

HSL 40.83, 0.34%, 0.58%

LAB 67.16, 1.4, 28.62

 

CMYK 0 / 72 / 83 / 1

HEX #FD472B

RGB 253 71 43

HSL 8, 0.98%, 0.58%

LAB 57.62, 67.09, 55.59

 

CMYK 0 / 50 / 83 / 1

HEX #FD7F2B

RGB 253 127 43

HSL 24, 0.98%, 0.58%

LAB 66.7, 43.18, 63.54

 

CMYK 0 / 28 / 83 / 1

HEX #FDB72B

RGB 253 183 43

HSL 40, 0.98%, 0.58%

LAB 79, 14.33, 74.05

 

CMYK 0 / 6 / 83 / 1

HEX #FDEF2B

RGB 253 239 43

HSL 56, 0.98%, 0.58%

LAB 92.92, -14.1, 85.71

 

CMYK 17 / 0 / 83 / 1

HEX #D3FD2B

RGB 211 253 43

HSL 72, 0.98%, 0.58%

LAB 93.57, -37.66, 85.02

 

CMYK 0 / 32 / 99 / 17

HEX #D39002

RGB 211 144 2

HSL 40.77, 0.98%, 0.42%

LAB 64.8, 16.29, 69.46

 

CMYK 0 / 32 / 99 / 1

HEX #FCAC03

RGB 252 172 3

HSL 40.72, 0.98%, 0.5%

LAB 76.2, 19.04, 79.29

 

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

CMYK 0 / 21 / 67 / 1

HEX #FDC754

RGB 253 199 84

HSL 40.83, 0.98%, 0.66%

LAB 83.11, 7.67, 62.91

 

CMYK 0 / 16 / 51 / 0

HEX #FED57D

RGB 254 213 125

HSL 40.93, 0.98%, 0.74%

LAB 87.07, 3.75, 48.52

 

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

CMYK 72 / 0 / 83 / 1

HEX #47FD2B

RGB 71 253 43

HSL 112, 0.98%, 0.58%

LAB 87.86, -78.79, 77.81

 

CMYK 61 / 83 / 0 / 1

HEX #632BFD

RGB 99 43 253

HSL 256, 0.98%, 0.58%

LAB 40.36, 71.93, -93.18

 

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

CMYK 83 / 0 / 28 / 1

HEX #2BFDB7

RGB 43 253 183

HSL 160, 0.98%, 0.58%

LAB 89.01, -63.89, 20.08

 

CMYK 28 / 83 / 0 / 1

HEX #B72BFD

RGB 183 43 253

HSL 280, 0.98%, 0.58%

LAB 50.55, 81.86, -76.07

 

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

CMYK 72 / 0 / 83 / 1

HEX #47FD2B

RGB 71 253 43

HSL 112, 0.98%, 0.58%

LAB 87.86, -78.79, 77.81

 

CMYK 83 / 55 / 0 / 1

HEX #2B71FD

RGB 43 113 253

HSL 220, 0.98%, 0.58%

LAB 51.17, 29.25, -75.55

 

CMYK 11 / 83 / 0 / 1

HEX #E12BFD

RGB 225 43 253

HSL 292, 0.98%, 0.58%

LAB 56.91, 88.42, -65.48

 

CMYK 0 / 26 / 83 / 1

HEX #FDBA2B

RGB 253 186 43

HSL 40.86, 0.98%, 0.58%

LAB 79.71, 12.76, 74.65

 

CMYK 83 / 0 / 69 / 1

HEX #2BFD4E

RGB 43 253 78

HSL 130, 0.98%, 0.58%

LAB 87.64, -80, 66.93

 

CMYK 83 / 55 / 0 / 1

HEX #2B71FD

RGB 43 113 253

HSL 220, 0.98%, 0.58%

LAB 51.17, 29.25, -75.55

 

CMYK 0 / 83 / 14 / 1

HEX #FD2BDA

RGB 253 43 218

HSL 310, 0.98%, 0.58%

LAB 59.59, 88.36, -41.31

 

Description

Color code: HEX #FDBA2B | qconv.com Color code: HEX #FDBA2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 186 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 186 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 83 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 83% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - KSU Owls Photo Galle...
Link: http://www.ksuowls.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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