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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD4A2B it is the complementary color #02B5D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD4A2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD4A2B shade: #FF4A26, #FF5C39, #FF6E4C, #FF805F and #FF9272

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD4A2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD4A2B shade: #FD4A2B, #EC3818, #DB2605, #CA1400 and #B90200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD4A2B shade: #FD4A2B and #FD2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD4A2B shade: #FD4A2B, #FD832B, #FDBB2B, #FDF42B and #CDFD2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD4A2B shade matches the following richer shades: #FD4A2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD4A2B shade: #FD4A2B, #EC563C, #DA624E, #C96F5F and #B87B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD4A2B shade: #FD2B7F, #FD2B47, #FD472B, #FD7F2B and #FDB72B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD4A2B shade: #D32102, #FC2703, #FD4A2B, #FD6D54 and #FE907D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD4A2B shade: #FD4A2B, #B7FD2B and #2B63FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD4A2B shade: #FD4A2B, #2BFD47 and #472BFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD4A2B shade: #FD4A2B, #B7FD2B, #2BE1FD and #712BFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD4A2B shade: #FD4A2B, #78FD2B, #2BE1FD and #B02BFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

Complementary color

CMYK 99 / 15 / 0 / 17

HEX #02B5D4

RGB 2 181 212

HSL 188.86, 0.98%, 0.42%

LAB 67.88, -27.17, -26.4

 

CMYK 0 / 71 / 85 / 0

HEX #FF4A26

RGB 255 74 38

HSL 9.95, 1%, 0.57%

LAB 58.32, 66.56, 58.54

 

CMYK 0 / 64 / 78 / 0

HEX #FF5C39

RGB 255 92 57

HSL 10.61, 1%, 0.61%

LAB 60.97, 60.26, 52.22

HEX #FF5C39

CMYK 0 / 57 / 70 / 0

HEX #FF6E4C

RGB 255 110 76

HSL 11.4, 1%, 0.65%

LAB 64.11, 53.22, 45.94

HEX #FF6E4C

CMYK 0 / 50 / 63 / 0

HEX #FF805F

RGB 255 128 95

HSL 12.38, 1%, 0.69%

LAB 67.67, 45.72, 40.1

HEX #FF805F

CMYK 0 / 43 / 55 / 0

HEX #FF9272

RGB 255 146 114

HSL 13.62, 1%, 0.72%

LAB 71.58, 38.04, 34.8

HEX #FF9272

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

CMYK 0 / 76 / 90 / 7

HEX #EC3818

RGB 236 56 24

HSL 9.06, 0.85%, 0.51%

LAB 52.65, 66.43, 58.23

 

CMYK 0 / 83 / 98 / 14

HEX #DB2605

RGB 219 38 5

HSL 9.25, 0.96%, 0.44%

LAB 47.57, 66.18, 59.2

 

CMYK 0 / 90 / 100 / 21

HEX #CA1400

RGB 202 20 0

HSL 5.94, 1%, 0.4%

LAB 42.85, 65.01, 56.67

 

CMYK 0 / 99 / 100 / 27

HEX #B90200

RGB 185 2 0

HSL 0.65, 1%, 0.36%

LAB 38.48, 62.73, 52.84

 

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

CMYK 0 / 83 / 83 / 1

HEX #FD2B2B

RGB 253 43 43

HSL 0, 0.98%, 0.58%

LAB 54.85, 74.87, 53.11

 

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

CMYK 0 / 48 / 83 / 1

HEX #FD832B

RGB 253 131 43

HSL 25.14, 0.98%, 0.58%

LAB 67.49, 41.2, 64.23

 

CMYK 0 / 26 / 83 / 1

HEX #FDBB2B

RGB 253 187 43

HSL 41.14, 0.98%, 0.58%

LAB 79.95, 12.24, 74.85

 

CMYK 0 / 4 / 83 / 1

HEX #FDF42B

RGB 253 244 43

HSL 57.43, 0.98%, 0.58%

LAB 94.21, -16.53, 86.78

 

CMYK 19 / 0 / 83 / 1

HEX #CDFD2B

RGB 205 253 43

HSL 73.71, 0.98%, 0.58%

LAB 93.19, -39.98, 84.55

 

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

CMYK 0 / 64 / 75 / 7

HEX #EC563C

RGB 236 86 60

HSL 8.86, 0.82%, 0.58%

LAB 56.89, 56.5, 45.47

 

CMYK 0 / 55 / 64 / 15

HEX #DA624E

RGB 218 98 78

HSL 8.57, 0.65%, 0.58%

LAB 56.28, 45.66, 34.23

 

CMYK 0 / 45 / 53 / 21

HEX #C96F5F

RGB 201 111 95

HSL 9.06, 0.5%, 0.58%

LAB 56.7, 33.9, 24.64

 

CMYK 0 / 33 / 39 / 28

HEX #B87B70

RGB 184 123 112

HSL 9.17, 0.34%, 0.58%

LAB 57.58, 22.4, 15.72

 

CMYK 0 / 83 / 50 / 1

HEX #FD2B7F

RGB 253 43 127

HSL 336, 0.98%, 0.58%

LAB 56.23, 78.94, 6.55

 

CMYK 0 / 83 / 72 / 1

HEX #FD2B47

RGB 253 43 71

HSL 352, 0.98%, 0.58%

LAB 55.14, 75.73, 38.29

 

CMYK 0 / 72 / 83 / 1

HEX #FD472B

RGB 253 71 43

HSL 8, 0.98%, 0.58%

LAB 57.62, 67.09, 55.59

 

CMYK 0 / 50 / 83 / 1

HEX #FD7F2B

RGB 253 127 43

HSL 24, 0.98%, 0.58%

LAB 66.7, 43.18, 63.54

 

CMYK 0 / 28 / 83 / 1

HEX #FDB72B

RGB 253 183 43

HSL 40, 0.98%, 0.58%

LAB 79, 14.33, 74.05

 

CMYK 0 / 84 / 99 / 17

HEX #D32102

RGB 211 33 2

HSL 8.9, 0.98%, 0.42%

LAB 45.55, 65.06, 58.22

 

CMYK 0 / 85 / 99 / 1

HEX #FC2703

RGB 252 39 3

HSL 8.67, 0.98%, 0.5%

LAB 54.19, 74.9, 66.48

 

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

CMYK 0 / 57 / 67 / 1

HEX #FD6D54

RGB 253 109 84

HSL 8.88, 0.98%, 0.66%

LAB 63.72, 53.37, 41.18

 

CMYK 0 / 43 / 51 / 0

HEX #FE907D

RGB 254 144 125

HSL 8.84, 0.98%, 0.74%

LAB 71.21, 39.59, 28.34

 

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

CMYK 28 / 0 / 83 / 1

HEX #B7FD2B

RGB 183 253 43

HSL 80, 0.98%, 0.58%

LAB 91.91, -48.23, 82.94

 

CMYK 83 / 61 / 0 / 1

HEX #2B63FD

RGB 43 99 253

HSL 224, 0.98%, 0.58%

LAB 47.66, 38.02, -81.28

 

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

CMYK 83 / 0 / 72 / 1

HEX #2BFD47

RGB 43 253 71

HSL 128, 0.98%, 0.58%

LAB 87.59, -80.58, 69.36

 

CMYK 72 / 83 / 0 / 1

HEX #472BFD

RGB 71 43 253

HSL 248, 0.98%, 0.58%

LAB 38.13, 69.89, -96.96

 

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

CMYK 28 / 0 / 83 / 1

HEX #B7FD2B

RGB 183 253 43

HSL 80, 0.98%, 0.58%

LAB 91.91, -48.23, 82.94

 

CMYK 83 / 11 / 0 / 1

HEX #2BE1FD

RGB 43 225 253

HSL 188, 0.98%, 0.58%

LAB 82.62, -33.53, -25.9

 

CMYK 55 / 83 / 0 / 1

HEX #712BFD

RGB 113 43 253

HSL 260, 0.98%, 0.58%

LAB 41.74, 73.21, -90.87

 

CMYK 0 / 71 / 83 / 1

HEX #FD4A2B

RGB 253 74 43

HSL 8.86, 0.98%, 0.58%

LAB 57.99, 66.06, 55.92

 

CMYK 53 / 0 / 83 / 1

HEX #78FD2B

RGB 120 253 43

HSL 98, 0.98%, 0.58%

LAB 89.12, -68.35, 79.42

 

CMYK 83 / 11 / 0 / 1

HEX #2BE1FD

RGB 43 225 253

HSL 188, 0.98%, 0.58%

LAB 82.62, -33.53, -25.9

 

CMYK 30 / 83 / 0 / 1

HEX #B02BFD

RGB 176 43 253

HSL 278, 0.98%, 0.58%

LAB 49.56, 80.85, -77.74

 

Description

Color code: HEX #FD4A2B | qconv.com Color code: HEX #FD4A2B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 74 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 74 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 83 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 83% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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