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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCD36C it is the complementary color #032C93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCD36C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCD36C shade: #FFD367, #FFE57A, #FFF78D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCD36C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCD36C shade: #FCD36C, #EBC159, #DAAF46, #C99D33 and #B88B20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCD36C shade: #FCD46E, #FCAD6E, #FC876E and #FC6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCD36C shade: #FCD46E, #FCFA6E, #D8FC6E, #B2FC6E and #8BFC6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCD36C shade matches the following richer shades: #FCD46E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCD36C shade: #FCD46E, #F0CE7A, #E4C986, #D8C492 and #CCBF9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCD36C shade: #FC866E, #FCAC6E, #FCD16E, #FCF76E and #DBFC6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCD36C shade: #FABB1D, #FBC846, #FCD46E, #FDE096 and #FEECBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCD36C shade: #FCD36C, #7CFC6E and #996EFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCD36C shade: #FCD36C, #6EFCD1 and #D16EFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCD36C shade: #FCD36C, #7CFC6E, #6E99FC and #EE6EFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCD36C shade: #FCD36C, #6EFC8A, #6E99FC and #FC6EE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 57 / 1

HEX #FCD36C

RGB 252 211 108

HSL 42.92, 0.96%, 0.71%

LAB 86.19, 2.62, 55.55

 

Complementary color

CMYK 98 / 70 / 0 / 42

HEX #032C93

RGB 3 44 147

HSL 222.92, 0.96%, 0.29%

LAB 23.43, 31.37, -59.25

 

CMYK 0 / 17 / 60 / 0

HEX #FFD367

RGB 255 211 103

HSL 42.63, 1%, 0.7%

LAB 86.42, 3.49, 58.19

 

CMYK 0 / 10 / 52 / 0

HEX #FFE57A

RGB 255 229 122

HSL 48.27, 1%, 0.74%

LAB 91.1, -4.22, 54.85

 

CMYK 0 / 3 / 45 / 0

HEX #FFF78D

RGB 255 247 141

HSL 55.79, 1%, 0.78%

LAB 95.87, -11.49, 51.66

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 16 / 57 / 1

HEX #FCD36C

RGB 252 211 108

HSL 42.92, 0.96%, 0.71%

LAB 86.19, 2.62, 55.55

 

CMYK 0 / 18 / 62 / 8

HEX #EBC159

RGB 235 193 89

HSL 42.74, 0.78%, 0.64%

LAB 79.91, 3.59, 56.72

 

CMYK 0 / 20 / 68 / 15

HEX #DAAF46

RGB 218 175 70

HSL 42.57, 0.67%, 0.56%

LAB 73.55, 4.71, 57.76

 

CMYK 0 / 22 / 75 / 21

HEX #C99D33

RGB 201 157 51

HSL 42.4, 0.6%, 0.49%

LAB 67.1, 6.02, 58.51

 

CMYK 0 / 24 / 83 / 28

HEX #B88B20

RGB 184 139 32

HSL 42.24, 0.7%, 0.42%

LAB 60.57, 7.57, 58.65

 

CMYK 0 / 16 / 56 / 1

HEX #FCD46E

RGB 252 212 110

HSL 43.1, 0.96%, 0.71%

LAB 86.46, 2.25, 54.93

 

CMYK 0 / 31 / 56 / 1

HEX #FCAD6E

RGB 252 173 110

HSL 26.62, 0.96%, 0.71%

LAB 77.11, 22.54, 43.74

 

CMYK 0 / 46 / 56 / 1

HEX #FC876E

RGB 252 135 110

HSL 10.56, 0.96%, 0.71%

LAB 68.86, 42.18, 33.41

 

CMYK 0 / 56 / 56 / 1

HEX #FC6E6E

RGB 252 110 110

HSL 0, 0.96%, 0.71%

LAB 64.14, 54.22, 27.28

 

CMYK 0 / 16 / 56 / 1

HEX #FCD46E

RGB 252 212 110

HSL 43.1, 0.96%, 0.71%

LAB 86.46, 2.25, 54.93

 

CMYK 0 / 1 / 56 / 1

HEX #FCFA6E

RGB 252 250 110

HSL 59.15, 0.96%, 0.71%

LAB 96.08, -16.69, 65.91

 

CMYK 14 / 0 / 56 / 1

HEX #D8FC6E

RGB 216 252 110

HSL 75.21, 0.96%, 0.71%

LAB 94.03, -31.64, 62.91

 

CMYK 29 / 0 / 56 / 1

HEX #B2FC6E

RGB 178 252 110

HSL 91.27, 0.96%, 0.71%

LAB 91.78, -45.44, 59.74

 

CMYK 45 / 0 / 56 / 1

HEX #8BFC6E

RGB 139 252 110

HSL 107.75, 0.96%, 0.71%

LAB 89.97, -57.84, 57.17

 

CMYK 0 / 16 / 56 / 1

HEX #FCD46E

RGB 252 212 110

HSL 43.1, 0.96%, 0.71%

LAB 86.46, 2.25, 54.93

 

CMYK 0 / 16 / 56 / 1

HEX #FCD46E

RGB 252 212 110

HSL 43.1, 0.96%, 0.71%

LAB 86.46, 2.25, 54.93

 

CMYK 0 / 14 / 49 / 6

HEX #F0CE7A

RGB 240 206 122

HSL 42.71, 0.8%, 0.71%

LAB 84, 1.46, 45.94

 

CMYK 0 / 12 / 41 / 11

HEX #E4C986

RGB 228 201 134

HSL 42.77, 0.64%, 0.71%

LAB 81.83, 0.41, 36.94

 

CMYK 0 / 9 / 32 / 15

HEX #D8C492

RGB 216 196 146

HSL 42.86, 0.47%, 0.71%

LAB 79.7, -0.32, 27.7

 

CMYK 0 / 6 / 23 / 20

HEX #CCBF9E

RGB 204 191 158

HSL 43.04, 0.31%, 0.71%

LAB 77.62, -0.7, 18.32

 

CMYK 0 / 47 / 56 / 1

HEX #FC866E

RGB 252 134 110

HSL 10.14, 0.96%, 0.71%

LAB 68.66, 42.68, 33.15

 

CMYK 0 / 32 / 56 / 1

HEX #FCAC6E

RGB 252 172 110

HSL 26.2, 0.96%, 0.71%

LAB 76.88, 23.07, 43.46

 

CMYK 0 / 17 / 56 / 1

HEX #FCD16E

RGB 252 209 110

HSL 41.83, 0.96%, 0.71%

LAB 85.72, 3.79, 54.06

 

CMYK 0 / 2 / 56 / 1

HEX #FCF76E

RGB 252 247 110

HSL 57.89, 0.96%, 0.71%

LAB 95.31, -15.23, 65.05

 

CMYK 13 / 0 / 56 / 1

HEX #DBFC6E

RGB 219 252 110

HSL 73.94, 0.96%, 0.71%

LAB 94.23, -30.5, 63.18

 

CMYK 0 / 25 / 88 / 2

HEX #FABB1D

RGB 250 187 29

HSL 42.9, 0.96%, 0.55%

LAB 79.59, 10.66, 77.89

 

CMYK 0 / 20 / 72 / 2

HEX #FBC846

RGB 251 200 70

HSL 43.09, 0.96%, 0.63%

LAB 83.05, 5.62, 68.49

 

CMYK 0 / 16 / 56 / 1

HEX #FCD46E

RGB 252 212 110

HSL 43.1, 0.96%, 0.71%

LAB 86.46, 2.25, 54.93

 

CMYK 0 / 11 / 41 / 1

HEX #FDE096

RGB 253 224 150

HSL 43.11, 0.96%, 0.79%

LAB 90.04, 0.12, 39.87

 

CMYK 0 / 7 / 25 / 0

HEX #FEECBF

RGB 254 236 191

HSL 42.86, 0.97%, 0.87%

LAB 93.81, -0.69, 24.06

 

CMYK 0 / 16 / 57 / 1

HEX #FCD36C

RGB 252 211 108

HSL 42.92, 0.96%, 0.71%

LAB 86.19, 2.62, 55.55

 

CMYK 51 / 0 / 56 / 1

HEX #7CFC6E

RGB 124 252 110

HSL 114.08, 0.96%, 0.71%

LAB 89.41, -61.96, 56.38

 

CMYK 39 / 56 / 0 / 1

HEX #996EFC

RGB 153 110 252

HSL 258.17, 0.96%, 0.71%

LAB 57.03, 47.93, -65.2

 

CMYK 0 / 16 / 57 / 1

HEX #FCD36C

RGB 252 211 108

HSL 42.92, 0.96%, 0.71%

LAB 86.19, 2.62, 55.55

 

CMYK 56 / 0 / 17 / 1

HEX #6EFCD1

RGB 110 252 209

HSL 161.83, 0.96%, 0.71%

LAB 90.57, -48.46, 9.09

 

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

CMYK 0 / 16 / 57 / 1

HEX #FCD36C

RGB 252 211 108

HSL 42.92, 0.96%, 0.71%

LAB 86.19, 2.62, 55.55

 

CMYK 51 / 0 / 56 / 1

HEX #7CFC6E

RGB 124 252 110

HSL 114.08, 0.96%, 0.71%

LAB 89.41, -61.96, 56.38

 

CMYK 56 / 39 / 0 / 1

HEX #6E99FC

RGB 110 153 252

HSL 221.83, 0.96%, 0.71%

LAB 64.26, 13.76, -53.81

 

CMYK 6 / 56 / 0 / 1

HEX #EE6EFC

RGB 238 110 252

HSL 294.08, 0.96%, 0.71%

LAB 66.79, 68.22, -49.06

 

CMYK 0 / 16 / 57 / 1

HEX #FCD36C

RGB 252 211 108

HSL 42.92, 0.96%, 0.71%

LAB 86.19, 2.62, 55.55

 

CMYK 56 / 0 / 45 / 1

HEX #6EFC8A

RGB 110 252 138

HSL 131.83, 0.96%, 0.71%

LAB 89.29, -61.74, 43.15

 

CMYK 56 / 39 / 0 / 1

HEX #6E99FC

RGB 110 153 252

HSL 221.83, 0.96%, 0.71%

LAB 64.26, 13.76, -53.81

 

CMYK 0 / 56 / 11 / 1

HEX #FC6EE0

RGB 252 110 224

HSL 311.83, 0.96%, 0.71%

LAB 67.45, 67.25, -32.43

 

Description

Color code: HEX #FCD36C | qconv.com Color code: HEX #FCD36C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 211 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 211 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 57 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 57% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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