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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D16EFC it is the complementary color #2E9103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D16EFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D16EFC shade: #D66EF7, #E780FF, #F892FF, #FFA4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D16EFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D16EFC shade: #D16EFC, #C05CE9, #AF4AD6, #9E38C3 and #8D26B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D16EFC shade: #D16EFC, #F76EFC, #FC6EDA, #FC6EB4 and #FC6E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D16EFC shade: #D16EFC, #AB6EFC, #846EFC and #6E6EFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D16EFC shade matches the following richer shades: #D16EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D16EFC shade: #D16EFC, #CC7AF0, #C886E4, #C392D8 and #BE9ECC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D16EFC shade: #836EFC, #A96EFC, #CF6EFC, #F56EFC and #FC6EDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D16EFC shade: #B71DFA, #C446FB, #D16EFC, #DE96FD and #EBBFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D16EFC shade: #D16EFC, #FC6E7F and #6EFC96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D16EFC shade: #D16EFC, #FCCF6E and #6EFCCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D16EFC shade: #D16EFC, #FC6E7F, #9BFC6E and #6EFCEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D16EFC shade: #D16EFC, #FC886E, #9BFC6E and #6EE2FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

Complementary color

CMYK 68 / 0 / 98 / 43

HEX #2E9103

RGB 46 145 3

HSL 101.83, 0.96%, 0.29%

LAB 52.77, -50.8, 54.89

 

CMYK 13 / 55 / 0 / 3

HEX #D66EF7

RGB 214 110 247

HSL 285.55, 0.9%, 0.7%

LAB 63.48, 61.31, -51.75

 

CMYK 9 / 50 / 0 / 0

HEX #E780FF

RGB 231 128 255

HSL 288.66, 1%, 0.75%

LAB 69.22, 58.54, -46.94

 

CMYK 3 / 43 / 0 / 0

HEX #F892FF

RGB 248 146 255

HSL 296.15, 1%, 0.79%

LAB 74.66, 54.31, -38.29

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

CMYK 18 / 61 / 0 / 9

HEX #C05CE9

RGB 192 92 233

HSL 282.55, 0.76%, 0.64%

LAB 56.83, 61.64, -54.72

 

CMYK 18 / 65 / 0 / 16

HEX #AF4AD6

RGB 175 74 214

HSL 283.29, 0.63%, 0.56%

LAB 50.53, 62.02, -54.18

 

CMYK 19 / 71 / 0 / 24

HEX #9E38C3

RGB 158 56 195

HSL 284.03, 0.55%, 0.49%

LAB 44.29, 62.05, -53.39

 

CMYK 20 / 78 / 0 / 31

HEX #8D26B0

RGB 141 38 176

HSL 284.78, 0.64%, 0.42%

LAB 38.17, 61.48, -52.21

 

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

CMYK 2 / 56 / 0 / 1

HEX #F76EFC

RGB 247 110 252

HSL 297.89, 0.96%, 0.71%

LAB 67.99, 70.46, -47.09

 

CMYK 0 / 56 / 13 / 1

HEX #FC6EDA

RGB 252 110 218

HSL 314.37, 0.96%, 0.71%

LAB 67.21, 66.35, -29.46

 

CMYK 0 / 56 / 29 / 1

HEX #FC6EB4

RGB 252 110 180

HSL 330.42, 0.96%, 0.71%

LAB 65.86, 61.17, -10.14

 

CMYK 0 / 56 / 44 / 1

HEX #FC6E8E

RGB 252 110 142

HSL 346.48, 0.96%, 0.71%

LAB 64.8, 56.95, 9.98

 

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

CMYK 32 / 56 / 0 / 1

HEX #AB6EFC

RGB 171 110 252

HSL 265.77, 0.96%, 0.71%

LAB 58.82, 51.99, -62.22

 

CMYK 48 / 56 / 0 / 1

HEX #846EFC

RGB 132 110 252

HSL 249.3, 0.96%, 0.71%

LAB 55.16, 43.49, -68.31

 

CMYK 56 / 56 / 0 / 1

HEX #6E6EFC

RGB 110 110 252

HSL 240, 0.96%, 0.71%

LAB 53.49, 39.31, -71.09

 

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

CMYK 15 / 49 / 0 / 6

HEX #CC7AF0

RGB 204 122 240

HSL 281.69, 0.8%, 0.71%

LAB 64.2, 51.35, -46.82

 

CMYK 12 / 41 / 0 / 11

HEX #C886E4

RGB 200 134 228

HSL 282.13, 0.64%, 0.71%

LAB 65.69, 41.42, -37.87

 

CMYK 10 / 32 / 0 / 15

HEX #C392D8

RGB 195 146 216

HSL 282, 0.47%, 0.71%

LAB 67.37, 30.88, -28.67

 

CMYK 7 / 23 / 0 / 20

HEX #BE9ECC

RGB 190 158 204

HSL 281.74, 0.31%, 0.71%

LAB 69.3, 20.18, -19.12

 

CMYK 48 / 56 / 0 / 1

HEX #836EFC

RGB 131 110 252

HSL 248.87, 0.96%, 0.71%

LAB 55.08, 43.29, -68.44

 

CMYK 33 / 56 / 0 / 1

HEX #A96EFC

RGB 169 110 252

HSL 264.93, 0.96%, 0.71%

LAB 58.62, 51.53, -62.56

 

CMYK 18 / 56 / 0 / 1

HEX #CF6EFC

RGB 207 110 252

HSL 280.99, 0.96%, 0.71%

LAB 62.88, 60.58, -55.5

 

CMYK 3 / 56 / 0 / 1

HEX #F56EFC

RGB 245 110 252

HSL 297.04, 0.96%, 0.71%

LAB 67.72, 69.96, -47.53

 

CMYK 0 / 56 / 12 / 1

HEX #FC6EDD

RGB 252 110 221

HSL 313.1, 0.96%, 0.71%

LAB 67.33, 66.8, -30.95

 

CMYK 27 / 88 / 0 / 2

HEX #B71DFA

RGB 183 29 250

HSL 281.81, 0.96%, 0.55%

LAB 49.31, 84.3, -76.42

 

CMYK 22 / 72 / 0 / 2

HEX #C446FB

RGB 196 70 251

HSL 281.77, 0.96%, 0.63%

LAB 55.16, 75.24, -67.41

 

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

CMYK 12 / 41 / 0 / 1

HEX #DE96FD

RGB 222 150 253

HSL 281.94, 0.96%, 0.79%

LAB 72.52, 44.4, -40.75

 

CMYK 7 / 25 / 0 / 0

HEX #EBBFFE

RGB 235 191 254

HSL 281.9, 0.97%, 0.87%

LAB 82.96, 26.67, -25.09

 

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

CMYK 0 / 56 / 50 / 1

HEX #FC6E7F

RGB 252 110 127

HSL 352.82, 0.96%, 0.71%

LAB 64.47, 55.58, 18.07

 

CMYK 56 / 0 / 40 / 1

HEX #6EFC96

RGB 110 252 150

HSL 136.9, 0.96%, 0.71%

LAB 89.46, -59.88, 37.52

 

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

CMYK 0 / 18 / 56 / 1

HEX #FCCF6E

RGB 252 207 110

HSL 40.99, 0.96%, 0.71%

LAB 85.22, 4.82, 53.48

 

CMYK 56 / 0 / 18 / 1

HEX #6EFCCF

RGB 110 252 207

HSL 160.99, 0.96%, 0.71%

LAB 90.52, -48.9, 10.06

 

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

CMYK 0 / 56 / 50 / 1

HEX #FC6E7F

RGB 252 110 127

HSL 352.82, 0.96%, 0.71%

LAB 64.47, 55.58, 18.07

 

CMYK 38 / 0 / 56 / 1

HEX #9BFC6E

RGB 155 252 110

HSL 100.99, 0.96%, 0.71%

LAB 90.65, -53.02, 58.14

 

CMYK 56 / 0 / 7 / 1

HEX #6EFCEB

RGB 110 252 235

HSL 172.82, 0.96%, 0.71%

LAB 91.2, -42.33, -3.46

 

CMYK 17 / 56 / 0 / 1

HEX #D16EFC

RGB 209 110 252

HSL 281.83, 0.96%, 0.71%

LAB 63.12, 61.07, -55.1

 

CMYK 0 / 46 / 56 / 1

HEX #FC886E

RGB 252 136 110

HSL 10.99, 0.96%, 0.71%

LAB 69.06, 41.67, 33.67

 

CMYK 38 / 0 / 56 / 1

HEX #9BFC6E

RGB 155 252 110

HSL 100.99, 0.96%, 0.71%

LAB 90.65, -53.02, 58.14

 

CMYK 56 / 10 / 0 / 1

HEX #6EE2FC

RGB 110 226 252

HSL 190.99, 0.96%, 0.71%

LAB 84.35, -25.71, -22.61

 

Description

Color code: HEX #D16EFC | qconv.com Color code: HEX #D16EFC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 110 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 110 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 56 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 56% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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