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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCBF9E it is the complementary color #334061. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCBF9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CCBF9E: #D1BF99, #E2D1AC, #F3E3BF, #FFF5D2 and #FFFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCBF9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CCBF9E: #CCBF9E, #BBAD8B, #AA9B78, #998965 and #887752

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 23 / 20

HEX #CCBF9E

RGB 204 191 158

HSL 43.04, 0.31%, 0.71%

LAB 77.62, -0.7, 18.32

 

Complementary color

CMYK 47 / 34 / 0 / 62

HEX #334061

RGB 51 64 97

HSL 223.04, 0.31%, 0.29%

LAB 27.39, 4.67, -21.18

 

CMYK 0 / 9 / 27 / 18

HEX #D1BF99

RGB 209 191 153

HSL 40.71, 0.38%, 0.71%

LAB 77.94, 0.5, 21.51

 

CMYK 0 / 8 / 24 / 11

HEX #E2D1AC

RGB 226 209 172

HSL 41.11, 0.48%, 0.78%

LAB 84.35, 0.16, 20.51

 

CMYK 0 / 7 / 21 / 5

HEX #F3E3BF

RGB 243 227 191

HSL 41.54, 0.68%, 0.85%

LAB 90.67, -0.14, 19.57

 

CMYK 0 / 4 / 18 / 0

HEX #FFF5D2

RGB 255 245 210

HSL 46.67, 1%, 0.91%

LAB 96.5, -2.2, 18.07

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 6 / 23 / 20

HEX #CCBF9E

RGB 204 191 158

HSL 43.04, 0.31%, 0.71%

LAB 77.62, -0.7, 18.32

 

CMYK 0 / 7 / 26 / 27

HEX #BBAD8B

RGB 187 173 139

HSL 42.5, 0.26%, 0.64%

LAB 71.09, -0.38, 19.32

 

CMYK 0 / 9 / 29 / 33

HEX #AA9B78

RGB 170 155 120

HSL 42, 0.23%, 0.57%

LAB 64.44, -0.02, 20.38

 

CMYK 0 / 10 / 34 / 40

HEX #998965

RGB 153 137 101

HSL 41.54, 0.2%, 0.5%

LAB 57.66, 0.42, 21.53

 

CMYK 0 / 13 / 40 / 47

HEX #887752

RGB 136 119 82

HSL 41.11, 0.25%, 0.43%

LAB 50.73, 0.95, 22.78

 

CMYK 0 / 6 / 23 / 20

HEX #CCBF9E

RGB 204 191 158

HSL 43.04, 0.31%, 0.71%

LAB 77.62, -0.7, 18.32

 

CMYK 0 / 2 / 22 / 20

HEX #CBC69E

RGB 203 198 158

HSL 53.33, 0.3%, 0.71%

LAB 79.36, -4.74, 20.72

 

CMYK 1 / 0 / 22 / 20

HEX #C9CB9E

RGB 201 203 158

HSL 62.67, 0.3%, 0.71%

LAB 80.51, -8.09, 22.28

 

CMYK 4 / 0 / 22 / 20

HEX #C2CB9E

RGB 194 203 158

HSL 72, 0.3%, 0.71%

LAB 79.98, -10.69, 21.46

 

CMYK 8 / 0 / 22 / 20

HEX #BACB9E

RGB 186 203 158

HSL 82.67, 0.3%, 0.71%

LAB 79.4, -13.64, 20.57

 

CMYK 0 / 6 / 23 / 20

HEX #CCBF9E

RGB 204 191 158

HSL 43.04, 0.31%, 0.71%

LAB 77.62, -0.7, 18.32

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 6 / 22 / 80

HEX #333028

RGB 51 48 40

HSL 43.64, 0.12%, 0.18%

LAB 19.93, -0.34, 5.61

 

CMYK 0 / 6 / 23 / 60

HEX #66604F

RGB 102 96 79

HSL 44.35, 0.13%, 0.35%

LAB 40.82, -0.73, 10.59

 

CMYK 0 / 7 / 22 / 40

HEX #998F77

RGB 153 143 119

HSL 42.35, 0.14%, 0.53%

LAB 59.66, -0.35, 14.13

 

CMYK 0 / 6 / 23 / 20

HEX #CCBF9E

RGB 204 191 158

HSL 43.04, 0.31%, 0.71%

LAB 77.62, -0.7, 18.32

 

CMYK 21 / 0 / 22 / 20

HEX #A1CB9E

RGB 161 203 158

HSL 116, 0.3%, 0.71%

LAB 77.73, -22.5, 18

 

CMYK 15 / 22 / 0 / 20

HEX #AC9ECB

RGB 172 158 203

HSL 258.67, 0.3%, 0.71%

LAB 67.68, 14.08, -21.17

 

CMYK 0 / 6 / 23 / 20

HEX #CCBF9E

RGB 204 191 158

HSL 43.04, 0.31%, 0.71%

LAB 77.62, -0.7, 18.32

 

CMYK 22 / 0 / 6 / 20

HEX #9ECBBE

RGB 158 203 190

HSL 162.67, 0.3%, 0.71%

LAB 78.29, -17.43, 1.64

 

CMYK 6 / 22 / 0 / 20

HEX #BE9ECB

RGB 190 158 203

HSL 282.67, 0.3%, 0.71%

LAB 69.26, 19.98, -18.61

 

CMYK 0 / 6 / 23 / 20

HEX #CCBF9E

RGB 204 191 158

HSL 43.04, 0.31%, 0.71%

LAB 77.62, -0.7, 18.32

 

CMYK 21 / 0 / 22 / 20

HEX #A1CB9E

RGB 161 203 158

HSL 116, 0.3%, 0.71%

LAB 77.73, -22.5, 18

 

CMYK 22 / 16 / 0 / 20

HEX #9EABCB

RGB 158 171 203

HSL 222.67, 0.3%, 0.71%

LAB 69.97, 2.39, -17.79

 

CMYK 1 / 22 / 0 / 20

HEX #C89ECB

RGB 200 158 203

HSL 296, 0.3%, 0.71%

LAB 70.21, 23.32, -17.1

 

CMYK 0 / 6 / 23 / 20

HEX #CCBF9E

RGB 204 191 158

HSL 43.04, 0.31%, 0.71%

LAB 77.62, -0.7, 18.32

 

CMYK 22 / 0 / 17 / 20

HEX #9ECBA8

RGB 158 203 168

HSL 133.33, 0.3%, 0.71%

LAB 77.76, -21.73, 12.69

 

CMYK 22 / 16 / 0 / 20

HEX #9EABCB

RGB 158 171 203

HSL 222.67, 0.3%, 0.71%

LAB 69.97, 2.39, -17.79

 

CMYK 0 / 22 / 4 / 20

HEX #CB9EC2

RGB 203 158 194

HSL 312, 0.3%, 0.71%

LAB 70.21, 22.66, -12.09

 

Description

Color code: HEX #CCBF9E | qconv.com Color code: HEX #CCBF9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 191 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 191 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 23 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 23% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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