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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FACE8D it is the complementary color #053172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FACE8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FACE8D: #FFCE88, #FFE09B, #FFF2AE, #FFFFC1 and #FFFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FACE8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FACE8D: #FACE8D, #E9BC7A, #D8AA67, #C79854 and #B68641

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 44 / 2

HEX #FACE8D

RGB 250 206 141

HSL 35.78, 0.92%, 0.77%

LAB 85.19, 7.26, 38.1

 

Complementary color

CMYK 96 / 57 / 0 / 55

HEX #053172

RGB 5 49 114

HSL 215.78, 0.92%, 0.23%

LAB 21.74, 14.07, -41.26

 

CMYK 0 / 19 / 47 / 0

HEX #FFCE88

RGB 255 206 136

HSL 35.29, 1%, 0.77%

LAB 85.59, 8.75, 41.24

 

CMYK 0 / 12 / 39 / 0

HEX #FFE09B

RGB 255 224 155

HSL 41.4, 1%, 0.8%

LAB 90.29, 1.43, 37.71

 

CMYK 0 / 5 / 32 / 0

HEX #FFF2AE

RGB 255 242 174

HSL 50.37, 1%, 0.84%

LAB 95.09, -5.49, 34.45

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 18 / 44 / 2

HEX #FACE8D

RGB 250 206 141

HSL 35.78, 0.92%, 0.77%

LAB 85.19, 7.26, 38.1

 

CMYK 0 / 19 / 48 / 9

HEX #E9BC7A

RGB 233 188 122

HSL 35.68, 0.72%, 0.7%

LAB 78.87, 8.01, 39.38

 

CMYK 0 / 21 / 52 / 15

HEX #D8AA67

RGB 216 170 103

HSL 35.58, 0.59%, 0.63%

LAB 72.45, 8.87, 40.72

 

CMYK 0 / 24 / 58 / 22

HEX #C79854

RGB 199 152 84

HSL 35.48, 0.51%, 0.55%

LAB 65.93, 9.87, 42.1

 

CMYK 0 / 26 / 64 / 29

HEX #B68641

RGB 182 134 65

HSL 35.38, 0.47%, 0.48%

LAB 59.32, 11.06, 43.5

 

CMYK 0 / 18 / 44 / 2

HEX #FACE8D

RGB 250 206 141

HSL 35.78, 0.92%, 0.77%

LAB 85.19, 7.26, 38.1

 

CMYK 0 / 11 / 43 / 2

HEX #FADF8E

RGB 250 223 142

HSL 45, 0.92%, 0.77%

LAB 89.42, -1.36, 43.01

 

CMYK 0 / 4 / 43 / 2

HEX #FAF18E

RGB 250 241 142

HSL 55, 0.92%, 0.77%

LAB 93.96, -10.38, 48.73

 

CMYK 4 / 0 / 43 / 2

HEX #F1FA8E

RGB 241 250 142

HSL 65, 0.92%, 0.77%

LAB 95.59, -18.25, 50.6

 

CMYK 11 / 0 / 43 / 2

HEX #DFFA8E

RGB 223 250 142

HSL 75, 0.92%, 0.77%

LAB 94.32, -25.05, 48.74

 

CMYK 0 / 18 / 44 / 2

HEX #FACE8D

RGB 250 206 141

HSL 35.78, 0.92%, 0.77%

LAB 85.19, 7.26, 38.1

 

CMYK 0 / 17 / 43 / 82

HEX #2E261A

RGB 46 38 26

HSL 36, 0.28%, 0.14%

LAB 15.7, 1.53, 9.36

 

CMYK 0 / 18 / 43 / 62

HEX #615037

RGB 97 80 55

HSL 35.71, 0.28%, 0.3%

LAB 35.11, 3.18, 17.38

 

CMYK 0 / 18 / 44 / 42

HEX #947A53

RGB 148 122 83

HSL 36, 0.28%, 0.45%

LAB 52.77, 4.55, 25.11

 

CMYK 0 / 18 / 44 / 22

HEX #C7A470

RGB 199 164 112

HSL 35.86, 0.44%, 0.61%

LAB 69.37, 5.94, 31.77

 

CMYK 0 / 18 / 44 / 2

HEX #FACE8D

RGB 250 206 141

HSL 35.78, 0.92%, 0.77%

LAB 85.19, 7.26, 38.1

 

CMYK 34 / 0 / 43 / 2

HEX #A5FA8E

RGB 165 250 142

HSL 107.22, 0.92%, 0.77%

LAB 90.93, -45.29, 43.75

 

CMYK 35 / 43 / 0 / 2

HEX #A28EFA

RGB 162 142 250

HSL 251.11, 0.92%, 0.77%

LAB 64.91, 31.58, -51.47

 

CMYK 0 / 18 / 44 / 2

HEX #FACE8D

RGB 250 206 141

HSL 35.78, 0.92%, 0.77%

LAB 85.19, 7.26, 38.1

 

CMYK 43 / 0 / 18 / 2

HEX #8EFACD

RGB 142 250 205

HSL 155, 0.92%, 0.77%

LAB 91.02, -41.23, 11.95

 

CMYK 18 / 43 / 0 / 2

HEX #CD8EFA

RGB 205 142 250

HSL 275, 0.92%, 0.77%

LAB 68.92, 43.2, -44.88

 

CMYK 0 / 18 / 44 / 2

HEX #FACE8D

RGB 250 206 141

HSL 35.78, 0.92%, 0.77%

LAB 85.19, 7.26, 38.1

 

CMYK 34 / 0 / 43 / 2

HEX #A5FA8E

RGB 165 250 142

HSL 107.22, 0.92%, 0.77%

LAB 90.93, -45.29, 43.75

 

CMYK 43 / 25 / 0 / 2

HEX #8EBBFA

RGB 142 187 250

HSL 215, 0.92%, 0.77%

LAB 74.95, 1.07, -35.84

 

CMYK 10 / 43 / 0 / 2

HEX #E28EFA

RGB 226 142 250

HSL 286.67, 0.92%, 0.77%

LAB 71.16, 49.13, -41.21

 

CMYK 0 / 18 / 44 / 2

HEX #FACE8D

RGB 250 206 141

HSL 35.78, 0.92%, 0.77%

LAB 85.19, 7.26, 38.1

 

CMYK 43 / 0 / 40 / 2

HEX #8EFA97

RGB 142 250 151

HSL 125, 0.92%, 0.77%

LAB 90.02, -50.9, 37.99

 

CMYK 43 / 25 / 0 / 2

HEX #8EBBFA

RGB 142 187 250

HSL 215, 0.92%, 0.77%

LAB 74.95, 1.07, -35.84

 

CMYK 0 / 43 / 4 / 2

HEX #FA8EF1

RGB 250 142 241

HSL 305, 0.92%, 0.77%

LAB 73.56, 54.43, -32.36

 

Description

Color code: HEX #FACE8D | qconv.com Color code: HEX #FACE8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 206 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 206 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 44 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 44% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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