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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 10 / 43 / 0 / 2 it is the complementary color CMYK 73 / 0 / 96 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 10 / 43 / 0 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 10 / 43 / 0 / 2: CMYK 6 / 42 / 0 / 4, CMYK 3 / 37 / 0 / 0, CMYK 0 / 30 / 0 / 0, CMYK 0 / 23 / 0 / 0 and CMYK 0 / 16 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 10 / 43 / 0 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 10 / 43 / 0 / 2: CMYK 10 / 43 / 0 / 2, CMYK 10 / 46 / 0 / 9, CMYK 10 / 50 / 0 / 17, CMYK 10 / 54 / 0 / 24 and CMYK 10 / 60 / 0 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 43 / 0 / 2

HEX #E18EFA

RGB 225 142 250

HSL 286.11, 0.92%, 0.77%

LAB 71.05, 48.85, -41.39

 

Complementary color

CMYK 73 / 0 / 96 / 56

HEX #1E7105

RGB 30 113 5

HSL 106.11, 0.92%, 0.23%

LAB 41.37, -43.15, 44.96

 

CMYK 6 / 42 / 0 / 4

HEX #E68EF5

RGB 230 142 245

HSL 291.26, 0.84%, 0.76%

LAB 71.39, 49.32, -38.09

 

CMYK 3 / 37 / 0 / 0

HEX #F7A0FF

RGB 247 160 255

HSL 294.95, 1%, 0.81%

LAB 77.36, 46.9, -34.11

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 10 / 43 / 0 / 2

HEX #E18EFA

RGB 225 142 250

HSL 286.11, 0.92%, 0.77%

LAB 71.05, 48.85, -41.39

 

CMYK 10 / 46 / 0 / 9

HEX #D07CE7

RGB 208 124 231

HSL 287.1, 0.69%, 0.7%

LAB 64.64, 49.6, -41.12

 

CMYK 10 / 50 / 0 / 17

HEX #BF6AD4

RGB 191 106 212

HSL 288.11, 0.55%, 0.62%

LAB 58.17, 50.34, -40.79

 

CMYK 10 / 54 / 0 / 24

HEX #AE58C1

RGB 174 88 193

HSL 289.14, 0.46%, 0.55%

LAB 51.64, 51.02, -40.37

 

CMYK 10 / 60 / 0 / 32

HEX #9D46AE

RGB 157 70 174

HSL 290.19, 0.43%, 0.48%

LAB 45.09, 51.55, -39.82

 

CMYK 10 / 43 / 0 / 2

HEX #E18EFA

RGB 225 142 250

HSL 286.11, 0.92%, 0.77%

LAB 71.05, 48.85, -41.39

 

CMYK 3 / 43 / 0 / 2

HEX #F38EFA

RGB 243 142 250

HSL 296.11, 0.92%, 0.77%

LAB 73.09, 53.98, -38.05

 

CMYK 0 / 43 / 4 / 2

HEX #FA8EEF

RGB 250 142 239

HSL 306.11, 0.92%, 0.77%

LAB 73.48, 54.09, -31.39

 

CMYK 0 / 43 / 12 / 2

HEX #FA8EDD

RGB 250 142 221

HSL 316.11, 0.92%, 0.77%

LAB 72.82, 51.13, -22.54

 

CMYK 0 / 43 / 19 / 2

HEX #FA8ECB

RGB 250 142 203

HSL 326.11, 0.92%, 0.77%

LAB 72.22, 48.38, -13.52

 

CMYK 10 / 43 / 0 / 2

HEX #E18EFA

RGB 225 142 250

HSL 286.11, 0.92%, 0.77%

LAB 71.05, 48.85, -41.39

 

CMYK 11 / 43 / 0 / 82

HEX #291A2E

RGB 41 26 46

HSL 285, 0.28%, 0.14%

LAB 12.01, 11.98, -10.48

 

CMYK 10 / 43 / 0 / 62

HEX #573761

RGB 87 55 97

HSL 285.71, 0.28%, 0.3%

LAB 28.44, 22.48, -19.28

 

CMYK 10 / 43 / 0 / 42

HEX #855494

RGB 133 84 148

HSL 285.94, 0.28%, 0.45%

LAB 43.46, 31.85, -27.13

 

CMYK 10 / 43 / 0 / 22

HEX #B371C7

RGB 179 113 199

HSL 286.05, 0.43%, 0.61%

LAB 57.58, 40.57, -34.45

 

CMYK 10 / 43 / 0 / 2

HEX #E18EFA

RGB 225 142 250

HSL 286.11, 0.92%, 0.77%

LAB 71.05, 48.85, -41.39

 

CMYK 0 / 43 / 42 / 2

HEX #FA8E91

RGB 250 142 145

HSL 358.33, 0.92%, 0.77%

LAB 70.67, 41.05, 16.49

 

CMYK 43 / 0 / 28 / 2

HEX #8EFAB5

RGB 142 250 181

HSL 141.67, 0.92%, 0.77%

LAB 90.53, -45.89, 23.59

 

CMYK 10 / 43 / 0 / 2

HEX #E18EFA

RGB 225 142 250

HSL 286.11, 0.92%, 0.77%

LAB 71.05, 48.85, -41.39

 

CMYK 0 / 10 / 43 / 2

HEX #FAE18E

RGB 250 225 142

HSL 46.11, 0.92%, 0.77%

LAB 89.92, -2.38, 43.65

 

CMYK 43 / 0 / 10 / 2

HEX #8EFAE1

RGB 142 250 225

HSL 166.11, 0.92%, 0.77%

LAB 91.49, -36.95, 2.27

 

CMYK 10 / 43 / 0 / 2

HEX #E18EFA

RGB 225 142 250

HSL 286.11, 0.92%, 0.77%

LAB 71.05, 48.85, -41.39

 

CMYK 0 / 43 / 42 / 2

HEX #FA8E91

RGB 250 142 145

HSL 358.33, 0.92%, 0.77%

LAB 70.67, 41.05, 16.49

 

CMYK 33 / 0 / 43 / 2

HEX #A7FA8E

RGB 167 250 142

HSL 106.11, 0.92%, 0.77%

LAB 91.03, -44.65, 43.9

 

CMYK 43 / 0 / 2 / 2

HEX #8EFAF6

RGB 142 250 246

HSL 177.78, 0.92%, 0.77%

LAB 92.03, -32.08, -7.83

 

CMYK 10 / 43 / 0 / 2

HEX #E18EFA

RGB 225 142 250

HSL 286.11, 0.92%, 0.77%

LAB 71.05, 48.85, -41.39

 

CMYK 0 / 32 / 43 / 2

HEX #FAAB8E

RGB 250 171 142

HSL 16.11, 0.92%, 0.77%

LAB 76.92, 25.68, 26.67

 

CMYK 33 / 0 / 43 / 2

HEX #A7FA8E

RGB 167 250 142

HSL 106.11, 0.92%, 0.77%

LAB 91.03, -44.65, 43.9

 

CMYK 43 / 12 / 0 / 2

HEX #8EDDFA

RGB 142 221 250

HSL 196.11, 0.92%, 0.77%

LAB 84.16, -16.91, -21.73

 

Description

Color code: CMYK 10 / 43 / 0 / 2 | qconv.com Color code: CMYK 10 / 43 / 0 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 142 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 142 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 43 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 43% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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