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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA7E5EBF it is the complementary color #0581A1BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA7E5EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA7E5EBF shade: #FF7E59BF, #FF906CBF, #FFA27FBF, #FFB492BF and #FFC6A5BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA7E5EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA7E5EBF shade: #FA7E5EBF, #E96C4BBF, #D85A38BF, #C74825BF and #B63612BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA7E5EBF shade: #FA7C5C and #FA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA7E5EBF shade: #FA7C5C, #FAA75C, #FAD25C, #F8FA5C and #CDFA5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA7E5EBF shade matches the following richer shades: #FA7C5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA7E5EBF shade: #FA7C5C, #EC8469, #DF8C77, #D19485 and #C39C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA7E5EBF shade: #FA5C90, #FA5C66, #FA7B5C, #FAA65C and #FAD05C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA7E5EBF shade: #F73C0C, #F95C34, #FA7C5C, #FB9C84 and #FCBCAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA7E5EBF shade: #FA7E5E, #BBFA5C and #5C7BFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA7E5EBF shade: #FA7E5E, #5CFA7B and #7B5CFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA7E5EBF shade: #FA7E5E, #BBFA5C, #5CDAFA and #9B5CFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA7E5EBF shade: #FA7E5E, #8BFA5C, #5CDAFA and #CA5CFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 47 / 1

HEX #FA7E5EBF

RGBA 250 126 94 0.75

HSLA 12.31, 0.94%, 0.67%, 0.75

LABA 66.56, 44.79, 39.12, 0.75

 

Complementary color

CMYK 73 / 15 / 0 / 28

HEX #0581A1BF

RGBA 5 129 161 0.75

HSLA 192.31, 0.94%, 0.33%, 0.75

LABA 49.87, -17.69, -25.37, 0.75

 

CMYK 0 / 38 / 49 / 0

HEX #FF7E59BF

RGBA 255 126 89 0.75

HSLA 13.37, 1%, 0.67%, 0.75

LABA 67.2, 46.34, 42.72, 0.75

 

CMYK 0 / 33 / 43 / 0

HEX #FF906CBF

RGBA 255 144 108 0.75

HSLA 14.69, 1%, 0.71%, 0.75

LABA 71.07, 38.61, 37.37, 0.75

 

CMYK 0 / 27 / 38 / 0

HEX #FFA27FBF

RGBA 255 162 127 0.75

HSLA 16.41, 1%, 0.75%, 0.75

LABA 75.22, 30.88, 32.55, 0.75

 

CMYK 0 / 22 / 32 / 0

HEX #FFB492BF

RGBA 255 180 146 0.75

HSLA 18.72, 1%, 0.79%, 0.75

LABA 79.6, 23.3, 28.23, 0.75

 

CMYK 0 / 17 / 26 / 0

HEX #FFC6A5BF

RGBA 255 198 165 0.75

HSLA 22, 1%, 0.82%, 0.75

LABA 84.16, 15.98, 24.34, 0.75

 

CMYK 0 / 37 / 47 / 1

HEX #FA7E5EBF

RGBA 250 126 94 0.75

HSLA 12.31, 0.94%, 0.67%, 0.75

LABA 66.56, 44.79, 39.12, 0.75

 

CMYK 0 / 40 / 51 / 6

HEX #E96C4BBF

RGBA 233 108 75 0.75

HSLA 12.53, 0.78%, 0.6%, 0.75

LABA 60.39, 46.17, 41.33, 0.75

 

CMYK 0 / 44 / 56 / 11

HEX #D85A38BF

RGBA 216 90 56 0.75

HSLA 12.75, 0.67%, 0.53%, 0.75

LABA 54.24, 47.58, 43.73, 0.75

 

CMYK 0 / 48 / 61 / 16

HEX #C74825BF

RGBA 199 72 37 0.75

HSLA 12.96, 0.69%, 0.46%, 0.75

LABA 48.15, 48.93, 46.21, 0.75

 

CMYK 0 / 53 / 68 / 21

HEX #B63612BF

RGBA 182 54 18 0.75

HSLA 13.17, 0.82%, 0.39%, 0.75

LABA 42.2, 50.08, 48.3, 0.75

 

CMYK 0 / 50 / 63 / 2

HEX #FA7C5C

RGB 250 124 92

HSL 12.15, 0.94%, 0.67%

LAB 66.15, 45.65, 39.68

 

CMYK 0 / 63 / 63 / 2

HEX #FA5C5C

RGB 250 92 92

HSL 0, 0.94%, 0.67%

LAB 60.56, 60.22, 32.78

 

CMYK 0 / 50 / 63 / 2

HEX #FA7C5C

RGB 250 124 92

HSL 12.15, 0.94%, 0.67%

LAB 66.15, 45.65, 39.68

 

CMYK 0 / 33 / 63 / 2

HEX #FAA75C

RGB 250 167 92

HSL 28.48, 0.94%, 0.67%

LAB 75.29, 23.62, 50.49

 

CMYK 0 / 16 / 63 / 2

HEX #FAD25C

RGB 250 210 92

HSL 44.81, 0.94%, 0.67%

LAB 85.6, 1.23, 62.05

 

CMYK 1 / 0 / 63 / 2

HEX #F8FA5C

RGB 248 250 92

HSL 60.76, 0.94%, 0.67%

LAB 95.62, -19.44, 72.69

 

CMYK 18 / 0 / 63 / 2

HEX #CDFA5C

RGB 205 250 92

HSL 77.09, 0.94%, 0.67%

LAB 92.63, -36.25, 68.62

 

CMYK 0 / 50 / 63 / 2

HEX #FA7C5C

RGB 250 124 92

HSL 12.15, 0.94%, 0.67%

LAB 66.15, 45.65, 39.68

 

CMYK 0 / 50 / 63 / 2

HEX #FA7C5C

RGB 250 124 92

HSL 12.15, 0.94%, 0.67%

LAB 66.15, 45.65, 39.68

 

CMYK 0 / 44 / 56 / 7

HEX #EC8469

RGB 236 132 105

HSL 12.37, 0.78%, 0.67%

LAB 66.02, 37.28, 32.07

 

CMYK 0 / 37 / 47 / 13

HEX #DF8C77

RGB 223 140 119

HSL 12.12, 0.62%, 0.67%

LAB 66.35, 29.3, 24.47

 

CMYK 0 / 29 / 36 / 18

HEX #D19485

RGB 209 148 133

HSL 11.84, 0.45%, 0.67%

LAB 66.85, 21.06, 17.1

 

CMYK 0 / 20 / 25 / 24

HEX #C39C92

RGB 195 156 146

HSL 12.24, 0.29%, 0.67%

LAB 67.62, 12.97, 10.73

 

CMYK 0 / 63 / 42 / 2

HEX #FA5C90

RGB 250 92 144

HSL 340.25, 0.94%, 0.67%

LAB 61.65, 64.27, 4.27

 

CMYK 0 / 63 / 59 / 2

HEX #FA5C66

RGB 250 92 102

HSL 356.2, 0.94%, 0.67%

LAB 60.73, 60.85, 27.3

 

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

CMYK 0 / 34 / 63 / 2

HEX #FAA65C

RGB 250 166 92

HSL 28.1, 0.94%, 0.67%

LAB 75.06, 24.15, 50.23

 

CMYK 0 / 17 / 63 / 2

HEX #FAD05C

RGB 250 208 92

HSL 44.05, 0.94%, 0.67%

LAB 85.1, 2.26, 61.51

 

CMYK 0 / 76 / 95 / 3

HEX #F73C0C

RGB 247 60 12

HSL 12.26, 0.94%, 0.51%

LAB 55.11, 68.33, 64.4

 

CMYK 0 / 63 / 79 / 2

HEX #F95C34

RGB 249 92 52

HSL 12.18, 0.94%, 0.59%

LAB 59.93, 58.09, 53.28

 

CMYK 0 / 50 / 63 / 2

HEX #FA7C5C

RGB 250 124 92

HSL 12.15, 0.94%, 0.67%

LAB 66.15, 45.65, 39.68

 

CMYK 0 / 38 / 47 / 2

HEX #FB9C84

RGB 251 156 132

HSL 12.1, 0.94%, 0.75%

LAB 73.51, 32.92, 27.52

 

CMYK 0 / 25 / 32 / 1

HEX #FCBCAC

RGB 252 188 172

HSL 12, 0.93%, 0.83%

LAB 81.64, 20.94, 17.11

 

CMYK 0 / 50 / 62 / 2

HEX #FA7E5E

RGB 250 126 94

HSL 12.31, 0.94%, 0.67%

LAB 66.56, 44.79, 39.12

 

CMYK 25 / 0 / 63 / 2

HEX #BBFA5C

RGB 187 250 92

HSL 83.92, 0.94%, 0.67%

LAB 91.55, -42.91, 67.15

 

CMYK 63 / 51 / 0 / 2

HEX #5C7BFA

RGB 92 123 250

HSL 228.23, 0.94%, 0.67%

LAB 55.42, 27.78, -66.91

 

CMYK 0 / 50 / 62 / 2

HEX #FA7E5E

RGB 250 126 94

HSL 12.31, 0.94%, 0.67%

LAB 66.56, 44.79, 39.12

 

CMYK 63 / 0 / 51 / 2

HEX #5CFA7B

RGB 92 250 123

HSL 131.77, 0.94%, 0.67%

LAB 88.01, -66.93, 48.56

 

CMYK 51 / 63 / 0 / 2

HEX #7B5CFA

RGB 123 92 250

HSL 251.77, 0.94%, 0.67%

LAB 50.41, 51.31, -74.93

 

CMYK 0 / 50 / 62 / 2

HEX #FA7E5E

RGB 250 126 94

HSL 12.31, 0.94%, 0.67%

LAB 66.56, 44.79, 39.12

 

CMYK 25 / 0 / 63 / 2

HEX #BBFA5C

RGB 187 250 92

HSL 83.92, 0.94%, 0.67%

LAB 91.55, -42.91, 67.15

 

CMYK 63 / 13 / 0 / 2

HEX #5CDAFA

RGB 92 218 250

HSL 192.15, 0.94%, 0.67%

LAB 81.47, -25.46, -25.99

 

CMYK 38 / 63 / 0 / 2

HEX #9B5CFA

RGB 155 92 250

HSL 263.92, 0.94%, 0.67%

LAB 53.52, 57.36, -69.74

 

CMYK 0 / 50 / 62 / 2

HEX #FA7E5E

RGB 250 126 94

HSL 12.31, 0.94%, 0.67%

LAB 66.56, 44.79, 39.12

 

CMYK 44 / 0 / 63 / 2

HEX #8BFA5C

RGB 139 250 92

HSL 102.15, 0.94%, 0.67%

LAB 89.22, -58.81, 63.94

 

CMYK 63 / 13 / 0 / 2

HEX #5CDAFA

RGB 92 218 250

HSL 192.15, 0.94%, 0.67%

LAB 81.47, -25.46, -25.99

 

CMYK 19 / 63 / 0 / 2

HEX #CA5CFA

RGB 202 92 250

HSL 281.77, 0.94%, 0.67%

LAB 59.08, 67.35, -60.5

 

Description

Color code: HEX #FA7E5EBF | qconv.com Color code: HEX #FA7E5EBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 126 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 126 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 47 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 47% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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