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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 73 / 15 / 0 / 28 it is the complementary color CMYK 0 / 52 / 65 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 73 / 15 / 0 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 73 / 15 / 0 / 28: CMYK 69 / 13 / 0 / 30, CMYK 64 / 12 / 0 / 22, CMYK 59 / 12 / 0 / 15, CMYK 55 / 11 / 0 / 7 and CMYK 52 / 11 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 73 / 15 / 0 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 73 / 15 / 0 / 28: CMYK 73 / 15 / 0 / 28, CMYK 80 / 16 / 0 / 35, CMYK 89 / 18 / 0 / 43, CMYK 100 / 20 / 0 / 50 and CMYK 100 / 22 / 0 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 15 / 0 / 28

HEX #329CB8

RGB 50 156 184

HSL 192.54, 0.57%, 0.46%

LAB 59.81, -20.46, -23.16

 

Complementary color

CMYK 0 / 52 / 65 / 20

HEX #CD6347

RGB 205 99 71

HSL 12.54, 0.57%, 0.54%

LAB 54.4, 39.87, 35.39

 

CMYK 69 / 13 / 0 / 30

HEX #379CB3

RGB 55 156 179

HSL 191.13, 0.53%, 0.46%

LAB 59.75, -21.37, -20.43

 

CMYK 64 / 12 / 0 / 22

HEX #48AEC6

RGB 72 174 198

HSL 191.43, 0.53%, 0.53%

LAB 66.31, -22.09, -21

 

CMYK 59 / 12 / 0 / 15

HEX #59C0D9

RGB 89 192 217

HSL 191.72, 0.63%, 0.6%

LAB 72.78, -22.62, -21.52

 

CMYK 55 / 11 / 0 / 7

HEX #6AD2EC

RGB 106 210 236

HSL 192, 0.77%, 0.67%

LAB 79.16, -23.02, -22

 

CMYK 52 / 11 / 0 / 0

HEX #7BE4FF

RGB 123 228 255

HSL 192.27, 1%, 0.74%

LAB 85.46, -23.32, -22.46

 

CMYK 73 / 15 / 0 / 28

HEX #329CB8

RGB 50 156 184

HSL 192.54, 0.57%, 0.46%

LAB 59.81, -20.46, -23.16

 

CMYK 80 / 16 / 0 / 35

HEX #218AA5

RGB 33 138 165

HSL 192.27, 0.67%, 0.39%

LAB 53.19, -19.25, -22.53

 

CMYK 89 / 18 / 0 / 43

HEX #107892

RGB 16 120 146

HSL 192, 0.8%, 0.32%

LAB 46.47, -17.61, -21.81

 

CMYK 100 / 20 / 0 / 50

HEX #00667F

RGB 0 102 127

HSL 191.81, 1%, 0.25%

LAB 39.64, -15.51, -20.99

 

CMYK 100 / 22 / 0 / 58

HEX #00546C

RGB 0 84 108

HSL 193.33, 1%, 0.21%

LAB 32.75, -12.42, -19.95

 

CMYK 73 / 15 / 0 / 28

HEX #329CB8

RGB 50 156 184

HSL 192.54, 0.57%, 0.46%

LAB 59.81, -20.46, -23.16

 

CMYK 73 / 27 / 0 / 28

HEX #3287B8

RGB 50 135 184

HSL 201.94, 0.57%, 0.46%

LAB 53.46, -8.93, -33

 

CMYK 73 / 39 / 0 / 28

HEX #3270B8

RGB 50 112 184

HSL 212.24, 0.57%, 0.46%

LAB 46.61, 4.81, -43.78

 

CMYK 73 / 51 / 0 / 28

HEX #325AB8

RGB 50 90 184

HSL 222.09, 0.57%, 0.46%

LAB 40.33, 18.87, -53.86

 

CMYK 73 / 63 / 0 / 28

HEX #3244B8

RGB 50 68 184

HSL 231.94, 0.57%, 0.46%

LAB 34.55, 33.2, -63.26

 

CMYK 73 / 15 / 0 / 28

HEX #329CB8

RGB 50 156 184

HSL 192.54, 0.57%, 0.46%

LAB 59.81, -20.46, -23.16

 

CMYK 73 / 15 / 0 / 8

HEX #40C7EB

RGB 64 199 235

HSL 192.63, 0.81%, 0.59%

LAB 74.78, -24.48, -28.26

 

CMYK 74 / 16 / 0 / 88

HEX #081A1F

RGB 8 26 31

HSL 193.04, 0.59%, 0.08%

LAB 8.03, -5.26, -5.75

 

CMYK 73 / 15 / 0 / 68

HEX #164652

RGB 22 70 82

HSL 192, 0.58%, 0.2%

LAB 27.19, -11.59, -11.9

 

CMYK 73 / 15 / 0 / 48

HEX #247185

RGB 36 113 133

HSL 192.37, 0.57%, 0.33%

LAB 44.06, -16.2, -17.76

 

CMYK 73 / 15 / 0 / 28

HEX #329CB8

RGB 50 156 184

HSL 192.54, 0.57%, 0.46%

LAB 59.81, -20.46, -23.16

 

CMYK 44 / 73 / 0 / 28

HEX #6732B8

RGB 103 50 184

HSL 263.73, 0.57%, 0.46%

LAB 35.25, 51.58, -61.92

 

CMYK 0 / 15 / 73 / 28

HEX #B89D32

RGB 184 157 50

HSL 47.91, 0.57%, 0.46%

LAB 65.38, -1.52, 56.64

 

CMYK 73 / 15 / 0 / 28

HEX #329CB8

RGB 50 156 184

HSL 192.54, 0.57%, 0.46%

LAB 59.81, -20.46, -23.16

 

CMYK 0 / 73 / 15 / 28

HEX #B8329D

RGB 184 50 157

HSL 312.09, 0.57%, 0.46%

LAB 45.51, 63.55, -28.78

 

CMYK 15 / 0 / 73 / 28

HEX #9DB832

RGB 157 184 50

HSL 72.09, 0.57%, 0.46%

LAB 70.65, -27.03, 61.01

 

CMYK 73 / 15 / 0 / 28

HEX #329CB8

RGB 50 156 184

HSL 192.54, 0.57%, 0.46%

LAB 59.81, -20.46, -23.16

 

CMYK 44 / 73 / 0 / 28

HEX #6732B8

RGB 103 50 184

HSL 263.73, 0.57%, 0.46%

LAB 35.25, 51.58, -61.92

 

CMYK 0 / 58 / 73 / 28

HEX #B84D32

RGB 184 77 50

HSL 12.09, 0.57%, 0.46%

LAB 46.62, 41.67, 37.1

 

CMYK 29 / 0 / 73 / 28

HEX #82B832

RGB 130 184 50

HSL 84.18, 0.57%, 0.46%

LAB 68.94, -37.74, 58.76

 

CMYK 73 / 15 / 0 / 28

HEX #329CB8

RGB 50 156 184

HSL 192.54, 0.57%, 0.46%

LAB 59.81, -20.46, -23.16

 

CMYK 22 / 73 / 0 / 28

HEX #9032B8

RGB 144 50 184

HSL 282.09, 0.57%, 0.46%

LAB 40.69, 59.33, -52.85

 

CMYK 0 / 58 / 73 / 28

HEX #B84D32

RGB 184 77 50

HSL 12.09, 0.57%, 0.46%

LAB 46.62, 41.67, 37.1

 

CMYK 51 / 0 / 73 / 28

HEX #5AB832

RGB 90 184 50

HSL 102.09, 0.57%, 0.46%

LAB 67.04, -51.25, 56.24

 

Description

Color code: CMYK 73 / 15 / 0 / 28 | qconv.com Color code: CMYK 73 / 15 / 0 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 156 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 156 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 15 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 15% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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