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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA7B5C it is the complementary color #0584A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA7B5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA7B5C shade: #FF7B57, #FF8D6A, #FF9F7D, #FFB190 and #FFC3A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA7B5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA7B5C shade: #FA7B5C, #E96949, #D85736, #C74523 and #B63310

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA7B5C shade: #FA7B5C and #FA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA7B5C shade: #FA7B5C, #FAA55C, #FAD05C, #F9FA5C and #CEFA5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA7B5C shade matches the following richer shades: #FA7B5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA7B5C shade: #FA7B5C, #EC8369, #DF8B77, #D19485 and #C39C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA7B5C shade: #FA5C93, #FA5C69, #FA795C, #FAA35C and #FACD5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA7B5C shade: #F73A0C, #F95A34, #FA7B5C, #FB9B84 and #FCBCAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA7B5C shade: #FA7B5C, #BDFA5C and #5C7EFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA7B5C shade: #FA7B5C, #5CFA79 and #795CFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA7B5C shade: #FA7B5C, #BDFA5C, #5CDDFA and #985CFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA7B5C shade: #FA7B5C, #8EFA5C, #5CDDFA and #C85CFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

Complementary color

CMYK 97 / 19 / 0 / 36

HEX #0584A3

RGB 5 132 163

HSL 191.77, 0.94%, 0.33%

LAB 50.9, -18.6, -24.93

 

CMYK 0 / 52 / 66 / 0

HEX #FF7B57

RGB 255 123 87

HSL 12.86, 1%, 0.67%

LAB 66.61, 47.68, 43.07

 

CMYK 0 / 45 / 58 / 0

HEX #FF8D6A

RGB 255 141 106

HSL 14.09, 1%, 0.71%

LAB 70.42, 39.99, 37.62

 

CMYK 0 / 38 / 51 / 0

HEX #FF9F7D

RGB 255 159 125

HSL 15.69, 1%, 0.75%

LAB 74.53, 32.26, 32.72

 

CMYK 0 / 31 / 44 / 0

HEX #FFB190

RGB 255 177 144

HSL 17.84, 1%, 0.78%

LAB 78.88, 24.66, 28.32

 

CMYK 0 / 24 / 36 / 0

HEX #FFC3A3

RGB 255 195 163

HSL 20.87, 1%, 0.82%

LAB 83.41, 17.31, 24.38

 

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

CMYK 0 / 55 / 69 / 9

HEX #E96949

RGB 233 105 73

HSL 12, 0.78%, 0.6%

LAB 59.81, 47.5, 41.72

 

CMYK 0 / 60 / 75 / 15

HEX #D85736

RGB 216 87 54

HSL 12.22, 0.68%, 0.53%

LAB 53.69, 48.88, 44.18

 

CMYK 0 / 65 / 82 / 22

HEX #C74523

RGB 199 69 35

HSL 12.44, 0.7%, 0.46%

LAB 47.65, 50.16, 46.7

 

CMYK 0 / 72 / 91 / 29

HEX #B63310

RGB 182 51 16

HSL 12.65, 0.84%, 0.39%

LAB 41.77, 51.19, 48.75

 

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

CMYK 0 / 63 / 63 / 2

HEX #FA5C5C

RGB 250 92 92

HSL 0, 0.94%, 0.67%

LAB 60.56, 60.22, 32.78

 

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

CMYK 0 / 34 / 63 / 2

HEX #FAA55C

RGB 250 165 92

HSL 27.72, 0.94%, 0.67%

LAB 74.83, 24.67, 49.97

 

CMYK 0 / 17 / 63 / 2

HEX #FAD05C

RGB 250 208 92

HSL 44.05, 0.94%, 0.67%

LAB 85.1, 2.26, 61.51

 

CMYK 0 / 0 / 63 / 2

HEX #F9FA5C

RGB 249 250 92

HSL 60.38, 0.94%, 0.67%

LAB 95.7, -19.04, 72.79

 

CMYK 18 / 0 / 63 / 2

HEX #CEFA5C

RGB 206 250 92

HSL 76.71, 0.94%, 0.67%

LAB 92.69, -35.87, 68.71

 

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

CMYK 0 / 44 / 56 / 7

HEX #EC8369

RGB 236 131 105

HSL 11.91, 0.78%, 0.67%

LAB 65.82, 37.79, 31.8

 

CMYK 0 / 38 / 47 / 13

HEX #DF8B77

RGB 223 139 119

HSL 11.54, 0.62%, 0.67%

LAB 66.12, 29.83, 24.17

 

CMYK 0 / 29 / 36 / 18

HEX #D19485

RGB 209 148 133

HSL 11.84, 0.45%, 0.67%

LAB 66.85, 21.06, 17.1

 

CMYK 0 / 20 / 25 / 24

HEX #C39C92

RGB 195 156 146

HSL 12.24, 0.29%, 0.67%

LAB 67.62, 12.97, 10.73

 

CMYK 0 / 63 / 41 / 2

HEX #FA5C93

RGB 250 92 147

HSL 339.11, 0.94%, 0.67%

LAB 61.73, 64.57, 2.65

 

CMYK 0 / 63 / 58 / 2

HEX #FA5C69

RGB 250 92 105

HSL 355.06, 0.94%, 0.67%

LAB 60.78, 61.05, 25.65

 

CMYK 0 / 52 / 63 / 2

HEX #FA795C

RGB 250 121 92

HSL 11.01, 0.94%, 0.67%

LAB 65.57, 47.11, 38.99

 

CMYK 0 / 35 / 63 / 2

HEX #FAA35C

RGB 250 163 92

HSL 26.96, 0.94%, 0.67%

LAB 74.38, 25.72, 49.44

 

CMYK 0 / 18 / 63 / 2

HEX #FACD5C

RGB 250 205 92

HSL 42.91, 0.94%, 0.67%

LAB 84.36, 3.8, 60.7

 

CMYK 0 / 77 / 95 / 3

HEX #F73A0C

RGB 247 58 12

HSL 11.74, 0.94%, 0.51%

LAB 54.89, 68.92, 64.28

 

CMYK 0 / 64 / 79 / 2

HEX #F95A34

RGB 249 90 52

HSL 11.57, 0.94%, 0.59%

LAB 59.62, 58.92, 52.97

 

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

CMYK 0 / 38 / 47 / 2

HEX #FB9B84

RGB 251 155 132

HSL 11.6, 0.94%, 0.75%

LAB 73.3, 33.44, 27.23

 

CMYK 0 / 25 / 32 / 1

HEX #FCBCAC

RGB 252 188 172

HSL 12, 0.93%, 0.83%

LAB 81.64, 20.94, 17.11

 

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

CMYK 24 / 0 / 63 / 2

HEX #BDFA5C

RGB 189 250 92

HSL 83.16, 0.94%, 0.67%

LAB 91.67, -42.18, 67.31

 

CMYK 63 / 50 / 0 / 2

HEX #5C7EFA

RGB 92 126 250

HSL 227.09, 0.94%, 0.67%

LAB 56.19, 25.96, -65.68

 

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

CMYK 63 / 0 / 52 / 2

HEX #5CFA79

RGB 92 250 121

HSL 131.01, 0.94%, 0.67%

LAB 87.98, -67.21, 49.46

 

CMYK 52 / 63 / 0 / 2

HEX #795CFA

RGB 121 92 250

HSL 251.01, 0.94%, 0.67%

LAB 50.24, 50.96, -75.22

 

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

CMYK 24 / 0 / 63 / 2

HEX #BDFA5C

RGB 189 250 92

HSL 83.16, 0.94%, 0.67%

LAB 91.67, -42.18, 67.31

 

CMYK 63 / 12 / 0 / 2

HEX #5CDDFA

RGB 92 221 250

HSL 191.01, 0.94%, 0.67%

LAB 82.32, -26.94, -24.69

 

CMYK 39 / 63 / 0 / 2

HEX #985CFA

RGB 152 92 250

HSL 262.78, 0.94%, 0.67%

LAB 53.2, 56.76, -70.27

 

CMYK 0 / 51 / 63 / 2

HEX #FA7B5C

RGB 250 123 92

HSL 11.77, 0.94%, 0.67%

LAB 65.95, 46.14, 39.45

 

CMYK 43 / 0 / 63 / 2

HEX #8EFA5C

RGB 142 250 92

HSL 101.01, 0.94%, 0.67%

LAB 89.34, -57.92, 64.11

 

CMYK 63 / 12 / 0 / 2

HEX #5CDDFA

RGB 92 221 250

HSL 191.01, 0.94%, 0.67%

LAB 82.32, -26.94, -24.69

 

CMYK 20 / 63 / 0 / 2

HEX #C85CFA

RGB 200 92 250

HSL 281.01, 0.94%, 0.67%

LAB 58.82, 66.91, -60.93

 

Description

Color code: HEX #FA7B5C | qconv.com Color code: HEX #FA7B5C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 123 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 123 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 63 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 63% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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